Eva Le Gallienne
c. 1923–1928
Born	(1899-01-11)January 11, 1899 London, England
Died	June 3, 1991(1991-06-03) (aged 92) Weston, Connecticut, U.S.
Occupations	Actress producer director translator author
Years active	1914–1984
Partner(s)	Mary "Mimsey" Benson (née Duggett) Mercedes de Acosta Josephine Hutchinson Marion Gunnar Evensen-Westlake Margaret Webster
Father	Richard Le Gallienne
Relatives	Gwen Le Gallienne (step-sister)

Eva Le Gallienne (January 11, 1899 – June 3, 1991) was a British-born American stage actress, producer, director, translator, and author. ABroadway star by age 21, in 1926 she left Broadway behind to found theCivic Repertory Theatre, where she served as director, producer, and lead actress. Noted for her boldness and idealism, she was a pioneering figure in the American theater, setting the stage for theOff-Broadway and regional theater movements that swept the country later in the 20th century.

Le Gallienne devoted herself to the art of the theater as opposed to the show business of Broadway. She felt strongly that high-quality plays should be affordable and accessible to all people who wanted to see them. She ran the Civic Repertory Theatre for seven years (1926–1934), producing 37 plays during that time with a company whose actors includedBurgess Meredith,John Garfield,Norman Lloyd,J. Edward Bromberg,Paul Leyssac,Florida Friebus,David Manners,Josephine Hutchinson,Alla Nazimova,Joseph Schildkraut, andLeona Roberts.

Le Gallienne was born in London toRichard Le Gallienne, an English poet of French descent, andJulie Nørregaard, a Danish journalist. They married in 1897 and separated in 1903, later divorcing.^[1] Le Gallienne and her mother spent the next eleven years shuttling among Paris, London, and Copenhagen.

While in Paris, Le Gallienne was taken to see performances bySarah Bernhardt. She idolized the actress and sought to emulate her. Meeting "La Grande Sarah" as a young girl inspired Le Gallienne to devote herself to "the power of the Theatre to spread beauty out into life."^[2]

Le Gallienne made her stage debut at the age of 15 with awalk-on role in a 1914 production ofMaurice Maeterlinck'sMonna Vanna. She spent several months attending drama school at Tree's Academy (now the Royal Academy of Dramatic Art). She left school to perform in the role of a cockney servant in a West End play calledThe Laughter of Fools, and "brought down the house", receiving excellent reviews.^[3]

The next year, at age 16, Le Gallienne and her mother sailed for New York City, where she began auditioning for Broadway plays. Her first few roles were small, and she struggled for recognition.^[3] She spent a season performing on tour and insummer stock. After traveling in Europe for a period of time, she returned to New York to star in Arthur Richman'sNot So Long Ago (1920).

Soon afterward, she became a full-fledgedBroadway sensation playing the role of Julie inFerenc Molnár'sLiliom (1921) for theTheatre Guild.^[3] She became known as a star in 1923 when she played Princess Alexandra in Molnar'sThe Swan. Le Gallienne became a naturalized United States citizen in 1927.^[4][5][6]

Le Gallienne's great dream was to found a classical repertory theatre like those of the European cities in which she grew up. After producing and directing some special matinees of plays byHenrik Ibsen, in 1926 she leased a theatre on West Fourteenth Street in Manhattan. There she established the Civic Repertory Theatre.^[7] Her goal was to present the highest quality plays at the lowest possible prices. Her motto was, "The theatre should be an instrument for giving, not a machinery for getting."^[8]

She ran the non-profit Civic Repertory Theatre for seven years (1926–1934), backed by the financial support ofAlice DeLamar, a wealthy heiress, as well as several other prominent donors who believed in her work and agreed to subsidize it. The Civic Rep disbanded at the height of theDepression in 1934, having lost numerous subscriptions and subsidies due to the economic downturn.^[9][10]

Le Gallienne was a lesbian; she was as open about her love of women as it was possible to be in her day. Robert Schanke, who published a biography of Le Gallienne in 1992, claimed that she struggled with her sexual orientation throughout her life.^[11] But, such assertions are contradicted by Le Gallienne's own letters and diaries, in which she wrote confidently about her romantic relationships with women.^[12]

Helen Sheehy, who published an authorized biography in 1996 with the cooperation of Le Gallienne's estate, rejected Schanke's portrait of the actress as a self-hating lesbian. Sheehy quotes Le Gallienne's words of advice to her close friend and poetMay Sarton, who was also gay: "People hate what they don't understand and try to destroy it. Only try to keep yourself clear and don't allow that destructive force to spoil something that to you is simple, natural, and beautiful." Similarly, Le Gallienne told a friend, Eloise Armen, that love between women was "the most beautiful thing in the world."^[13]

Le Gallienne's first romantic relationship was with Mary Duggett, whom she called "Mimsey." They were together from 1917 to 1921, until Mimsey gave in to social and familial pressure and married Stuart Benson. The two women soon reconciled, however, and remained friends for life. Mimsey Benson took on the mantle of Business Manager at the Civic Rep.^[7]

In 1921, Eva went to Hollywood to visit the actressAlla Nazimova, whom she had met in New York several years prior. Nazimova was at the height of her fame and at that time wielded much power in the acting community. If the two had an affair at that time, it was a brief one, but Nazimova did introduce Le Gallienne to many influential people of the day. It was Nazimova who coined the phrase "sewing circle" to refer to the community of lesbian and bisexual women of her day.

