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Soft Machines, Tough Love
Soft Machines, Tough Love
ByVictoria Dugger
onBlack Meme: A History of the Images that Make Us by Legacy Russell
onBlack Meme: A History of the Images that Make Us by Legacy Russell
ByTope Folarin
Tripas Wins the Pulitzer Prize for Poetry
Tripas Wins the Pulitzer Prize for Poetry
Georgia Review Receives Award from the National Endowment for the Arts
Georgia Review Receives Award from the National Endowment for the Arts
The Georgia Review’s Spring 2025 issue is now available, with new writing from Yxta Maya Murray, Michael Collier, D. Nurkse, Amber Flora Thomas, and many more, along with new translations of Saadi Youssef and Melpo Axioti, the winner and featured finalists of the 2024 Loraine Williams Poetry Prize, and a folio of paintings and sculptures by Victoria Dugger. The issue also includes the year’s first review fromGeorgia Review Critic-at-Large Tope Folarin.
EXPLORE THE ISSUETrace History [2024 Loraine Williams Poetry Prize Winner]Special Feature
Trace History [2024 Loraine Williams Poetry Prize Winner]
ByJohanna Magin
My ears or a field of ears [2024 Loraine Williams Poetry Prize Featured Final...Special Feature
My ears or a field of ears [2024 Loraine Williams Poetry Prize Featured Final...
BySamuel Ace
In the Room When It Happens [2024 Loraine Williams Poetry Prize Featured Fina...Special Feature
In the Room When It Happens [2024 Loraine Williams Poetry Prize Featured Fina...
ByAllison Adair
Your Dream of My Life, You Who Now Own It [2024 Loraine Williams Poetry Prize...Special Feature
Your Dream of My Life, You Who Now Own It [2024 Loraine Williams Poetry Prize...
ByTalin Tahajian
Rites of Return and Ascent & What Country, This BeastPoetry
Rites of Return and Ascent & What Country, This Beast
ByRasha Abdulhadi
Features
Trace History [2024 Loraine Williams Poetry Prize Winner]Special Feature
Trace History [2024 Loraine Williams Poetry Prize Winner]
ByJohanna Magin
My ears or a field of ears [2024 Loraine Williams Poetry Prize Featured Final...Special Feature
My ears or a field of ears [2024 Loraine Williams Poetry Prize Featured Final...
BySamuel Ace
In the Room When It Happens [2024 Loraine Williams Poetry Prize Featured Fina...Special Feature
In the Room When It Happens [2024 Loraine Williams Poetry Prize Featured Fina...
ByAllison Adair
Your Dream of My Life, You Who Now Own It [2024 Loraine Williams Poetry Prize...Special Feature
Your Dream of My Life, You Who Now Own It [2024 Loraine Williams Poetry Prize...
ByTalin Tahajian
Rites of Return and Ascent & What Country, This BeastPoetry
Rites of Return and Ascent & What Country, This Beast
ByRasha Abdulhadi
Art
Soft Machines, Tough Love
Soft Machines, Tough Love
ByVictoria Dugger
Portraits from Another New South
Portraits from Another New South
ByTommy Kha
Fission or, Eclipse (with an introduction by Katie Geha)
Fission or, Eclipse (with an introduction by Katie Geha)
ByRose Salane
The Space Between Things
The Space Between Things
ByGarry Noland
Architecture and Song
Architecture and Song
ByHasani Sahlehe
Just Is
Just Is
ByAntonio Darden
This Is the House that Cotton Built (fold-out insert)
This Is the House that Cotton Built (fold-out insert)
By Guncotton
Microchimerism
Microchimerism
ByJanelle IglesiasLisa Iglesias
Painting What Is Said and What Is Kept Silent
Painting What Is Said and What Is Kept Silent
ByArpita Singh
Reviews
onDeath Styles by Joyelle McSweeney
onDeath Styles by Joyelle McSweeney
ByAmish Trivedi
onLife on Earth: Art & Ecofeminism
onLife on Earth: Art & Ecofeminism
ByTheo Meranze
onA Mother Is an Intellectual Thing by Kimberly Grey
onA Mother Is an Intellectual Thing by Kimberly Grey
ByEmily Pérez
onBlack Meme: A History of the Images that Make Us by Legacy Russell
onBlack Meme: A History of the Images that Make Us by Legacy Russell
ByTope Folarin
onArtificial: A Love Story by Amy Kurzweil
onArtificial: A Love Story by Amy Kurzweil
ByHannah Baker Saltmarsh
onMid/South Sonnets, edited by C. T. Salazar and Casie Dodd
onMid/South Sonnets, edited by C. T. Salazar and Casie Dodd
ByLucien Darjeun Meadows
onAlt-Nature by Saretta Morgan
onAlt-Nature by Saretta Morgan
ByBrenda Iijima
onFruit of the Dead by Rachel Lyon
onFruit of the Dead by Rachel Lyon
BySiobhan Hart
onSoft Apocalypse by Leah Nieboer
onSoft Apocalypse by Leah Nieboer
ByZachary Anderson
onPilgrims 2.0 by Lindsey Harding
onPilgrims 2.0 by Lindsey Harding
ByLucy Jayes
onDear Chrysanthemums: A Novel in Stories by Fiona Sze-Lorrain
onDear Chrysanthemums: A Novel in Stories by Fiona Sze-Lorrain
ByNatalie Villacorta
onA Quitter’s Paradise by Elysha Chang
onA Quitter’s Paradise by Elysha Chang
ByWilliam Pei Shih
Reviews
onDeath Styles by Joyelle McSweeney
ByAmish Trivedi
onLife on Earth: Art & Ecofeminism
ByTheo Meranze
onA Mother Is an Intellectual Thing by Kimberly Grey
ByEmily Pérez
onBlack Meme: A History of the Images that Make Us...
ByTope Folarin
onArtificial: A Love Story by Amy Kurzweil
ByHannah Baker Saltmarsh
onMid/South Sonnets, edited by C. T. Salazar and Casie Dodd
ByLucien Darjeun Meadows
onAlt-Nature by Saretta Morgan
ByBrenda Iijima
onFruit of the Dead by Rachel Lyon
BySiobhan Hart
onSoft Apocalypse by Leah Nieboer
ByZachary Anderson
onPilgrims 2.0 by Lindsey Harding
ByLucy Jayes
onDear Chrysanthemums: A Novel in Stories by Fiona Sze-Lorrain
ByNatalie Villacorta
onA Quitter’s Paradise by Elysha Chang
ByWilliam Pei Shih
