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David Huron

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From Wikipedia, the free encyclopedia

David Huron (born June 1, 1954) is a Canadian-American Arts and Humanities Distinguished Professor at theOhio State University, in both the School of Music and the Center for Cognitive and Brain Sciences. His teaching and publications focus on thepsychology of music andmusic cognition.^[1] In 2017, Huron was awarded the Society for Music Perception and Cognition Achievement Award.^[2]

Huron's publications have focused on the evolutionary function of music,computational musicology, andMusic and emotion. He is the creator ofThe Humdrum Toolkit for Computational Musicology.

Early life and education

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David Huron was born in thePeace River, Alberta in Canada. He attended theCanterbury High School (Ottawa) and later studied atThe Royal Conservatory of Music in Toronto. He then studied the History of Ideas at theUniversity of Waterloo. After completing a master's degree atYork University in Toronto, he completed his PhD at theUniversity of Nottingham in 1989.^[3]

Career

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Huron began his teaching career at the University of Waterloo and moved to Ohio State in 1998 as a Professor of Music Theory and Cognitive Science. Huron's 2001 article "Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles" was awarded the Society for Music Theory'sOutstanding Publication Award, and his 2006 bookSweet Anticipation: Music and the Psychology of Expectation was awarded the society's Wallace Berry Award.^[4]

Books

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Huron, D. (2024).The Science of Sadness: A New Understanding of Emotion. MIT Press.^[5]
Huron, D. (2016).Voice Leading: The Science behind a Musical Art. MIT Press.^[6]
Huron, D. (2006).Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Massachusetts: MIT Press.^[7]
Huron, D. (1999).Music Research Using Humdrum: A User's Guide. Stanford, California: Center for Computer Assisted Research in the Humanities.
Huron, D. (1995).The Humdrum Toolkit: Reference Manual. Menlo Park, California: Center for Computer Assisted Research in the Humanities.

References

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^"David Huron".The Cognitive and Systematic Musicology Lab.Ohio State University. Retrieved2019-05-14.
^"About the Society for Music Perception and Cognition".www.musicperception.org. Retrieved2019-12-21.
^Shanahan, Daniel (2020)."Empirical Musicology: An Interview with David Huron Part 1".Empirical Musicology Review.15 (1):3–17.doi:10.18061/emr.v15i1-2.7718.
^"Publication Award Recipients | SMT".societymusictheory.org. Retrieved2024-12-13.
^Review ofThe Science of Sadness:Cornelius, Randolph (2025)."Review of the Week".Choice.
^
Reviews ofVoice Leading:
- Moss, Fabian C. (2017). "Book Review".Music Theory and Analysis.4 (1):119–145.doi:10.11116/MTA.4.1.7.
- Fowler-Finn, Kasey (2018). "Voice Leading: The Science behind a Musical Art by David Huron".The Quarterly Review of Biology.39 (1):42–43.doi:10.1086/696758.
- Margulis, Elizabeth Hellmuth (2019). "Book review".Journal of Music Theory.63 (1):139–144.doi:10.1215/00222909-7320639.S2CID 171843519.
^
Reviews ofSweet Anticipation:
- Thompson, William Forde (2007)."David Huron,Sweet Anticipation: Music and the Psychology of Expectation".Empirical Musicology Review.2 (2):67–70.doi:10.18061/1811/24826.hdl:1811/24826.
- Benjamin, William (2007)."Reviewed Work:Sweet Anticipation: Music and the Psychology of Expectation by David Huron".The Journal of Aesthetics and Art Criticism.65 (3):333–335.doi:10.1111/j.1540-594X.2007.00265_2.x.JSTOR 4622248.
- Ockelford, Adam (2008). "Review article: D. Huron,Sweet Anticipation: Music and the Psychology of Expectation".Psychology of Music.36 (3):367–382.doi:10.1177/0305735608094506.S2CID 145590269.
- Biancorooso, Giorgio (2008). "Whose Phenomenology of Music? David Huron's Theory of Expectation".Music & Letters.89 (3):396–404.doi:10.1093/ml/gcn015.

v t e Music psychology
Areas	Biomusicology Cognitive musicology Cognitive neuroscience of music Culture in music cognition Evolutionary musicology Psychoacoustics
Topics	Absolute pitch Auditory illusion Auditory imagery Background music Consonance and dissonance Deutsch's scale illusion Earworm Embodied music cognition Entrainment Exercise and music Eye movement in music reading Franssen effect Generative theory of tonal music Glissando illusion Hedonic music consumption model Illusory continuity of tones Levitin effect Lipps–Meyer law Melodic expectation Melodic fission Mozart effect Music and emotion Music and movement Music in psychological operations Music preference Music-related memory Musical gesture Musical semantics Musical syntax Octave illusion Relative pitch Sharawadji effect Shepard tone Speech-to-song illusion Temporal dynamics of music and language Tonal memory Tritone paradox
Disorders	Amusia Auditory arrhythmia Beat deafness Musical hallucinations Musician's dystonia Music-specific disorders Tone deafness
Related fields	Aesthetics of music Bioacoustics Ethnomusicology Hearing Melodic intonation therapy Music education Music therapy Musical acoustics Musicology Neurologic music therapy Neuronal encoding of sound Performance science Philosophy of music Psychoanalysis and music Sociomusicology Systematic musicology Zoomusicology
Researchers	Jamshed Bharucha Lola Cuddy Robert Cutietta Jane W. Davidson Irène Deliège Diana Deutsch Tuomas Eerola Henkjan Honing David Huron Nina Kraus Carol L. Krumhansl Fred Lerdahl Daniel Levitin Leonard B. Meyer Max Friedrich Meyer James Mursell Richard Parncutt Oliver Sacks Carl Seashore Max Schoen Roger Shepard John Sloboda Carl Stumpf William Forde Thompson Sandra Trehub
Books and journals	Music Perception Musicae Scientiae (journal) Musicophilia Music, Thought, and Feeling Psychology of Music (journal) The World in Six Songs This Is Your Brain on Music