| Brilliant Corners | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 4, 1957 (1957-04-04) | |||
| Recorded | October 9, October 15, and December 7, 1956 | |||
| Genre | Hard bop | |||
| Length | 42:47 | |||
| Label | Riverside | |||
| Producer | Orrin Keepnews | |||
| Thelonious Monk chronology | ||||
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Brilliant Corners is a 1957studio album by American jazz pianistThelonious Monk. It was his third album forRiverside Records, and his first on the label to include his own compositions.[1]
Brilliant Corners was recorded across three sessions in October and December 1956 with two different quintets. "Ba-lue Bolivar Ba-lues-Are" and "Pannonica", the latter featuring Monk playingcelesta, were recorded on October 9 with saxophonistsErnie Henry andSonny Rollins, bassistOscar Pettiford, and drummerMax Roach. The former composition was titled as a phonetic rendering of Monk's exaggerated pronunciation of "Blue Bolivar Blues"; this referred to the Bolivar Hotel in Manhattan, where heiress and jazz patronPannonica de Koenigswarter resided.[1]
On October 15, Monk attempted to record the title track with the same band during a four-hour session. The complexity of the composition became a challenge for the band, who attempted twenty-five takes, and Henry and Pettiford became upset with Monk. Monk tried to make the recording easier for Henry by not playing during his solo.[1] During one of the takes, producerOrrin Keepnews and others in the control room could not hear Pettiford's playing; they checked the microphone on his bass to see if it was broken, but ultimately realized that he was pantomiming.[2] As no single take was completed, Keepnews edited the album version together from multiple takes.[1]
"Bemsha Swing" was recorded on December 7, withPaul Chambers replacing Pettiford on bass and trumpeterClark Terry replacing Henry; Monk recorded a solo piano version of "I Surrender Dear" on the same day.[1]
The title track has an unconventional structure that deviates from both standard song form and blues structures. Itsternary form employs aneight-bar A section followed by a seven-bar B section and a modified seven-bar A section, and features adouble-time theme in each second chorus and complex rhythmicaccents.[1]
"Bemsha Swing" was the only composition on the album that Monk had previously recorded.[citation needed]
| Review scores | |
|---|---|
| Source | Rating |
| Disc |  [3] |
| Encyclopedia of Popular Music |  [4] |
| Tom Hull | A[5] |
| Jazzwise | [6] |
| The Penguin Guide to Jazz Recordings | [7] |
According toDown Beat magazine,Brilliant Corners was the most critically acclaimed jazz album of 1957.[8]Nat Hentoff, the magazine's editor, gave it five stars in a contemporary review and called it "Riverside's most important modern jazz LP to date."[9] Jazz writerDavid H. Rosenthal later called it a "classic"hard bop session.[10] Music criticRobert Christgau said that, along with his 1958 live albumMisterioso,Brilliant Corners represented Monk's artistic peak.[11]
In his five-star retrospective review of the album,Allmusic's Lindsay Planer wrote that it "may well be considered the alpha and omega of post-World War II American jazz. No serious jazz collection should be without it."[12]The Penguin Guide to Jazz included the album in its “core collection” of essential recordings.[7]
In 2003,Brilliant Corners was one of fifty recordings chosen that year by theLibrary of Congress to be added to theNational Recording Registry. It has also been included in the reference book1001 Albums You Must Hear Before You Die, with reviewer Andrew Gilbert saying that it "marked Monk's return as composer of the first order."[13] The album was inducted into theGrammy Hall of Fame in 1999.[14]
All tracks written byThelonious Monk, except where noted.
1957 LP Mono Release (US, RLP 12-226)
1985 CD Mono Remastered Release (Japan, VDJ-1526). Track numbers in brackets.
Side One
Side Two
Musicians
Production
