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Glossary of Colombian music

From Wikipedia, the free encyclopedia

This page is aglossary of Colombian music.

Main article:Music of Colombia

Contents

A

[edit]
  • agüelulo – A teenage gathering, originally held in private homes and then larger spaces; a teenager who frequented such a place was aagüelero or sometimes acocacolos, after the main beverage drunk atagüelulos,Coca-Cola[1]
  • música andina – An early national style of the 19th and early 20th centuries, developed from the Andean interior[1]
  • música antillana – A kind of popular dance music based on Cuban and Puerto Rican styles[1]
  • audición: literallylistening, can refer to a "special musical tribute to the career of a particular artist or group", performed before the beginning of a concert[1]

B

[edit]
  • baile – Literally,dance, dances are alphabetized under their descriptor, e.g.baile de cuota is alphabetized undercuota
  • bambuco – An Andean style of dance music, perceived as a national music in the early 20th century,[2] or an Andean lyric music performed along withpasillo as a common part of themúsica andina repertoire[1]
  • balada – In popular music, refers to a kind of "Spanish romantic popular music", found across Latin America[1]
  • bandola – A stringed instrument similar to amandolin, used inllanera[2] andmusica andina[1]
  • bandolin – A larger relative of thebandola[2]
  • bingo bailable – a dance that includesbingo games andsalsa music[1]
  • bolero – A loose term for loveballads[1]
  • bombo – A drum used in folklore groups on the Atlantic coast, laid with sticks and used to start a performance by calling on the other drums to perform;[2] a bass drum used in traditionalcumbia ensembles[1]
  • bugalú – An early form of New York salsa, popular in Colombia during the 1960s, a fusion ofson withrhythm and blues[1]
  • bullerengue – ACosteño form, performed by flute-and-drum ensembles[1]
  • The Colombian Mambo – the Colombian men would go to clubs and dance with each other until their legs fell off.

C

[edit]
  • caja vallenata – Avallenato drum originally made from goatskin[2]
  • calle de las salsotecas – Literally,salsoteca street, referring toCalle 44, a three-mile-long road in Cali, referring to the numeroussalsotecas andtabernas along the street, known for featuringsalsa dura and Cuban music during the 1980s and 90s[1]
  • caballo – A rhythmic pattern played on theconga[1]
  • camaján – An alternate term for thepachuco[1]
  • campana – Acowbell[1]
  • campanero – A performer of the cowbell, notably played by audience members along with the on-stage performer[1]
  • capachosMaracas[2]
  • música caribeña – A rarely used synonym formúsica antillana[1]
  • carrilera – A form of guitar-based music from theAntioquia province, associated "with the urbanizing peasant or working class"[1]
  • carrito – Small, streetside vendors of recorded music[1]
  • carrizo – A form of Colombian folkflute[2]
  • caseta – A dance hall[1]
  • cencerro – Atimbales cowbell[1]
  • champeta – A form of rootsy music from the Atlantic coastal city ofCartagena, where an Afro-Colombian population developed the style;[2] an Afro-Colombian style associated with Cartagena andBarranquilla, which combines elements ofAfrican pop,soca,zouk,mbaqanga andsoukous[1]
  • champús bailable – A Caleño tradition of house parties, which began in the 1930s and were usually held on Sundays;[1]champú, a beverage made from pineapple, corn, bitter orange leaves and a fruit calledlulo[1]
  • chandé – A Costeño form, performed by flute-and-drum ensembles[1]
  • chirimía – A kind of ensemble found in the northwest corner ofChocó province[1]
  • chucu-chucu – An alternate term forraspa[1]
  • cokacolo – A teenage dancer at aagüelulo[1]
  • contrapunteo – An improvised, verbal duel[2]
  • música colombianaColombian music, formerly understood to refer tomúsica andina in the 19th and early 20th century, when that style was perceived as a national music
  • baile de cuota – A type of dance party in Cali's working-class neighborhoods during the mid-20th century[1]
  • cuatro – A smallguitar, used inllanera[2]
  • currulao – Amarimba-based music found along the southwest littoralValle,Cauca andNariño provinces of Colombia, as well asEsmeraldas inEcuador[1]
  • cumbia – A form of nation music, originally from the Atlantic coast and characterized by a "solidly grounded and complex layered rhythm with an airily syncopated melody"[2]

E

[edit]
  • empanada bailable – An alternate term forchampú bailable, referring to theempanadas often served

F

[edit]
  • fandango – ACosteño song form, performed by flute-and-drum ensembles[1]
  • festivales – Community dances in Cali, held in neighborhood dance halls or pavilions[1]
  • fiesta patronales – Saints days[1]
  • flauto de millo – Seemillo, flauto de

G

[edit]
  • gaita – A folkflute;[2] aCosteño form, performed by flute-and-drum ensembles;[1]conjunto de gaita is a traditionalcumbia ensemble[1]
  • guabina – A kind ofmúsica andina[1]
  • guacharaca – Ascraper, common invallenato
  • guacheRattles made from filling metal or gourd tubes with seeds[2]
  • guateque – Originally a Cuban word referring to a ruralcampesino party, which came to refer to a form ofsalsa dura, characterized by "slow, grindingson montunos with heavy bass and percussion; associated also withEl guateque de la salsa (The Salsa Party), a popular radio show from 1989 to 1993[1]

I

[edit]
  • música de la interior – An Andean style, often used synonymously withbambuco, characterized by a gentle and melodic sound and a well-developed melody at the expense of rhythmic complexity[2]