Le Gallienne was reported to be romantically involved with actressesTallulah Bankhead,Beatrice Lillie andLaurette Taylor, but there is no evidence for these claims among Le Gallienne's documents.^[14]

Between 1921 and 1926, Le Gallienne had relationships with writer and socialiteMercedes de Acosta and scenic designerGladys Calthrop, as well as a brief affair with actorBasil Rathbone. But the love of her young life was actressJosephine Hutchinson, whom Le Gallienne invited to join the Civic Rep company in 1927. Hutchinson divorced her husband, Robert Bell, in 1930, having separated from him in 1928. Contrary to popular belief, Le Gallienne was not named as co-respondent in the divorce.^[8]

Le Gallienne and Hutchinson performed together in numerous plays at the Civic Repertory Theatre, includingDear Jane (1932), a play by Eleanor Holmes Hinkley based on the life ofJane Austen,^[15] andAlice in Wonderland, which was adapted for the stage by Le Gallienne and Florida Friebus in 1932. It was subsequently revived on Broadway in 1947 and 1982. American composerGertrud Roberts wrote incidental music for a 1957 Hawaiian performance of Le Gallienne’sAlice in Wonderland.^[16]

Le Gallienne and Hutchinson split up in 1934. Le Gallienne had begun a relationship with Marion Gunnar Evensen-Westlake. They would be "companions" for the next three and a half decades.^[13]

Le Gallienne starred asPeter Pan in the production that opened at the Civic Rep on November 6, 1928. The flying effects were superbly designed, and for the first time Peter flew out over the heads of the audience. The critics loved "LeG", as she became known, and more than a few favored her performance over that ofMaude Adams, the first to play the role on Broadway. The Civic Repertory Theatre presentedPeter Pan 129 times.^[17]

In late 1929, just after thestock market crash, Le Gallienne was on thecover ofTime magazine. During theGreat Depression that followed, she was offered directorship of theFederal Theatre Project of theWorks Progress Administration by PresidentFranklin D. Roosevelt. She declined due to her belief that "it was mandatory to bring [the people] the highest standard of performance", rather than simply hiring any actors who were out of work.^[18]

In the late 1930s, Le Gallienne became involved in a relationship with theater directorMargaret Webster. She, Webster, and producerCheryl Crawford co-founded the American Repertory Theater, which operated from 1946 to 1948. (It bore no relation to the institution inCambridge, Massachusetts, later founded byRobert Brustein.)^[19]

Throughout the 1940s and 50s, Le Gallienne performed in numerous productions both in New York and in the regions. In the late 1950s, she enjoyed great success playing the role ofQueen Elizabeth inMary Stuart.^[3]

In 1964, Le Gallienne was presented with aSpecial Tony Award in recognition of her 50th year as an actress and in honor of her work with the National Repertory Theatre.^[20]

Le Gallienne returned to the Broadway spotlight in 1976, playing the role of Fanny Cavendish in the revival ofThe Royal Family, directed byEllis Rabb.^[13] She won a 1978 Emmy Award for her performance in the televised production of the play.^[21] Around that time, she fell in love with Anne Kaufman Schneider, daughter of playwrightGeorge S. Kaufman, who co-authoredThe Royal Family. Le Gallienne and Schneider were in a romantic relationship for several years, after which they remained close friends until Le Gallienne's death.^[13]

In 1982, Le Gallienne returned to the stage to play the White Queen inAlice in Wonderland at the Virginia Theatre, starring Kate Burton as Alice.^[22] In 1986, she was awarded theNational Medal of Arts.^[23]

Although known primarily for her theater work, Le Gallienne also appeared in film and television productions. She earned anOscar nomination for her work inResurrection, for which she gained the honor of being the oldest Oscar nominee up to that time (1980) untilGloria Stuart won in 1997. She made a rare guest appearance on a 1984 episode ofSt. Elsewhere which starred her former apprenticeNorman Lloyd. She appeared withBrenda Vaccaro andBlythe Danner as three women sharing a hospital room.^[24]

Le Gallienne was a published writer. She wrote the children's bookFlossie and Bossie, a tale of two barnyard hens, published by Harper and Row in 1949. The book, a social satire andcomedy of manners, revolves around the enemies-to-friends romantic friendship of two hens, one popular and beautiful, the other socially uncomfortable and plain.^[25]

Her other books include two autobiographies,At 33 (1934, Longmans) andWith a Quiet Heart (1953, Viking). She also wroteThe Mystic in the Theatre, a book about Italian actressEleonora Duse, who mentored Le Gallienne in the early 1920s. Le Gallieene translated 12 of Ibsen's plays into English and several works by Danish writerHans Christian Andersen.^[13]

Le Gallienne died at her home inWeston, Connecticut, on June 3, 1991, aged 92. Her ashes were scattered over her property.^[26]

Source:^[27]

Bibliography

• Sheehy, Helen (1996).Eva Le Gallienne. A Biography. Alfred A. Knopf.ISBN 0-679-41117-8.

Wikimedia Commons has media related toEva Le Gallienne.

• Eva Le Gallienne atIMDb 
• Eva Le Gallienne at theInternet Broadway Database
• Eva Le Gallienne at theInternet Off-Broadway Database
• Eva Le Gallienne atPlaybill Vault
• Items featuring Le Gallienne from aChautauqua circuit collection at theLibrary of Congress
• Photographs at George Eastman House:[1][2][3]
• Eva Le Gallienne papers, 1903-1986, held by the Billy Rose Theatre Division,New York Public Library for the Performing Arts
• The Legacy of Eva Le Gallienne

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