Eugen Sandow | |
|---|---|
_-_Eugen_Sandow_(1867-1925).jpg) | |
| Born | Friedrich Wilhelm Müller (1867-04-02)2 April 1867 |
| Died | 14 October 1925(1925-10-14) (aged 58) Kensington, London, England |
| Resting place | Putney Vale Cemetery |
| Other names | Eugene Sandow[1] |
| Height | 164 cm (5 ft 5 in) |
| Spouse | |
| Children | 2 |
Eugen Sandow (bornFriedrich Wilhelm Müller,German:[ˈfʁiːdʁɪçˈvɪlhɛlmˈmʏlɐ]; 2 April 1867 – 14 October 1925) was a Germanbodybuilder and showman fromPrussia.[2] He was born inKönigsberg, and became interested in bodybuilding at the age of ten during a visit to Italy.[3]
After time in the circus, Sandow studied under strongmanLudwig Durlacher in the late 1880s. On Durlacher's recommendation,[3] he began enteringstrongman competitions, performing in matches against leading figures in the sport such as Charles Sampson, Frank Bienkowski, and Henry McCann.[2] In 1901 he organised what is believed to be the world's first major bodybuilding competition. Set in London'sRoyal Albert Hall, Sandow judged the event alongside authorSir Arthur Conan Doyle and athlete/sculptorCharles Lawes-Wittewronge.[3] Sandow is known as the "father of modern bodybuilding".[4]
Sandow was born inKönigsberg,Prussia (nowKaliningrad), on 2 April 1867. His father wasGerman, and his mother was ofRussian descent.[5] The family members wereLutherans and wanted him to become a Lutheran minister.[6]: 6 [7][8] He left Prussia in 1885 to avoid military service and traveled throughout Europe, becoming a circus athlete and adopting Eugen Sandow as hisstage name, adapting and Germanizing his Russian mother's maiden name, Sandov.
In Brussels, he visited the gym of a fellow strongman,Ludwig Durlacher, better known under his stage name "Professor Attila".[9] Durlacher recognized Sandow's potential, mentored him, and in 1889 encouraged him to travel toLondon and enter astrongmen competition. Sandow handily beat the reigning champion and won instant fame and recognition for his strength. This launched him on his career as an athletic superstar. Soon he was receiving requests from all over Britain for performances. For the next four years, Sandow refined his technique and crafted it into popular entertainment with posing and incredible feats of strength.
Florenz Ziegfeld wanted to display Sandow at the 1893World's Columbian Exposition inChicago,[2] but Ziegfeld knew that Maurice Grau had Sandow under a contract.[10] Grau wanted a weekly salary ofUS$1,000 (equivalent to $34,996 in 2024). Ziegfeld could not guarantee that much but agreed to pay 10 percent of the gross receipts.[10]
Ziegfeld found that the audience was more fascinated by Sandow's bulging muscles than by the amount of weight he was lifting, so Ziegfeld had Sandow move in poses which he dubbed "muscle display performances". These displays were added to his feats of strength withbarbells. He added chain-around-the-chest breaking and other colorful displays to Sandow's routine, and Sandow quickly became Ziegfeld's first star.[citation needed]
In 1894, he was featured in the series of three shortactuality films,Sandow, by theEdison Studios.[13] The film includes only part of his act and features him flexing his muscles rather than any feats of physical strength.
Though the content of the film reflects the audience's focus on his appearance, it uses the unique capacities of the new medium. Film theorists have attributed the appeal being the striking image of a detailed image moving in synchrony, much like the example of theLumière brothers'Repas de bébé where audiences were reportedly more impressed by the movement of trees swaying in the background than the events taking place in the foreground. In 1894, Sandow appeared in a shortKinetoscope film that became part of the Library of Congress.[14]
In April 1894, Sandow gave one of his "muscle display performances" at theCalifornia Midwinter International Exposition of 1894 inGolden Gate Park,San Francisco at the "Vienna Prater" Theater.[15]
While he was on tour in the United States, Sandow made a brief return to England to marry Blanche Brooks, fromManchester. However, due to stress and ill health he returned permanently to recuperate.[citation needed]
He was soon recovered, and opened the first of his Institutes of Physical Culture, where he taught methods of exercise, dietary habits and weight training. His ideas on physical fitness were novel at the time and had a tremendous impact. The Sandow Institute was an early gymnasium open to the public for exercise.[16] In 1898, he founded a monthly periodical, originally titledPhysical Culture and renamedSandow's Magazine of Physical Culture that was dedicated to all aspects of physical culture. This was accompanied by a series of books published between 1897 and 1904 – the last of which coined the term "bodybuilding" in the title (spelled "body-building").[17]
He worked hard at improving exercise equipment, and had invented various devices such as rubber strands for stretching and spring-grip dumbbells to exercise the wrists. In 1900,William Bankier wroteIdeal Physical Culture in which he challenged Sandow to a contest in weightlifting, wrestling, running, and jumping. When Sandow did not accept his challenge, Bankier called him a coward, a charlatan and a liar.[6]: 171
