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Critica fascista

From Wikipedia, the free encyclopedia
Cultural and political magazine in Italy (1923–1943)

Critica fascista
Categories
  • Cultural magazine
  • Political magazine
FrequencyBiweekly
FounderGiuseppe Bottai
Founded1923
Final issue
Number
1943
21
CountryItaly
Based inRome
LanguageItalian
ISSN1124-3090
OCLC436549849

Critica fascista was a biweekly cultural magazine which was founded and edited byGiuseppe Bottai in Rome, Italy. The magazine existed during theFascist rule in the country from 1923 to 1943.[1] Over time it became one of the most significant publications of the fascist period in Italy.[2]

History and profile

[edit]

Critica fascista was founded in 1923 by Italian journalist Giuseppe Bottai in Rome.[3][4] It was published on a biweekly basis and edited by Giuseppe Bottai during its lifetime.[5][6] The goal of Bottai was to provide a platform for the Fascist government to develop a cultural policy through intellectual and artistic discussions.[4] The magazine also aimed at educating the emerging ruling class and at initiating a discussion on the nature of Fascist ideology.[7] It adopted revisionism which had appeared as a new ideology of the Italian Fascism.[8]

Between 1926 and 1927Critica fascista published various articles on the definition and scope of the state art in an attempt to help the Fascist authorities in developing the related concepts.[4] The magazine adopted an anti-capitalist stance.[9] Its notable contributors includedArdengo Soffici,Mino Maccari,Gino Severini,Massimo Bontempelli,Cipriano Efisio Oppo,Curzio Malaparte,Filippo Tommaso Marinetti,Anton Giulio Bragaglia,Umberto Fracchia andEmilio Cecchi.[4] In the early 1930s Giuseppe Bottai and other Fascist figures frequently published articles in the magazine about the need for the modernization in all aspects of Italian life.[10]

Critica fascista folded in 1943, and the last issue was number 21.[3]

References

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  1. ^Luca Michelini (2020)."From Nationalism to Fascism: Protagonists and Journals". In Massimo M. Augello; et al. (eds.).An Institutional History of Italian Economics in the Interwar Period. Vol. 2. Cham: Springer. p. 38.ISBN 978-3-030-38331-2.
  2. ^Alexandra de Luise (1992). "Le Arti and Intervention in the Arts".RACAR: Revue d'art canadienne / Canadian Art Review.19 (1/2): 130.JSTOR 42630502.
  3. ^ab"Fondi / Antonio Gramsci Periodici" (in Italian). Fondazione Gramsci. Archived fromthe original on 5 January 2022. Retrieved5 January 2022.
  4. ^abcdFrancesca Billiani; Laura Pennacchietti (2019).Architecture and the Novel under the Italian Fascist Regime. Cham:Palgrave Macmillan. pp. 17, 20.doi:10.1007/978-3-030-19428-4.ISBN 978-3-030-19427-7.S2CID 158649280.
  5. ^Emiliana P. Noether (December 1971). "Italian Intellectuals under Fascism".The Journal of Modern History.43 (4): 645.doi:10.1086/240685.JSTOR 1881234.S2CID 144377549.
  6. ^"Critica fascista (1923–43)". Oxford Reference.Archived from the original on 5 January 2022. Retrieved5 January 2022.
  7. ^Luca de Caprariis (1998).Fascism and Italian foreign policy: 1922-1928 (PhD thesis).University of Wisconsin–Madison. p. 117.ISBN 978-0-591-87923-0.ProQuest 304457056.Archived from the original on 20 August 2022. Retrieved20 August 2022.
  8. ^Ángel Alcalde (2017).War Veterans and Fascism in Interwar Europe. Cambridge:Cambridge University Press. p. 117.doi:10.1017/9781108182423.ISBN 9781108182423.
  9. ^Jacopo Pili (2021).Anglophobia in Fascist Italy. Manchester:Manchester University Press. p. 50.doi:10.7765/9781526159663.ISBN 9781526159663.Archived from the original on 1 June 2023. Retrieved1 June 2023.
  10. ^Edward R. Tannenbaum (April 1969). "The Goals of Italian Fascism".The American Historical Review.74 (4):1185–1186.doi:10.1086/ahr/74.4.1183.
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