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Pau Casals i Defilló (Pablo Casals) (born El Vendrell,Catalonia, 29 December 1876; diedSan Juan, Puerto Rico, 22 October 1973) was aSpanishCatalancellist. He made the cello popular as a solo instrument to the younger generation. In his later years he was also aconductor as well as acomposer.
Casals made many recordings of solo,chamber, andorchestral music. Perhaps his best known recordings are the ones he made between 1936 and 1939 of theCello Suites byBach. When thedictatorGeneral Franco started to rule Spain he felt very strongly about the political situation. When the democratic party was defeated in 1939 he said that he would never go back to Spain untildemocracy had been restored. He did not live long enough to see the end to Franco’s rule, which happened two years after his death, with the death of Franco.
Casals' father was theorganist at the local church. He gave Casals his first music lessons, teaching himpiano,violin and organ. When Casals was eleven, he heard a group of travelling musicians playing music. One of the instruments was thecello. He had never heard one and he decided that was what he wanted to play. His mother took him toBarcelona, where he went to a music school: theEscola Municipal de Música. There he studied the cello,music theory and piano.
One day, when he was 13, he was looking at some old music in a second-hand music shop. He found some very old music for solo cello. They were theCello Suites by Bach. People in those days thought they were just a collection ofstudies to help cellists with their technique, but Casals, although only still a boy, realized it was great music. He spent the next 12 years practising them until he felt ready to perform them. Casals’ discovery of these wonderful Cello Suites was the most important Bach discovery since 1829 whenMendelssohn found and performed theSt Matthew Passion which the world had forgotten about.
Casals showed enormous talent for the cello. On 23 February 1891, when he was 14 years old, he gave a solorecital inBarcelona. Hegraduated from theEscola with honours two years later.
In 1893, the Spanish composerIsaac Albéniz heard him playing in a trio in acafé. He gave him a letter which allowed him to be introduced to the Queen. She gave him money so that he could study at theConservatory in Madrid. She then allowed him to go toBrussels to study at the Conservatory which was then the best inEurope forstring instruments. The cello teacher mentioned a long list of cello pieces and asked him which ones he played. When Casals told him he could play them all, the teacher made fun of him. When Casals started playing, everyone was amazed at his talent. The teacher wanted him to be one of his pupils, but Casals had been insulted and so he went to Paris the next day. The Queen of Spain was angry with Casals when she heard what had happened and stopped sending him money.
In Paris he had very little money. He earned a living by playing second cello in the theatre orchestra of theFolies Marigny. His mother tried to earn some money bysewing. In 1896, he returned to Catalonia where he taught at a music school and played principal cellist in the orchestra of Barcelona's opera house, theLiceu. In 1897, he appeared as soloist with theMadrid Symphony Orchestra, and was awarded the Order of Charles III from the Queen.
In 1899, Casals played theSaint-Saëns Cello Concerto atCrystal Palace inLondon, and later forQueen Victoria at her summer home at Cowes,Isle of Wight. He was becoming very famous. In Paris he make a great impression on everyone, especially the conductorCharles Lamoureux who had started a famous orchestra. Casals went to theNetherlands, theUnited States where he gave 80 concerts, andSouth America. He often played with the pianistHarold Bauer.
On 15 January 1904, Casals was invited to play at theWhite House for PresidentTheodore Roosevelt. He played in theCarnegie Hall in New York, playingRichard Strauss'sDon Quixote with the composer conducting. Between 1906 and 1912 he had a relationship with aPortuguese cellistGuilhermina Suggia, although they were never married.In 1914, Casals married the American singer Susan Metcalfe. They were separated in 1928, but did notdivorce until 1957.
Casals formed atrio with the pianistAlfred Cortot and the violinistJacques Thibaud. They gave many concerts and made some of the first recordings of piano trio music. They played together for 30 years.
In 1905, he touredRussia. It was an unfortunate time because theRussian Revolution was taking place. During the concert he played inMoscow gunfire could be heard outside the hall.
During theFirst World War Casals lived inNew York. In 1919, he went back to Barcelona. He wanted to improve the music in his own country. There were very few people who could play well, so he founded his own orchestra: the Orquesta Pau Casals. This annual music festival continued until the start of theSpanish Civil War in 1936.
Casals supported theSpanish Republican government. When it was defeated he said that he would not return until Spain was once more a democratic country. He then left his country and went intoexile. He went to live in the French village ofPrades which was near the border with Spain. He continued his career as a cellist. AfterWorld War II, in June 1946, he went to England and played the cello concertos bySchumann andElgar at theRoyal Albert Hall with SirAdrian Boult conducting. Outside the hall the police had to help him get to his car because so many people were crowding round him.
Casals played in many countries, but refused to play in any country that was friendly with Franco’s government in Spain. In 1945, he gave a broadcast at theBBC and spoke to his people in Catalonia. He finished by playing a Catalan folksong calledEl Cant dels Ocells (The Song of the Birds). He played it at the end of all his concerts. When Britain recognized Franco’s government, Casals decided he could no long play in England. He made one big exception to his decision not to visit Franco-friendly countries: in 1961 he took part in a concert ofchamber music in theWhite House on 13 November where he played to PresidentJohn F Kennedy whom he admired.
In 1950, he continued his career as conductor and cellist at thePrades Festival inConflent. He agreed to play on condition that the money that was made at the festival would be given to arefugeehospital nearby. Franco said that Spaniards were forbidden to go to the festival, but many managed to cross the border on foot. Many world-famous musicians played at Prades:Josef Szigeti,Isaac Stern,Rudolf Serkin andEugene Istomin and others.
He continued to lead the Prades Festivals until 1966.
When he was 80 Casals married one of his young students, a girl called Marta. They had met in Prades. Marta was fromPuerto Rico where Casals’ mother had come from. They went to live in Puerto Rico in a house called "El Pesebre". In 1957, a musical festival was started there in the town of San Juan. He continued to visit the festival at Prades every year until 1966. He also gave masterclasses at American schools and universities as well as in other countries. Some of these were televised.
Casals was also a composer. One of his last compositions was theHimne a les Nacions Unides (Hymn of the United Nations); he conducted its first performance in a special concert at theUnited Nations on 24 October 1971, 2 months before his 95th birthday.
Casals wrote anautobiographyJoys and Sorrows; Reflections (1970).
Casals died in 1973 inSan Juan, Puerto Rico, at the age of 96. In 1979, his remains were taken to El Vendrell, Catalonia, where he had been born. He did not live to see the end of the Franco dictatorial regime. Later, when Franco had died in 1975 and Spain was a democracy once more, the Spanish government underKing Juan Carlos I, issued apostage stamp in honour of thecentenary of his birth.
In 1989, sixteen years after his death, Casals was awarded a Grammy Lifetime Achievement Award.
No other cellist had such an influence on cello playing in the20th century. He changed the way people thought about cello technique. For example: when he was youngviolinists and cellists were taught to practise with a book under the right arm. This made thebowing arm very stiff. Casals taught his pupils to play with a free bowing arm. Casals was a great teacher, and he learned a lot about playing through his teaching. He thought aboutfingering and bowing, and showed his pupils how their left hand could be strong but also relaxed.
The International Pau Casals Cello Competition is held inGermany once every four years. It was started in 2000 to help young cellists to start their careers. It is supported by the Pau Casals Foundation, under the patronage Casals’widow. One of the prizes is the use of a beautiful cello which was owned by Casals.
The Great Cellists: Margaret Campbell, London 2004,ISBN 1-86105-654-0, p. 82. The New Grove Dictionary of Music & Musicians, ed. Stanley Sadie; 1980;ISBN 1-56159-174-2
