Bob Brookmeyer | |
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![]() Brookmeyer in a 1963 advertisement | |
Background information | |
Birth name | Robert Edward Brookmeyer |
Born | (1929-12-19)December 19, 1929 Kansas City, Missouri, U.S. |
Died | December 15, 2011(2011-12-15) (aged 81) New London, New Hampshire, U.S.[1] |
Genres | Mainstream jazz,Cool jazz,West Coast jazz,Post bop |
Occupation(s) | Musician, composer, arranger, educator |
Instrument(s) | Valve trombone, piano |
Labels | Impulse!, Mainstream,RCA,Verve |
Formerly of | Gary Burton,Bill Evans,Stan Getz,Jimmy Giuffre,Jim Hall,Gary McFarland,Gerry Mulligan,Lalo Schifrin,Clark Terry,The Thad Jones/Mel Lewis Orchestra,Claude Thornhill,Zoot Sims |
Robert Edward "Bob"Brookmeyer (December 19, 1929 – December 15, 2011) was an American jazzvalve trombonist,pianist, arranger, and composer. Born inKansas City, Missouri, Brookmeyer first gained widespread public attention as a member ofGerry Mulligan's quartet[2] from 1954 to 1957. He later worked withJimmy Giuffre,[3] before rejoining Mulligan's Concert Jazz Band. He received eightGrammy Award nominations during his lifetime.
Brookmeyer was born on December 19, 1929,Kansas City,Missouri, United States.[4] He was the only child of Elmer Edward Brookmeyer and Mayme Seifert.[1]
Brookmeyer began playing professionally in his teens. He attended the Kansas City Conservatory of Music, but did not graduate. He played piano in big bands led byTex Beneke andRay McKinley, but concentrated on valve trombone from when he moved to theClaude Thornhill orchestra in the early 1950s. He was part of small groups led byStan Getz,Jimmy Giuffre, andGerry Mulligan in the 1950s. During the 1950s and 1960s, Brookmeyer played in New York clubs, on television (including being part of the house band forThe Merv Griffin Show), and on studio recordings, as well as arranging forRay Charles and others.[1]
In the early 1960s, Brookmeyer joinedflugelhorn playerClark Terry in a band that achieved some success. In February 1965, Brookmeyer and Terry appeared together onBBC2'sJazz 625.[5]
Brookmeyer moved toLos Angeles,California, in 1968 and became a full-time studio musician. He spent 10 years on theWest Coast and developed a serious alcohol problem. After he overcame this, he returned to New York. Brookmeyer became the musical director of theThad Jones/Mel Lewis Orchestra in 1979, although he had not composed any music for a decade. Brookmeyer wrote for and performed with jazz groups in Europe from the early 1980s. He founded and ran a music school in theNetherlands, and taught at theNew England Conservatory of Music inBoston, Massachusetts, and other institutions.[1]
In June 2005, Brookmeyer joinedArtistShare and announced a project to fund an upcoming third album featuring his New Art Orchestra. The resultingGrammy-nominated CD, titledSpirit Music, was released in 2006. Brookmeyer was named aNational Endowment for the Arts Jazz Master in the same year.[1] His eighthGrammy Award nomination was for an arrangement from theVanguard Jazz Orchestra's album,Forever Lasting, shortly before his death.[1] That same album was also nominated in the57th Annual Grammy Awards for the category of Best Large Jazz Ensemble Album; the CD was entirely made up of Brookmeyer's compositions.
Brookmeyer died of congestive heart failure on December 15, 2011, inNew London, New Hampshire.[1][6]
One notable element of Brookmeyer's compositional style is his use ofcontemporary classical writing techniques in his works for big bands and jazz ensembles. In the early 1980's Brookmeyer was mentored by composerEarle Brown, with whom he explored20th century classical music in depth. Brookmeyer's works since have been influenced by such composers asWitold Lutosławski (whose cello concerto Brookmeyer used often in teaching students about simple motifs),Igor Stravinsky,Claude Debussy,György Ligeti, andBéla Bartók.[7]
Some examples of 20th-century classical compositional techniques used in Brookmeyer's jazz pieces are:
Year | Nominee / work | Award | Result |
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1960 | Blues Suite', composed by Brookmeyer | Best Arrangement | Nominated |
1965 | The Power Of Positive Swinging, composed by Brookmeyer | Best Instrumental Jazz Performance | Nominated |
1966 | ABC Blues, composed by Brookmeyer | Best Original Jazz Composition | Nominated |
1980 | Skylark, arranged by Brookmeyer | Best Instrumental Arrangement | Nominated |
2001 | Impulsive! (Album) | Best Large Jazz Ensemble Album | Nominated |
2004 | Get Well Soon (Album) | Large Jazz Ensemble Album | Nominated |
2006 | Spirit Music (Album) | Large Jazz Ensemble Album | Nominated |
2008 | St. Louis Blues, arranged by Brookmeyer | Best Instrumental Arrangement | Nominated |
2011 | Nasty Dance, arranged by Brookmeyer | Best Instrumental Arrangement | Nominated |
WithManny Albam
WithSteve Allen
WithChet Baker
WithTeddy Charles
WithAl Cohn
WithStan Getz
WithJimmy Giuffre
WithJim Hall
WithNancy Harrow
WithWoody Herman
WithGary McFarland
WithGerry Mulligan
WithJimmy Raney
WithGeorge Russell
WithDon Sebesky
WithBud Shank
WithZoot Sims
WithClark Terry
| With others
|