Menshen | |||||||||||||||
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![]() Menshen in Taiwan | |||||||||||||||
Traditional Chinese | 門神 | ||||||||||||||
Simplified Chinese | 门神 | ||||||||||||||
Literal meaning | gate god(s) | ||||||||||||||
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Martial Door Gods | |||||||||||||||
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Traditional Chinese | 武門神 | ||||||||||||||
Simplified Chinese | 武门神 | ||||||||||||||
Literal meaning | military gate god(s) | ||||||||||||||
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Civil Door Gods | |||||||||||||||
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Traditional Chinese | 文門神 | ||||||||||||||
Simplified Chinese | 文门神 | ||||||||||||||
Literal meaning | literary gate god(s) | ||||||||||||||
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Menshen, ordoor gods,[1] are divine guardians of doors and gates inChinese folk religions, used to protect against evil influences or to encourage the entrance of positive ones. They began as the divine pairShenshu (Chinese:神荼;Jyutping:San4syu1;Pe̍h-ōe-jī:Sîn-su) andYulü (Chinese:鬱壘;Jyutping:Wat1leot6;Pe̍h-ōe-jī:Ut-lu̍t) under theHan, but thedeified generalsQin Shubao (Chinese:秦叔寶;Jyutping:Ceon4 Suk1bou2;Pe̍h-ōe-jī:Chîn Siok-pó) andYuchi Gong (Chinese:尉遲恭;Jyutping:Wat1ci4 Gung1;Pe̍h-ōe-jī:Ut-tî Kiong) have been more popular since theTang. In cases where a door god is affixed to a single door,Wei Zheng orZhong Kui is commonly used.
The gates and doors ofChinese houses have long received special ritual attention.[1] Sacrifices to a door spirit are recorded as early as theBook of Rites.[1][2] By theHan, this spirit had become the two godsShenshu andYulü, whose names or images were painted intopeachwood and attached to doors.[1] When theEmperor Taizong of theTang was being plagued by nightmares, he ordered portraits of his generalsQin Shubao andYuchi Gong to be affixed to gates.[citation needed] They eventuallycame to be considered divine protectors, replacing Shentu and Yulü and remaining the most common door gods to the present day.[1] Qin and Yuchi, along with various otherdeified military leaders, make up a class ofmartial door gods intended to ward off evil spirits and bad influences. A separate group of scholars make up a class ofcivil door gods intended to attract blessings and good fortune.[1] Some deities are also thought to have guardians who serve a similar role at their temples, such asMazu's companionsQianliyan andShunfeng'er.
The 10th chapter of theChinese novelJourney to the West includes an account of the origin of door gods. In it, theDragon King of theJing River disguised himself as a human to outsmart the fortune teller Yuan Shoucheng. Since he was able to control the weather, he made a bet with Yuan aboutChang'an's forecast for the next day. He was nonplussed, however, when he received an order from theJade Emperor telling him to give the city precisely the weather Yuan had predicted. The Dragon King preferred to win the bet and disregarded the order, going to Yuan to gloat the next day. Yuan remained calm and revealed that he had known the Dragon King's identity all along. Moreover, since the dragon had been so arrogant as to disregard an order from the Jade Emperor, his doom would be short in coming. The dragon was shocked to see his disobedience known and immediately pleaded with Yuan to save him. Yuan let him know that the Jade Emperor would sendWei Zheng—a senior minister from the court of theEmperor Taizong of theTang—to execute him at noon the following day. He told him his best course of action was to ask Taizong for help and, taking pity on the Dragon King, the emperor agreed to save him. In order to do so, the emperor summoned Wei Zheng to playgo with him in the morning. He endeavored to keep Wei from leaving until after noon, preventing him from carrying out the Jade Emperor's order, and was delighted when Wei grew so tired with the long game that he fell asleep. A little while later, however, the Great Ancestor was told that a dragon's head had fallen from the sky. Wei awoke and told him that his spirit had left his body during his nap and gone toHeaven to carry out the Jade Emperor's order. The annoyed spirit of the Dragon King then haunted the Great Ancestor each night until his generalsQin Shubao andYuchi Gong volunteered to stand guard at his door. The emperor enjoyed his peaceful sleep but did not want to continue bothering his two generals. In their place, he had artists paint their portraits and paste them to the doors. This was then copied by his subjects.[3]
In modern use, door gods are usually printed images which are pasted to paired doors. They are usually replaced everyChinese New Year.[1] Occasionally, they are sculpted in relief or placed as statues to either side of a door. The figures should face each other; it is considered bad luck to place them back to back.[citation needed]
In ancient China, there was a ritual for a sacrifice to the door spirit of a wealthy home recorded in theBook of Rites.[2] In modern China, door gods do not make up a formal element ofTaoism and are included as traditional decorations or as nods to popular superstition.[1] There are, however, some deities worshipped for other reasons—including theAzure Dragon,[4] theWhite Tiger,[4] andMazu's companionsQianliyan andShunfeng'er—who also serve as door gods at Taoist temples.[4]
Door gods are calledMunsin in Korea.
The following persons, some of whom are mythological figures, are known to have been worshipped as door gods.
