Vision mixer

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Clive Doig,Doctor Who's first vision mixer, explains his job.

Vision mixers were regular members of the production crew of the 1963 version ofDoctor Who.

During the recording of a programme, they sat in the control booth above the studio floor and decided when to switch between the — usuallyfour – cameras that were being used to film an episode, according to thedirector's instructions. They were thus "liveeditors", who controlled when a particular camera was actively recording.

They also were responsible for somevisual effects, such as the insertion of pre-recorded materialplayed back into a scene, and indeed the achievement of the original title sequence. Undoubtedly, however, their most important visual effect was that ofregeneration, which — as established byTenth Planet vision mixer,Shirley Coward — was always achieved by some form of camera cross-fade.

Interviewed onThe SensoritesDVD extraVision On, earlyHartnell-era vision mixer,Clive Doig, had this to say about his job:

What I'm doing as a vision mixer is cutting to the camera against the dialogue of the [camera script that thedirector has prepared]."Clive Doig

Because no mainstreamDWU show afterSurvival has been produced in a multi-camera environment, vision mixers essentially haven't been used since1989. Very brief exceptions occasionally crop up, however, as when characters are seen to be watchingtelevision programmes. The clearest examples of vision mixing in theBBC Wales era are perhapsTrisha Goddard's scenes inArmy of Ghosts.

AlthoughSurvival was the final story of the regular run ofDoctor Who to employ a vision mixer throughout its production, the last BBC-licensed story to use vision mixing wasThe Curse of Fatal Death. It in fact parodied the work of vision mixers in the original series by showing how quick cutting between cameras created the "endless corridors" down whichthe Doctor and hiscompanion typically ran.

List of vision mixers[[edit] |[edit source]]

Television[[edit] |[edit source]]

Season 1[[edit] |[edit source]]

Season 2[[edit] |[edit source]]

Season 3[[edit] |[edit source]]

Season 4[[edit] |[edit source]]

Season 6[[edit] |[edit source]]

Season 7[[edit] |[edit source]]

Season 8[[edit] |[edit source]]

Season 9[[edit] |[edit source]]

Season 10[[edit] |[edit source]]

Season 11[[edit] |[edit source]]

Season 12[[edit] |[edit source]]

Season 13[[edit] |[edit source]]

Season 14[[edit] |[edit source]]

Season 15[[edit] |[edit source]]

Season 16[[edit] |[edit source]]

Season 17[[edit] |[edit source]]

Season 18[[edit] |[edit source]]

Season 19[[edit] |[edit source]]

Season 20[[edit] |[edit source]]

Season 21[[edit] |[edit source]]

Season 22[[edit] |[edit source]]

Season 23[[edit] |[edit source]]

Season 24[[edit] |[edit source]]

Season 25[[edit] |[edit source]]

Season 26[[edit] |[edit source]]

Home video[[edit] |[edit source]]

Season 22[[edit] |[edit source]]

Documentaries about vision mixing[[edit] |[edit source]]

Vision mixing has been the primary focus of two documentaries in the classicDoctor Who DVD range.

DocumentaryReleased onIntervieweesSubject
Vision OnThe SensoritesClive DoigBasic description of job, as it existed in theLambert era
A View from the GalleryDay of the Daleks (2011 DVD release)Barry Letts andMike CatherwoodRelationship between the director and the vision mixer, primarily as experienced in theLetts era

Footnotes[[edit] |[edit source]]