COVER STORY | The legendary artist talks the future of his performances, loving Chappell Roan and his raising $650 million for HIV/AIDS.
Jamie Lee Curtis, Sydney Sweeney, Kate Hudson, Nicole Scherzinger and Wanda Sykes were honored at this year's LA Power of Women.
"You shouldn't have to hide or cover up in any room," the "Euphoria" and "Christy" star says.
A Variety and iHeartRadio Podcast
The thrillifying follow-up to last year's musical hit fixes flaws in the Broadway show's second act, elevating Cynthia Erivo and making the final stretch feel like a robust tale unto itself.
In Hikari's maudlin and rather unconvincing Tokyo-set feature, a sad American (Brendan Fraser) takes an unconventional acting gig, only to discover a deeper purpose when there are no cameras around.
Joachim Trier tells the moving tale of two sisters, though it's tempting to view it strictly as the story of a filmmaker (Stellan Skarsgård) and his daughter (Renate Reinsve) reconciling through art.
A worthy third entry in the playful sleight-of-hand thriller series. Jesse Eisenberg is verbally locked and loaded as the Four Horsemen team up with a trio of next-generation illusionists.
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
Vince Staples searches for light on his new album, his most vulnerable project to date.
Dua Lipa's new album is a joyous blast of pop savvy.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.



