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Bob Brookmeyer

From Wikipedia, the free encyclopedia
American jazz musician, arranger, and composer (1929–2011)

Bob Brookmeyer
Brookmeyer in a 1963 advertisement
Brookmeyer in a 1963 advertisement
Background information
Birth nameRobert Edward Brookmeyer
Born(1929-12-19)December 19, 1929
Kansas City, Missouri, U.S.
DiedDecember 15, 2011(2011-12-15) (aged 81)
New London, New Hampshire, U.S.[1]
GenresMainstream jazz,Cool jazz,West Coast jazz,Post bop
Occupation(s)Musician, composer, arranger, educator
Instrument(s)Valve trombone, piano
LabelsImpulse!, Mainstream,RCA,Verve
Formerly ofGary Burton,Bill Evans,Stan Getz,Jimmy Giuffre,Jim Hall,Gary McFarland,Gerry Mulligan,Lalo Schifrin,Clark Terry,The Thad Jones/Mel Lewis Orchestra,Claude Thornhill,Zoot Sims
Musical artist

Robert Edward "Bob"Brookmeyer (December 19, 1929 – December 15, 2011) was an American jazzvalve trombonist,pianist, arranger, and composer. Born inKansas City, Missouri, Brookmeyer first gained widespread public attention as a member ofGerry Mulligan's quartet[2] from 1954 to 1957. He later worked withJimmy Giuffre,[3] before rejoining Mulligan's Concert Jazz Band. He received eightGrammy Award nominations during his lifetime.

Biography

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Brookmeyer was born on December 19, 1929,Kansas City,Missouri, United States.[4] He was the only child of Elmer Edward Brookmeyer and Mayme Seifert.[1]

Brookmeyer began playing professionally in his teens. He attended the Kansas City Conservatory of Music, but did not graduate. He played piano in big bands led byTex Beneke andRay McKinley, but concentrated on valve trombone from when he moved to theClaude Thornhill orchestra in the early 1950s. He was part of small groups led byStan Getz,Jimmy Giuffre, andGerry Mulligan in the 1950s. During the 1950s and 1960s, Brookmeyer played in New York clubs, on television (including being part of the house band forThe Merv Griffin Show), and on studio recordings, as well as arranging forRay Charles and others.[1]

In the early 1960s, Brookmeyer joinedflugelhorn playerClark Terry in a band that achieved some success. In February 1965, Brookmeyer and Terry appeared together onBBC2'sJazz 625.[5]

Brookmeyer moved toLos Angeles,California, in 1968 and became a full-time studio musician. He spent 10 years on theWest Coast and developed a serious alcohol problem. After he overcame this, he returned to New York. Brookmeyer became the musical director of theThad Jones/Mel Lewis Orchestra in 1979, although he had not composed any music for a decade. Brookmeyer wrote for and performed with jazz groups in Europe from the early 1980s. He founded and ran a music school in theNetherlands, and taught at theNew England Conservatory of Music inBoston, Massachusetts, and other institutions.[1]

Clark Terry and Brookmeyer at the Clearwater Jazz Festival in the 1980s

In June 2005, Brookmeyer joinedArtistShare and announced a project to fund an upcoming third album featuring his New Art Orchestra. The resultingGrammy-nominated CD, titledSpirit Music, was released in 2006. Brookmeyer was named aNational Endowment for the Arts Jazz Master in the same year.[1] His eighthGrammy Award nomination was for an arrangement from theVanguard Jazz Orchestra's album,Forever Lasting, shortly before his death.[1] That same album was also nominated in the57th Annual Grammy Awards for the category of Best Large Jazz Ensemble Album; the CD was entirely made up of Brookmeyer's compositions.

