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| Boy Gets Girl | |
|---|---|
| Written by | Rebecca Gilman |
| Characters | Theresa Bedell Tony Ross Howard Siegel Mercer Stevens Harriet Det. Madeleine Beck Les Kennkat |
| Date premiered | March 13, 2000 |
| Place premiered | Goodman Theatre,Chicago,Illinois |
| Original language | English |
| Genre | Drama |
| Setting | various locales inNew York City, in the present |
Boy Gets Girl is a 2000play byRebecca Gilman. The play received its first production at theGoodman Theatre inChicago in 2000.
Boy Gets Girl uses the story of what happens when a blind date turns into a living nightmare to examine stalking, sexism and the nature of the idea of romantic pursuit. Theresa Bedell is a smart, successful woman in her 30s, who writes for an upscale literary New York magazine. She is utterly devoted to her work and struggles with relationships.
Boy Gets Girl was first performed at theGoodman Theatre, on March 13, 2000. The cast was as follows:
Directed by Michael Maggio, the sets were by Michael Philippi, costumes by Nan Cibula Jenkins, lights by John Culbert, sound by Michael Bodeen and Rob Milburn and Dramturgy by Susan V. Booth.[1]
A friend sets Theresa up on a blind date with a nice guy named Tony who works in the computer industry. It is awkward, but not too awkward as Theresa accepts a second date. (They even find a couple of things in common, such as both being from theMidwest.) By the end of this date, she realizes that he is not right for her and politely excuses herself from the date. Tony continues to intrude further into Theresa’s life, with unexpected visits to Theresa’s office and unsettling phone messages at her home. Theresa starts to worry as she realizes that Tony knows where she lives. At her co-worker's urging, she calls thepolice, but when Officer Beck investigates, Theresa realizes there is not much that the police can do. Beck suggests moving out of her apartment and changing her name. Despite all her efforts to avoid him by hiding in her work and opening up to her colleagues, she eventually realizes that he has and will always have control over her life. She eventually loses everything, including her identity, humanity, and will, as she changes her name and moves out ofNew York City toDenver, a shadow of the woman she once was.
"WithBoy Gets Girl I felt that Tony would become scarier if we didn’t see him. So if he was somehow out there, our imagination of him and of what he had become would be a lot scarier than the reality of him especially because I wanted him to be played by a very likeable actor."[2]