The author on the savage attack that almost killed him: 'People should see what terrorism looks like.'
Tennis icon and legend Billie Jean King has had documentaries, articles and even a movie, “Battle of the Sexes,” tell her story.“Give Me the Ball,” which premieres Monday at…
It’s a time capsule from the hard-rocking halcyon days before iPhones, “American Idol” and the MP3 audio format changed everything about the music business.“The Best Summer,”…
Young Palestinian activist Basel Adra teams with Israeli journalist Yuval Abraham to chronicle the despair of the displaced in his home territory — the resulting film could open eyes and change…
It’s altogether likely that many non-Indigenous people knew nothing about the abuse and disappearances of Native American children that occurred over decades in residential Indian…
"Super/Man: The Story of Christopher Reeve" is a moving, wrenching, compellingly well-made documentary about Reeve's life that inevitably ends up centering on his accident and its aftermath.
The industry section of Copenhagen documentary festival CPH:DOX has unveiled the Summit and Conference program, which runs March 16-19. Featured speakers include U.S. filmmaker…
The International Federation of Film Critics, also known as Fipresci, and the Millennium Docs Against Gravity festival have revealed the nominees for the inaugural Documentary…
CPH:DOX, also known as Copenhagen Intl. Documentary Film Festival, has unveiled its competition lineup, featuring 53 world premieres, 17 international premieres and four European…
U.S. filmmaker Laura Poitras will be the Special Guest at the opening of the 24th edition of VdR–Industry, documentary festival Visions du Réel’s program for industry…
MetFilm Sales has acquired international sales rights to Biljana Tutorov and Petar Glomazić’s feature documentary “To Hold a Mountain,” which recently received its world premiere…
Documentary sales, distribution and production company Dogwoof has boarded international sales rights to “The Cycle of Love,” directed by Orlando von Einsiedel, who was Oscar…
Indox, the non-fiction festival agency led by Luke Brawley, has taken on worldwide festival rights to “Bucks Harbor,” the debut feature documentary from filmmaker Pete Muller. The…
HiddenLight has partnered with Universal Pictures Content Group to co-produce Sam Pollard’s feature-length documentary “Tutu,” which makes its world premiere in the Berlin…
After spending years uncovering his family’s complicated dynamics in “A Family Affair,” Dutch filmmaker Tom Fassaert thought he was done turning the camera on his home life. Alas…
Tales of hope and daring, of fighting back, of art and inspiration, of the heroism of ordinary people…and extraordinary people.
Variety editors ranked top documentaries about Hollywood -- films that examine productions gone out of control and key figures behind the scenes.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!