After starring in 'The Handmaid's Tale,' Moss will play a defense attorney involved in a high-profile murder case in 'Conviction,' adapted from the 2023 novel.
A Variety and iHeartRadio Podcast
Emerald Fennell's bold and engaging movie, starring Margot Robbie and Jacob Elordi, is an operatic adaptation that transforms Emily Brontë's romantic tragedy into an erotic one as well.
A go-for-your-dream sports fairy tale set in a vibrant dystopia. Caleb McLaughlin voices the underdog goat hero in a movie whose look and feel breaks out of the standard animation doldrums.
In Harry Lighton's edgy queer romance, Alexander Skarsgård plays a sexy biker and Harry Melling is his budding submissive. It's light on dialogue but startlingly revealing in all other respects.
Chris Hemsworth and Mark Ruffalo lead a tip-top cast, along with Halle Berry and Barry Keoghan, in a compelling L.A. jewel-heist thriller that's really four character studies wound into one.
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
Vince Staples searches for light on his new album, his most vulnerable project to date.
Dua Lipa's new album is a joyous blast of pop savvy.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
20:53Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!



