Jenny Zhang (b. 1983) is a New York-based writer born in Shanghai. She is a poet, fiction writer, non-fiction writer, and performer. Her book publications includeDear Jenny, We Are All Find (2012). Her journal publications includeRookie Yearbook One (2012),Rookie Mag (2011),Glimmer Train (2010),Iowa Review (2011), andJezebel (2011).
Zhang has been awarded the Provost Fellowship (2009-2010) and the Teaching-Writing Fellowship (2009-2010) by the Iowa Writers’ Workshop.
Photo credit: courtesy of the artist
FromDear Jenny, We Are All Find
THE FIRST FANCY FEAST OF FANCY
In Lisbon you watch spiders become nudists
and I become a nudist as openly
as your wanton need for reproduction
to be arbitrary, and it is.
Look at me, my existence
improved nothing, the world
still gasped when the president
revealed his asscrack
the smoothness of a child
who has been sandpapered
into a blister which we pop
by running in bad tennis shoes
on the courts of ancient history
where my people put a pile of bricks
on an island and Korea was born
later, the Korean war was where
my grandfather’s arms vanished
the false note of us
standing with streaming tears
in front of the Holocaust memorial
was played over loudspeakers
which hung like ripened fruit
in the backyards of every important person
like my sister’s accountant
and your mother’s doctor’s secretary’s gardener
who is my sister’s accountant’s sister.
Other people have sisters? Yes, and whales
have noses and missing teeth
can grow in size if you leave them in milk
which is why when I open my mouth
you think what you see is a cavern
where our babies become feral
the marks in trees you think
some kid carved with a knife
but here I am beaming head to toe
showing my invisible teeth, my future
wreath which tells me I am a friend
of spiders and their genitals
which fip flap like a bell made of flesh
which hangs between my fingers
as I grab hold of my friends, my people
the ones who woke me when I was sinking
and on the verge of a colossal disappearance
from this flawed, frangible world.
If anyone was to see me, I hope they only notice:
“A thousandcoruscating shafts of sunlight…
… illuminating nothing.”
I PULLED A LEAF FROM MY EYE
It was bothering me for days. Finally I pulled it out, when it was out I put it in my hand, when it was in my hand I put it in my mouth, when it was in my mouth I started to taste it with my tongue, when I tasted it with my tongue I slobbered all over the leaf, when I slobbered all over the leaf I lost my ability to speak, when I lost my ability to speak my father came into my room and asked me two of the most important questions, when he asked me two important questions I tried to overcome my impediment and swallow the leaf, when I tried to overcome my impediment by swallowing the leaf my father got fed up and left me alone in my room, when I was alone in my room I felt the beginnings of pebble pain in my eye, when I began to feel phantom pebbles lodged in my eye I decided to let the leaf slide down my slimy throat, as the leaf was sliding down my slimy throat I suddenly realized I was not a good person, when I had my realization about my character I realized I was crying a lot, when I was crying a lot I felt my tears were hardening into pebbles and the leaves underneath my feet were just the road that led to another road that led to another road that led to the same window I have cried beside since I was born crying in my father’s arm with snow on my teeth when it was winter and I had to be handled in every way, and besides, I was not even really alive.
Yvonne Meier (b.1955) is a New York-based artist born in Zurich, Switzerland currently participating in Process Space. Her practice is based on Releasing Technique, Authentic Movement, and an improvisation technique that she developed known as “Scores.”Learn more about her and her work here!
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