Brookmeyer died of congestive heart failure on December 15, 2011, inNew London, New Hampshire.[1][6]

Compositional style

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One notable element of Brookmeyer's compositional style is his use ofcontemporary classical writing techniques in his works for big bands and jazz ensembles. In the early 1980's Brookmeyer was mentored by composerEarle Brown, with whom he explored20th century classical music in depth. Brookmeyer's works since have been influenced by such composers asWitold Lutosławski (whose cello concerto Brookmeyer used often in teaching students about simple motifs),Igor Stravinsky,Claude Debussy,György Ligeti, andBéla Bartók.[7]

Some examples of 20th-century classical compositional techniques used in Brookmeyer's jazz pieces are:

  • "ABC Blues", where anatonaltone row is used to generate melodies and harmonies.
  • "The Big Time", wherepolytonality is used to develop melodies used earlier on in the composition.
  • Bob Brookmeyer useschromatic harmony andtone clusters throughout such works as "Seesaw", "Silver Lining", and "Hello and Goodbye".[8]

Honors and awards

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Grammy Awards (nominations)

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YearNominee / workAwardResult
1960Blues Suite', composed by BrookmeyerBest ArrangementNominated
1965The Power Of Positive Swinging, composed by BrookmeyerBest Instrumental Jazz PerformanceNominated
1966ABC Blues, composed by BrookmeyerBest Original Jazz CompositionNominated
1980Skylark, arranged by BrookmeyerBest Instrumental ArrangementNominated
2001Impulsive! (Album)Best Large Jazz Ensemble AlbumNominated
2004Get Well Soon (Album)Large Jazz Ensemble AlbumNominated
2006Spirit Music (Album)Large Jazz Ensemble AlbumNominated
2008St. Louis Blues, arranged by BrookmeyerBest Instrumental ArrangementNominated
2011Nasty Dance, arranged by BrookmeyerBest Instrumental ArrangementNominated

Discography

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As leader/co-leader

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As sideman

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WithManny Albam

  • The Jazz Workshop (RCA Victor, 1956)
  • Play Music from the Broadway Musical West Side Story (Coral, 1957)
  • Manny Albam and the Jazz Greats of Our Time (Coral, 1957)
  • Sophisticated Lady (Coral, 1958)
  • The Blues Is Everybody's Business (Coral, 1958)
  • Steve's Songs (Dot, 1958)
  • Jazz Horizons: Jazz New York (Dot, 1959)
  • Brass on Fire (Solid State, 1966)

WithSteve Allen

  • ...And All That Jazz (Dot, 1959)
  • Soulful Brass #2 (Flying Dutchman, 1969)

WithChet Baker

WithTeddy Charles

  • Teddy Charles Featuring Bobby Brookmeyer (Prestige, 1954)
  • Salute to Hamp Flyin' Home (Bethlehem, 1959)

WithAl Cohn

WithStan Getz

WithJimmy Giuffre

WithJim Hall

  • Live at Town Hall Vol. One (Musicmasters, 1991)
  • Live at the North Sea Jazz Festival (Challenge, 1999)

WithNancy Harrow

  • You're Nearer (Tono 1986)
  • Street of Dreams (Poljazz, 1989)

WithWoody Herman

  • The Herd Rides Again (Everest, 1958)
  • The Fourth Herd (Jazz Legacy, 1960)
  • Woody Herman & the Fourth Herd (Windmill, 1972)

WithGary McFarland

WithGerry Mulligan

WithJimmy Raney

  • Jimmy Raney Featuring Bob Brookmeyer (ABC-Paramount, 1956)
  • Jimmy Raney in Three Attitudes (ABC-Paramount, 1957)

WithGeorge Russell

WithDon Sebesky

  • Three Works for Jazz Soloists & Symphony Orchestra (Gryphon, 1979)
  • I Remember Bill (RCA Victor, 1998)
  • Joyful Noise (RCA Victor, 1999)

WithBud Shank

  • Bud Shank and Bob Brookmeyer (Pacific Jazz, 1954)
  • The Saxophone Artistry of Bud Shank (Pacific Jazz, 1956)

WithZoot Sims

WithClark Terry

With others

See also

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References

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  1. ^abcdefgKeepnews, Peter (December 18, 2011)."Bob Brookmeyer, Jazz Musician and educator, Dies at 81".The New York Times.
  2. ^Berendt, Joachim (1976).The Jazz Book. Paladin. p. 380.
  3. ^Berendt (1976).The Jazz Book. p. 384.
  4. ^Berendt (1976).The Jazz Book. p. 199.
  5. ^"Tribute to Bob Brookmeyer". clarkterry.com. December 19, 2011. RetrievedFebruary 10, 2014.
  6. ^artsjournal obituary.Archived May 21, 2012, at theWayback Machine
  7. ^Guerra, Stephen J. Jr. (2016).A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble. p. 55.
  8. ^Guerra (2016).A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble. pp. 56–70.

External links

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