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In 1944, only nine years after opening its doors, the VMFA acquired its first work by an African American artist. Since that time, the Museum has remained steadfast in building a collection reflective of the African American experience and expression. Since 2015, the museum has committed to spend 1/3 of acquisition funds each year on works in these collection areas and have honored and frequently surpassed this annual goal ever since.
The collection features masterpieces from early American to modern and later, contemporary artists. With such a vast arch across time, these works collectively underscore the dramatic shifts in the artistic, social and political landscape and their impact upon the creative expression.
In 2019, VMFA commissioned Odili Donald Odita to create a work inspired by the collection. Odita is best known for his colorful acrylic abstract painting of slightly irregular and off-kilter geometric forms. Odita’s dual identity, being born in Nigeria and raised in the American Midwest, is reflected in his works. His paintings are rooted in the modernist tradition of geometric abstraction and point out the double inheritance of western and African abstraction.Procession is the visual response to the museum’s extraordinary holdings that includes the work of artists of the African American South, contemporary masters, and midcentury avant garde painters. Proceeding in the same vein as Sol LeWitt, whoseWall Drawing #541graces the museum’s 20th-century gallery entrance from the Marble Hall, Odita executed a work that also responds to the specificity of space, creating a dynamic play upon the Atrium’s architecture.
“My work is in conversation with history.” —Jennie C. Jones
This immersive installation at VMFA features two sound works. The first composition,High as the Listening Skies, features three gospel choirs from Houston, Los Angeles, and Baltimore, performing the song “A City Called Heaven.” The song was popularized by gospel icon and civil rights activist Mahalia Jackson. The second featured work,The Edges of Heaven, Rest, is primarily tonal and associated with the concept of music as having healing energy. Jones layers audio samples—effectively collaging composition from Black composer Alvin Singleton.
The two works, which can be experienced together in the chapel located in the museum’s Sculpture Garden, create a striking balance between the crescendo of a spiritual ecstatic and a meditative calm. Interwoven, they emit a sonic framing that bridges the physical world to the ethereal realm, offering the transcendent and transformational possibilities of sound.
American artist Hank Willis Thomas discusses his work and the construction of black identity through popular culture.
The interview was conduced by John B. Ravenal (Syndey and Frances Lewis Family Curator of Modern and Contemporary Art), VMFA.
Artist Radcliffe Bailey talks about his artistic process and what he hopes his art conveys. Come see "Vessel" in VMFA's permanent collection.
Artist Julie Mehretu talks about the concepts, processes, and implications of her "Stadia" series, including "Stadia III" in VMFA's permanent collection.
LeRoy Henderson discusses his life and work documenting American protest culture with Dr. Sarah Eckhardt, Associate Curator of Modern and Contemporary Art, on Thursday, February 16, 2017 at the Virginia Museum of Fine Arts.
Produced to accompany the exhibition, "Kehinde Wiley: A New Republic," this video series features the artist himself discussing his background, work, process, philosophy, and art historical influences.
American artist Robert Pruitt discusses his inspirations, his process, and elements of the absurd in this artist talk.