Names | Description | |
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English | Chinese (trad.) | |
Shenshu | 神荼 | The earliest-attested door gods, appearing in theMountain and Sea Classic. Ordered by theJade Emperor to guard the trees of thePeaches of Immortality, which were being gnawed upon by demons. |
Yulü | 鬱壘 | |
Wangtianjun | 王天君 | Attendants of theNorth God; seen at Taoist temples |
Matianjun | 馬天君 | |
Azure Dragon | 青龍 | Seen at Taoist temples |
White Tiger | 白虎 | |
Qianliyan | 千里眼 | "All-seeing" and "All-hearing" demons sometimes considered thedeified forms of the brothers Gao Ming and Gao Jue, rapacious generals or bandits of the era ofKing Zhou of theShang, who were subdued and befriended by theFujianeseshamaness andsea goddessMazu. They typically serve as the door gods ofher temples, although they also appear as the "eyes" and "ears" of theJade Emperor inThe Journey to the West. |
Shunfeng'er | 順風耳 | |
Fangbi | 方弼 | Two figures fromThe Creation of the Gods |
Fangxiang | 方相 | |
Tianguan Dadi | 天官大帝 | A form of themost-high God and the founder ofQuanzhen Taoism. Seen in Taoist temples. |
Liu Haichan | 劉海蟾 | |
Miji Jingang | 密迹金剛 | Also known as theHēnghā Èrjiàng (哼哈二将), derived from the BuddhistVajrapani, derived fromGreco-Buddhist forms ofHeracles. Seen in Buddhist and Taoist temples. |
Naluoyan Jingang | 那羅延金剛 | |
He | 和 | Collectively, the "2 Immortals He and He", with names meaning "Harmony" and "Union". |
He | 合 | |
Qin Shubao | 秦叔寶 | Tang generals whose image was ordered placed upon gates by theGreat Ancestor of the Tang ("Emperor Taizong") |
Yuchi Gong | 尉遲恭 | |
Sun Bin | 孫臏 | Warring-States generals; worshipped in parts ofShaanxi. |
Pang Juan | 龐涓 | |
Bai Qi | 白起 | Warring-States generals |
Li Mu | 李牧 | |
Randeng Daoren | 燃燈道人 | Two more figures fromThe Creation of the Gods |
Zhao Gongming | 趙公明 | |
Fusu | 扶蘇 | AQincrown prince and general who defended Qin's northern border against theXiongnu. |
Meng Tian | 蒙恬 | |
Chen Sheng | 陳勝 | Rebels who led theDazexiang Uprising against the Qin Empire |
Wu Guang | 吳廣 | |
Ziying, King of Qin | 秦王子嬰 | The last ruler of the Qin dynasty and his successor, who nominally oversaw theEighteen Kingdoms that preceded the establishment of theHan dynasty |
EmperorYi of Chu | 楚義帝 | |
Ying Bu | 英布 | Han generals underLiu Bang, founder of Han |
Peng Yue | 彭越 | |
Yao Qi | 姚期 | Fictionalized leaders underEmperor Guangwu in theRomance of the Eastern Han (東漢演義) |
Ma Wu | 馬武 | |
Guan Yu | 關羽 | Guan Yu and Zhang Fei wereShu generals during theThree Kingdoms, depicted asLiu Bei's sworn brothers in theRomance of the Three Kingdoms and numbered among theFive Tiger Generals. Guan Ping was his son. Zhou Cang was a fictional subordinate in theRomance of the Three Kingdoms. Guan Sheng was a fictional descendant who appears in thenovelOutlaws of the Marsh. |
Zhang Fei Guan Ping Zhou Cang Guan Sheng | 張飛 關平 周倉 關勝 | |
Zhao Yun | 趙雲 | Shu generals during the Three Kingdoms, numbered among theFive Tiger Generals. Seen in parts ofHenan. |
Ma Chao | 馬超 | |
Ma Chao | 馬超 | Shu generals during the Three Kingdoms. Seen in parts ofHebei. |
Ma Dai | 馬岱 | |
Zhuge Liang | 諸葛亮 | Chief ministers of the states ofShu andWei during the Three Kingdoms, depicted as nemeses in theRomance of the Three Kingdoms |
Sima Yi | 司馬懿 | |
Pei Yuanqing | 裴元慶 | A fictional rebel general and a fictionalized historical son ofLi Yuan, founder of the Tang, who appear in theShuo Tang |
Li Yuanba | 李元霸 | |
Wei Zheng | 魏徵 | Early Tang officials |
Li Shiji | 李世勣 | |
Xue Rengui | 薛仁貴 | Generals from both sides of theTang-Goguryeo War. Seen in parts of northernHebei. |
Yeon Gaesomun | 淵蓋蘇文 | |
Zhang Xun | 張巡 | Tang officials who dieddefending Suiyang against theAn Lushan Rebellion. |
Xu Yuan | 許遠 | |
Zhao Kuangyin | 趙匡胤 | TheGreat Ancestor ("Emperor Taizu") of theSong dynasty and the ancestor of the Song'sdynasty of Yang generals |
Yang Gun | 楊袞 | |
Meng Liang | 孟良 | Fictionalized subordinates of the Yang generals |
Jiao Zan | 焦贊 | |
Yue Fei | 岳飛 | Song dynasty general and his son. |
Yue Yun | 岳雲 | A Song general and a Taoist deity |
Wen Taibao | 溫太保 | |
Yue Yun | 岳雲 | Yue Fei's son and subordinate |
Di Lei | 狄雷 | |
Xu Yanzhao | 徐延昭 | |
Yang Bo | 楊波 | |
Fan Lihua | 樊梨花 | Fictional wives ofXue Dingshan depicted in theXiaobei Taishuai Gong inTainan,Taiwan.[5] |
Chen Jinding | 陳金定 | |
Mu Guiying | 穆桂英 | Mu was a fictional female general from the Northern Song related to the Yang generals. Qin was a female general from Sichuan under the Ming.[6][7][8] |
Qin Liangyu | 秦良玉 |
1983 Shaw Brothers Movie OfGhosts Galore StarringChin Siu Ho And Chiang Kam In A Final Fight Against A Japanese Sorcerer (Hwang Jang Lee).