Adolf von Menzel, in fullAdolf Friedrich Erdmann von Menzel, (born December 8, 1815,Breslau, Prussia [now Wrocław, Poland]—died February 9, 1905, Berlin), German painter and printmaker, best known in his own day as a brilliant historical painter, whose patriotic works satisfied the public’s taste, engendered by Prussia’s continual expansion throughout the 19th century, for propagandistic art. In the 20th century he was chiefly esteemed for his sensitive treatment of light and the originalcompositions of his smallgenre pictures.

In 1832 Menzel took charge of his dead father’s lithographic workshop and, self-taught, rapidly became famous in this medium by illustrating various histories of Prussia, especially those dealing with the reign ofFrederick II the Great. These were followed by illustrations for similar publications, such as a lavish edition ofWorks of Frederick the Great (1843–49) containing 200 plates. Inpainting Menzel soon became famous for his glittering re-creations of such scenes as Frederick the Great’s concerts at his palace, Sanssouci, andThe Ball Supper (1878), showing the court of KingWilhelm I vigorously enjoying a meal.

In later times Menzel was most admired for small paintings and drawings dating from about 1840 onward. These interior, street, and landscape scenes demonstrate Menzel’s unorthodox vision; subjects are viewed from high or low angles, and there are departures from conventions of grouping and framing, as well as innovative excursions into industrial subjects, as inRolling Mill (1875). In works such asRoom with a Balcony (1845) andThe Artist’s Sister in the Sitting Room (1847), Menzel presaged later developments of theImpressionist movement in France in his refined feeling for the effects of light and his use of open brushstrokes.