| Ernie Pike | |
|---|---|
 Ernie Pike, drawn byAlberto Breccia. | |
| Publication information | |
| Publisher | Editorial Frontera |
| First appearance | Hora Cero #1 (May 1957) |
| Created by | Héctor Germán Oesterheld,Hugo Pratt |
Ernie Pike is acomics series written byHéctor Germán Oesterheld and originally drawn byHugo Pratt, starring aWorld War II andKorean Warreporter. It was first published in the magazineHora Cero inBuenos Aires,Argentina, in 1957. The reporter, loosely based on the real reporterErnie Pyle, acts as anarrator of stories, without being directly involved in them. Such stories do not narrate real battles or exploits of noteworthy military people, being instead tragic stories of unknown soldiers, made up by the author. Oesterheld worked again with the character during the time of theVietnam War, andRicardo Barreiro used it for a brief story about theFalklands War.
The comic is set duringWorld War II, and the protagonist - Ernie Pike - is the narrator, without playing an active role in the stories. Unlike genre standards, the comic does not show any battles, and neither describes the war betweenAllies andNazis as aconflict between good and evil.[1] Instead, it centers on tragic events involving soldiers of both sides. Generally, those tragedies are misunderstandings that end up badly: characters who go mad, kill their own friends byfriendly fire or because they believe them to be traitors, attempt to get killed in a specific way to avoid a more gruesome death, or who mustmercy-kill badly hurt comrades, to cite several examples. Oesterheld, thus, utilizeswar comics to reflect his personal dislike ofwar itself.[2] The character never formulates positive or negative opinions about the Allies, the Nazis or specific events of the war, but about the morality of the soldiers in the anecdotes. The stories take place at various locations of World War II, such as theEuropean Theatre, theSouth Pacific ocean, theNorth African Campaign and theEastern Front.
There are no recurring characters besides Ernie Pike, and in many cases even his presence is small: he appears in just two panels in "Kumba", only one in "El amuleto", and in some stories he is completely absent.[3] The character also evolves along the published issues from awar correspondent character acting in afirst-person narrative to a narrator with anomniscient point-of-view, aware of stories and information beyond the capabilities of a real reporter.[3]
The name of the protagonist was reminiscent of that ofErnie Pyle, a well known real life war correspondent of the era. Unlike Ernie Pyle, Ernie Pike survives the war and is referenced as a veteran in other stories by Pratt. The face of Ernie Pike resembles that of Oesterheld himself. This was caused by a misunderstanding during the period of designing of the character: when Oesterheld was describing to Pratt the positive traits of the new character, he ended saying "Make him like me!". However, Pratt did not realize that Oesterheld was joking, and used his face. By the time Oesterheld realized the mistake, Pratt's work was already advanced, so he let it stay that way.[4]
Oesterheld was influenced byanti-war authors, such asErich Maria Remarque,Stephen Crane orLeo Tolstoy; as well as by the career of the mentioned Ernie Pyle.[5] Pratt also revealed that he stole more than four hundred of war photos from the staff ofIl Gazzettino di Venezia, which were used by the artist as inspiration for the comic strip.[6] Oesterheld was also influenced by those photos, and many stories were inspired by specific photos that led the author to develop a story about them.[7]
The comic was first published inHora Cero magazine, of theFrontera publishing company. After several years, Hugo Pratt left for Europe, while Oesterheld stayed in Argentina. Hugo Pratt republished Ernie Pike inItaly and other European countries under his sole name. Oesterheld continued the comic with other Argentine artists, likeAlberto Breccia andFrancisco Solano López, among others. The character was moved to other Frontera magazines, such asHora Cero Extra, the weekly supplement ofHora Cero, orColección batallas inolvidables (Spanish:Unforgettable battles collection). This last one was created after the success of Ernie Pike, and was focused onwar comics.[4] The Ernie Pike run in Frontera is considered part of the golden age ofArgentine comics.[8] By the decade of 1960 most pencilers of Frontera were being hired by the BritishFleetway, but Oesterheld kept using new pencilers such asJosé Muñoz.Frontera would eventually go into bankruptcy.
Oesterheld worked again with Ernie Pike in the 1970 decade, in theTop Maxi Historietas comic book published by Cielosur Editora. The approach was slightly changed in this new run: instead of World War II, the stories were about the ongoingVietnam War. The stories kept the same style as before, but Pike was now involved with the events as they took place, thus becoming an active character of the stories instead of just the narrator.[9] The stories were also morecritical of the involvement of the US in the war, in line with the new politically radical views that Oesterheld was developing.[9] Oesterheld would work later with many strips in theSkorpio comic book, but Ernie Pike would last only for a single story. This story, penciled by Solano López, worked again with World War II, but from a new angle: it was a story set in current times, about people having a dispute about things that took place during the war.[9]
There was a brief recreation of the character by other authors during theFalklands War.Ricardo Barreiro wrote "La batalla de las Malvinas" (Spanish:The battle of the Malvinas), penciled by Alberto Macagno, Carlos Pedrazzini, Marcelo Pérez and César Medrano. This story lasted for 7 issues of the magazineFierro, ending inconclusively. Ernie Pike was included as a guest-star, placed inPatagonia as an aged war veteran, watching the events unfolding.[10]
Several volumes of Ernie Pike by Oesterheld-Pratt - along others ofSergeant Kirk - were reprinted in 2006 for theNueva Biblioteca Clarín de la Historieta collection published byClarín newspaper. Previously, Ancares Editora had reprinted the volumes by Oesterheld-Breccia in 2002.