In 1901, Sandow organized the world's first major bodybuilding competition in London'sRoyal Albert Hall. The venue was so full that people were turned away from the door. The three judges presiding over the contest were SirCharles Lawes the sculptor, SirArthur Conan Doyle the author, and Sandow.[18]
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In 1902, Sandow was defeated byKatie Brumbach in a weightlifting contest in New York City. Brumbach lifted a weight of 300 pounds (140 kg) over her head, which Sandow lifted only to his chest. After this victory, Brumbach adopted the stage name "Sandwina" as a feminine derivative of Sandow.[19][20]
In 1906, Sandow was enabled to buy the lease of 161 (formerly 61)Holland Park Avenue, due to a generous gift from an Indian businessman,Sir Dhunjibhoy Bomanji, whose health had improved dramatically after he had adopted Sandow's regime. This grand four-storey end-of-terrace house – which was named Dhunjibhoy House after his benefactor – was his home for 19 years.[21][22][23]
He toured the world, including South Africa, India, Japan, Australia, and New Zealand. At his own expense, from 1909, he provided training for would-be recruits to theTerritorial Army, to bring them up to entrance fitness standards, and did the same for volunteers for active service inWorld War I.[24]
In 1911, he was designated special instructor in physical culture to KingGeorge V, who had followed his teachings.[25]
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Sandow's physique resembled those of classicalGreek andRoman sculpture because he measured the statues in museums and helped to develop "The Grecian Ideal" as a formula for the "perfect physique". Sandow built his physique to the exact proportions of his Grecian Ideal, and is considered the father of modern bodybuilding, as one of the first athletes to intentionally develop his musculature to predetermined dimensions. In his booksStrength and How to Obtain It[26] andSandow's System of Physical Training, Sandow laid out specific prescriptions of weights and repetitions to achieve his ideal proportions.
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Sandow married Blanche Brooks, daughter of the well-known photographer Warwick Brooks, ofManchester, England, in 1894.[27] They had two daughters, Helen and Lorraine.[28][29]
Sandow was acclaimed on his 1905 visit to India, when he was already a "cultural hero" in the country at a time of strong nationalistic feeling. The scholarJoseph Alter suggests that Sandow was the person who had the most influence on modernyoga as exercise, which absorbed a variety of exercise routines fromphysical culture in the early 20th century.[30][31]
Sandow died at his home inKensington, London, on 14 October 1925 of what newspapers announced as abrain hemorrhage at age 58.[1][32] It was allegedly brought on after straining himself, without assistance, to lift his car out of a ditch after a road accident two or three years earlier.[33] However, without anautopsy, his death was certified as due toaortic aneurysm.[33]
Sandow was buried in an unmarked grave inPutney Vale Cemetery at the request of his wife, Blanche. It is rumoured that he was unfaithful to his wife later in marriage, and she refused to mark his grave, however the cause of this strife is a mystery, because she refused to talk about it.[33] In 2002, a gravestone and black marble plaque was added by Sandow admirer and author Thomas Manly.[citation needed] The gold lettered inscription reads "Eugen Sandow, 1867–1925, the Father of Bodybuilding". In 2008, the grave was purchased by Chris Davies, Sandow's great-grandson.[34] Manly's items were replaced for the anniversary of Sandow's birth that year and a new monument, a 1.5 ton natural pink sandstone monolith, was put in its place. The stone, simply inscribed "SANDOW 1867–1925", is a reference to the ancient Greek funerary monuments calledsteles.
Sandow was befriended byKing George V,Thomas Edison,Sir Arthur Conan Doyle and classical pianistMartinus Sieveking. He was portrayed by the actorNat Pendleton in the Academy Award-winning filmThe Great Ziegfeld (1936).
"Physical [sic] Strength and How to Obtain It by Eugen Sandow" appears as one of the books in the catalog of the personal bookshelves ofLeopold Bloom in Chapter 17 (Ithaca, line 1397) ofJames Joyce's 1922 novelUlysses.[35]
As recognition of his contribution to the sport of bodybuilding, a bronze statue of Sandow sculpted byFrederick Pomeroy has been presented to the winner of theMr. Olympia contest, a major professional bodybuilding competition sponsored by theInternational Federation of Bodybuilders, since 1977.[36] This statue is simply known as "The Sandow".
In 2013, Eugen Sandow was portrayed by the Canadian bodybuilder Dave Simard in the filmLouis Cyr. In 2018, a biographical film was released, titledSandow.
Sandows (London) cold brew coffee is named after him.[37]
English Heritage put ablue plaque on his house at 161 Holland Park Avenue in west London in 2009;[38] it describes him as a "Body-Builder and Promoter of Physical Culture".
