This article is about thecomic company. For the television and motion picture studio owned by the comic company, seeMarvel Productions. For a list of other meanings, seeMarvel (disambiguation). |
Face front, True Believers! The merry mirthmakers atMarvel Comics brought you seven scintillating years (1984–1991) of fabulous funnybooks starring the ever-lovin' Transformers! A mere two years later, those argumentative appliances struck back (and struck out, natch!) inTransformers: Generation 2. Eons later, in the far-flung future of2007, Marvel publishedNew Avengers/Transformers, teaming Cybertron's Mightiest Robots with Earth's Mightiest Heroes!
Most of these Marvel mags were penned by one of two brilliant Bullpenners:
Marvel published the following Transformers series, so hit those back-issue-bins and Make Yours Marvel!
Excelsior!
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Marvel is actually responsible for much of the 1980s Transformers concepts and characters. They'd previously done the same forHasbro onG.I. Joe (to the extent"Laughing" Larry Hama invented the very idea of bad guy toys, never mind all ofCobra) to $ucce$$ and Hasbro asked them to do it again on Transformers.[1] "Blazing" Bob Budiansky, who'd go on to name almost every character, rushed his way to get the original 28 done in a weekduringThanksgiving.[2]
Basically, unless it only ever appeared in the cartoon or comes fromthe film, Marvel at least named it. (And then "Senses-Shattering" Furman gave cartoon-critterUnicron an origin that's become his official one in everything else!)
Marvel UK in the 80s only had a limited number of people on each comic: usually just the editor and designer, both trying to get a new comic out every week. People would come into the office to draw but it was only in later years there was an actual studio space for them. Furman once recounted "we had free for alls in the office, lots of freelancers coming in hanging around, and we would have fights with water pistols in the office, it was remarkable we got our comics out."[3] (The US branch at the time, underJim Shooter, was notably more corporate.)
While Marvel US got hold of a big fat design 'bible', the UK didn't. WhenMike Collins visited America, Budiansky asked why the UK didn't follow the 'bible' and, after Collins stared at him in confusion, gave him a copy of it to take back to Britain.[4]
Marvel Comics published the ridiculously terribleRobot-Master comic book series. It did not, however, publish a Potato Salad Man graphic novel entitledThis Man, This Mayonnaise.I, Robot-Master!
Deciding thatSoundwave had been answering theletters page for too long,Grimlock arrived at the Marvel Comics UK offices to oust him. Little did he know, Soundwave had already managed tosneak a lift toAmerica, leaving Grimlock to be swamped by unopened mail.Robo-Capers issue 74
Similarly,Dreadwind arrived at the Marvel UK offices to challenge Grimlock to a fight over the letters page but the Dinobot was in a hurry and managed to bury the Decepticon in suitcases... full of unopened mail.The Wind of Change!
Marvel characters are incorporated as part of theCrossovers franchise. Marvel Transformers? That certainlysoundsfamiliar.
Marvel Books published children's coloring and activity books in the 1980s, based on licensed properties retained by Marvel Comics, includingTransformers.
It may surprise you to know this, but Marvel published comics that had nothing todo with Transformers! A number of these titles would be reprinted asback-up strips in Marvel UK's title:Visionaries,Iron Man,Machine Man,Planet Terry,Hercules,Spider-Man,The Inhumanoids, and, the longest of all,Action ForceG.I. Joe the Action Force G.I. Joe. Marvel UK also publishedAction Force, which crossed over withTransformers.
The massive success ofTransformers for Marvel UK may have been the reason it focused so much on licensed material throughout the 1980s, andJames Roberts argued inThe Transformers Classics UK Volume 2 that the look and format of those licensed comics was very much based on aTransformers-established house style.[5] It's certainly the reason why, when the company attempted US-sized monthlies in the late 80s, it didDeath's Head and the Furman/SeniorDragon's Claws.
Marvel UK made a great deal of money fromTransformers, which was its biggest hit for years (later supplanted byThe RealGhostbusters) and was still sellingTransformers Collected Comics reprint specials in the early 1990s. It also spun offDeath's Head, who Marvel UK made extra-extreme in 1992 and started to put in every single UK title they couldand also the Lord Mayor's Show[6] Despite theTransformers reprints, in late 1992 editor-in-chief "Punchy" Paul Neary dismissed them and the original Death's Head: "I didn't think there was much future in Transformers-style robots."[7]
Unfortunately the 1990s also saw the harsh, depressing death of the UK imprint, as too many titles were launched too quickly in a market which was already swamped by a boom turned glut[8] turned crash. On 29 September 1993, their new Director of Sales, Lou Bank, reported that there was "simply no room to display" all the comics being made[9] and Marvel UK's efforts in the American direct market coughed its lungs up the following year.[10].Panini, partner company of Marvel Europe, took out Marvel UK and despite plans for a smaller-scale relaunch (including anotherDeath's Head revamp[11]), the first new bosses (who had little publishing background and soon left) abruptly shut down the entire comic department and part of the profitable Marvel Magazine crew.[12]
One of their last comics wasTransformers Winter Special 1994.