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Edgar Bainton | |
|---|---|
.jpg) Edgar Bainton in 1936. | |
| Born | Edgar Leslie Bainton (1880-02-14)14 February 1880 |
| Died | 8 December 1956(1956-12-08) (aged 76) |
| Occupation | Composer |
| Years active | 1898–1956 |
| Notable work | And I saw a new heaven |
| Spouse | |
| Children | 2 |
Edgar Leslie Bainton (14 February 1880 – 8 December 1956) was a British-born, latterly Australian-resident composer. He is remembered today mainly for his liturgical anthemAnd I saw a new heaven, a popular work in the repertoire ofAnglican church music, but during recent years Bainton's other musical works, neglected for decades, have been increasingly available in commercial recordings.[1]
Bainton was born inHackney, London, the son of George Bainton, aCongregational minister, and his wife, Mary, née Cave. Bainton later moved with his family toCoventry and he showed early signs of musical ability playing the piano; he was nine years old when he made his first public appearance as solo pianist. He was awarded a music scholarship to King Henry VIII Grammar School in Coventry in 1891, and in 1896 he won an open scholarship to theRoyal College of Music to studytheory withWalford Davies. In 1899 he received a scholarship to studycomposition withSir Charles Villiers Stanford. At college he became friends withGeorge Dyson,William Harris and especiallyRutland Boughton, whose friendship and support continued throughout Bainton's career. Bainton kept a notebook listing nearly all his compositions, the first entry being his first known surviving work,Prelude andFugue in B minor for piano, written in 1898.[2]
In 1901 Bainton became piano professor at theNewcastle upon TyneConservatory of Music. He became involved in the local musical scene, composing, playing and conducting and in 1905, he married a former student, Ethel Eales, with whom he had two daughters. Ethel was an excellent pianist and singer, and a founder member of the Newcastle Bach Choir[3] He became the Principal of the Conservatory in 1912, and acquired property for its expansion.Alfred Wall was on the staff there, and Bainton also became friendly withWilliam Gillies Whittaker.[4] The family lived atStocksfield, nearHexham. Bainton would take long country walks, frequently accompanied byWilfred Gibson, who introduced Bainton into the literary circle surroundingGordon Bottomley. Bainton set many of Bottomley's poems and wrote an opera to one of his lyric dramas. He introduced his local area to previously unknown works byGustav Holst,Ralph Vaughan Williams andArnold Bax, among others. He developed friendships with poetElliott Dodds and cathedral organist William Ellis.[2]
In the summer of 1914 Bainton visited Germany to attend theBayreuth Festival, but was arrested after war broke out. As a maleenemy alien of military age he was sent to the civilian detention camp atRuhleben, near Berlin, where he remained for the next four years. Bainton was put in charge of all the music at the camp and became acquainted withErnest MacMillan,Edward Clark andArthur Benjamin, among other later successful musicians. He maintained many of these friendships throughout his career. In March 1918 his health deteriorated and he was sent toThe Hague to recuperate. Following theArmistice, he became the first Englishman to conduct theConcertgebouw Orchestra, in two concerts of British music before returning to England.[2]
Bainton's life returned to normal and he returned to Newcastle to resume work at the Conservatory (which his wife Ethel had taken charge of in his absence).[3] His choral works became features of theThree Choirs Festivals.[5] Touring Australia and Canada from April 1930 to January 1931, he took a break from composing, and from August to December 1932 he visitedIndia, giving a piano recital for theIndian Broadcasting Company. The poet and musicianRabindranath Tagore made him a guest inCalcutta and introduced him toIndian music. In 1933,Sir Edward Bairstow awarded him an honoraryDoctor of Music atDurham University.
TheNew South Wales State Conservatorium of Music was impressed by his display of skills in 1930, and offered him the directorship in the summer of 1933. Accordingly, in 1934 Bainton and his family started a new life in Australia.
Bainton conducted the choral and orchestral classes at the Conservatorium, and founded the Sydney Opera School. At the Conservatorium he taught Australian composers includingMiriam Hyde. Expatriate Australian composer Vincent Plush (b. 1950) writes that whenArnold Schoenberg applied for the position of teacher of harmony and theory at the Sydney Conservatorium in 1934, Bainton turned down the application on the grounds of "modernist ideas and dangerous tendencies." An anonymous colleague of Bainton's allegedly remarked that Schoenberg was Jewish.[6]
Coinciding with Bainton's arrival in Sydney were moves to form a permanent professional orchestra for theAustralian Broadcasting Commission, which occasionally went under the name of the New South Wales Symphony Orchestra. It was later renamed theSydney Symphony Orchestra. Bainton conducted that ensemble's inaugural concert in 1934.
He introduced music previously unheard in Australia, such asElgar'sSymphony No. 2 in 1934; Bax'sThird Symphony; and works byDebussy,Sibelius,Delius, andWalton, among others. In 1944, the premiere production by the Conservatorium Opera School of Bainton's operaThe Pearl Tree received acclaim from the press and public alike. An additional night's performance was given due to demand, and on this latter occasion abust of Bainton was unveiled in the foyer.[2]
Australia then had a mandatory retirement age of 65, but Bainton continued to conduct (temporarily with theNew Zealand Symphony Orchestra), and gave lecture tours in Canada. In 1956, a heart attack severely affected his health, and on 8 December he died atPoint Piper in Sydney. His wife had predeceased him by only a few months.[7]
