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Ditonic scale

From Wikipedia, the free encyclopedia
This article is about the musical scale with only two pitches. For the term in musical temperament, seePythagorean comma. For the scale containingditones, seePentatonic scale § Hemitonic and anhemitonic. For the common musical scale, seediatonic scale.
Example of a ditonic scale.[1]Play

Aditonic scale is a musicalscale ormode with twonotes peroctave. This is in contrast to aheptatonic (seven-note) scale such as themajor scale andminor scale, or adodecatonic (chromatic 12-note ) scale, both common in modern Western music. EthnomusicologistBruno Nettl noted that ditonic scales were common in many parts of the world but often limited to specific music types, such aschildren's songs, with the exception of some tribal societies.[2]

Distribution

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Russia

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The Cheremis (Mari people) of Russia employ ditonic scales in children's songs, generally with the two notes aminor third apart. Nettl theorised that these ditonic songs may be a remnant of a more archaic form of music.[2]

Peru

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TheShipibo people of Amazonian Peru used ditonic scales in approximately 2.5% of their music. The ditonic was found "almost exclusively in the complex ostinato songs."[3]

Vietnam

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Theca dao folk poetry of Vietnam is sometimes sung in ditonic scales.[4]

North America

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Several ditonic scales were noted about theModoc andKlamath tribes of the North American West Coast, and are also found in theGreat Plains in the rituals of the 1800sGhost Dance religion.[5] The scale was also used in the music of theShawnee.[6]

India

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The ditonic scale type is recognised in Indian music, and termed theDvisvara ("two tone"), but ditonic scales are not recognised asraga scales.[7]

Nigeria

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The ditonic is among the scale types employed in traditionalNigerian music.[8]

Maori

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In a study carried out in 1969,Mervyn McLean noted that among the Maori tribes he surveyed, ditonic scales comprised 17% of the scales used.[9]

References

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  1. ^Bruno Nettl; Helen Myers (1976).Folk Music in the United States: An Introduction. Wayne State University Press. p. 40.ISBN 0-8143-1557-7.
  2. ^abBruno Nettl (1960).Cheremis Musical Styles. Folklore Series. Vol. 14. Bloomington: Indiana University Press. p. 10.hdl:2027/inu.30000004149047.
  3. ^Gilbert Chase (1969).Anuário interamericano de pesquisa musical. University of Texas at Austin. p. 76.
  4. ^John Balaban (2003).Vietnamese Folk Poetry. Copper Canyon Press. p. 7.ISBN 978-1-55659-186-0.
  5. ^José Rosa (2008).World Music Survey: The History of Music From Cuba, The Caribbean, South America and the United States. Lulu.com. p. 87.ISBN 978-0-615-20152-8.
  6. ^Howard, James Henri (1981).Shawnee!: The ceremonialism of a native Indian tribe and its cultural background. Ohio University Press.ISBN 978-0-8214-0417-1.
  7. ^Bigamudre Chaitanya Deva (1981).The music of India: a scientific study. Munshiram Manoharlal. p. 231.ISBN 9780391024199.
  8. ^Minette Mans (2006).Centering on African Practice in Musical Arts Education. African Minds. p. 7.ISBN 978-1-920051-49-5.
  9. ^Mervyn McLean (1996).Māori Music. Auckland University Press. p. 239.ISBN 978-1-86940-144-3.
Main Western
Other types
Ethnic origin
Non-octave
Modes
Gregorian
Authentic
Plagal
Other
Diatonic
Jazz minor
Harmonic minor
Harmonic major
Double harmonic scale
Number of tones
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