Charyāpada
PraXis - Where Theory meets Practice
The variation in the colour of our clothes is a metaphor for the existing variations in our languages, literature, cultures... We are indeed proud to be amidst such vibrant and diverse cultures.Thus, This CHARYĀPADA is dedicated to my friends, fellows and my students who come from these varied backgrounds and experiences ...in the process illuminating and enriching me...I find my existence amidst YOU!
Why Charyāpada?
The CharyāpadaBengali: চর্যাপদ,Assamese: চৰ্যাপদ is a collection of 8th-12th centuryVajrayana Buddhistcaryagiti, or mystical poems from thetantric tradition in easternIndia. Being caryagiti, or 'songs of realization' the Charyapada were intended to be sung. These songs of realization were spontaneously composed verses that expressed a practitioner's experience of the enlightened state. Miranda Shaw describes how caryagiti were an element of the ritual gathering of practitioners in atantric feast:The feast culminates in the performance of tantric dances and music that must never be disclosed to outsiders. The revelers may also improvise "songs of realization" caryagiti to express their heightened clarity and blissful raptures in spontaneous verse.
A manuscript was discovered in the early 20th century. It provides the early examples of theAssamese,Oriya andBengali languages. The writers of the Charyapada, theMahasiddhas or Siddhacharyas, belonged to the various regions ofAssam,Bengal,Orissa andBihar. A Tibetan translation of the Charyapada was also preserved in theTibetan Buddhist canon. [Courtesy:-http://www.servinghistory.com/topics/Charyapada]