J

[edit]
  • joropo – Originally a folk dance performed in honor of saints days and other special occasions, such as birthdays and baptism;[2] now more often a generic word forllanera based dance music;[2] acourtship dance associated with central Colombia and that region'scowboy culture, a "dynamic, polyrhythmic mestizo style that fuses Andalusian, African and indigenous elements"[1]

K

[edit]
  • kiosco – A community pavilion, used for musical performances[1]
  • kuisi – an indigenousflute made from a hollowed cactus stem, with a beeswax and charcoal powder mixture for the head, with a quill made from a goose or turkey feather for the mouthpiece. There are male and female versions of the pipe (orgaita in Spanish), the femalekuisi bunsi (orgaita hembra) with 5 holes, and the malekuisi sigi (orgaita macho) with two.[3]

L

[edit]
  • llamador – A drum, traditionally used incumbia as well as modernmúsica tropical[1]
  • llanera – A form ofharp-led music[2]

M

[edit]
  • marimbula – A low-pitchedthumb piano[2]
  • flauto de millo – A folk clarinet of the Atlantic coast[2]
  • melómano – A "music aficionado"[1]
  • música – Literallymusic, music forms are alphabetized by their descriptor, e.g.música antillana is alphabetized underantillana

N

[edit]
  • música de negros – Literallyblack people's music, a pejorative term used by the elite to deride musics such asmúsica antillana[1]
  • nueva ola – Literallynew wave, a kind of pop-balada performed by romantic crooners, which peaked in the 1960s and 70s[1]

O

[edit]
  • orquesta – A dance band[1]
  • orquesta femenina – An all-female dance ensemble[1]
  • orquesta infantile – An all-child dance ensemble[1]
  • orquesta juvenile – An all-youth dance ensemble[1]

P

[edit]
  • pachanga – An early form of New York salsa, popular in Colombia during the 1960s, especially in the city ofCali[4]
  • pachuco – An iconic figure, a "ruffian and a hustler... an antihero", especially important in the culture surrounding theZona de tolerancia[1]
  • parrandero – A typical lyrical focus of the more macho side of popularcumbia, referring to a boasting, aggressive and sexual "party-going man"[2]
  • pasillo – A lyric song form from the Andean region[1]
  • el paso Caleño – A traditional dance step from the city of Cali, characterized by a "rapid 'double-time' shuffle on the tips of the toes"[1]
  • pasta americanaCarrito slang referring to the thicker and higher quality vinyl of American records
  • picó – Derived from the Englishpickup, a largesound system amongDJs in Cartagena and Barranquilla during the 1980s[1]
  • pop tropical – A form of mid-1990s pop-salsa[1]
  • porro – A music genre. A villagebrass band;[2] a song form performed by the flute-and-drum ensembles of the Atlantic coast region, as well as mid-20th century urban danceorquestas[1]

R

[edit]

S

[edit]
  • salsa – A Spanish Caribbean dance music created in New York City using elements of Afro-Cuban and Puerto Rican music, a combination known in Colombia asmusica antillana[1]
  • salsíbiri – A term coined byFruko to describe his own style[1]
  • salsómano – A salsa fan[1]
  • salsoteca – A venue that plays salsa
  • serenata – A pan-Latin tradition of streetserenades performed by small groups of instrumentalists, especially guitarists[1]

T

[edit]
  • tambor hembra – The lead drum of the Atlantic coast drum choirs[2]
  • tambor macho – Aconga-like drum that leads the basic rhythm of the Atlantic coast drum choirs[2]
  • terapia – An alternate term forchampeta[1]
  • musica tropical – A form of salsa-based music innovated byJoe Arroyo;[2] a form of dance music based on various Atlantic coast genres[1]
  • tiple – A small stringed instrument, used inllanera[2] andmusica andina[1]

V

[edit]
  • vallenato – A form of accordion-based music, related tomúsica tropical andcumbia, and originally associated with the Atlantic Coast
  • vallenato-protesta – A form ofvallenato-basedprotest song[2]
  • verbena – Free street parties held during the DecemberFeria and sponsored by the city of Cali[1]
  • viejoteca – Dance parties, originally appearing in 1993 for senior citizens but later appealing to middle-aged partygoers and finally abandoning any age restrictions; theseviejotecas became associated with a revival of theagüelulos and nightclub scenes of the 1960s and 70s; originally from Cali,viejotecas have spread to Medellin and Cartagena[1]

Z

[edit]

See also

[edit]

References

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  1. ^abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakalamanaoapaqarasatauavawaxayazbabbbcbdbebfbgbhbibjbkblbmbnbobpWazer, Lise A. (2002).The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia. Middletown, Connecticut: Wesleyan University Press.ISBN 0-8195-6441-9.
  2. ^abcdefghijklmnopqrstuvwxyzBurton, Kim. "El Sonido Dorado". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.),World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 372-385. Rough Guides Ltd, Penguin Books.ISBN 1-85828-636-0
  3. ^Sturman, Janet L. (2003)."Technology and Identity in Colombian Popular Music". InRené T.A., Lysloff;Leslie C., Gay (eds.).Music and technoculture (illustrated ed.). Middletown, Connecticut: Wesleyan University Press. pp. 153–180.ISBN 0-8195-6514-8. Retrieved2009-08-16.
  4. ^Waxer, pg. 92; Waxer cites the Cali claim to Helio Orovo, from personal communication on May 31, 1996
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