
MESSAGEfrom the DEAN
L-R: SCA’s O’Shea” Myles, Sandrine Cassidy, Lisa Fox, Trustee Bill Allen, Dean Elizabeth Daley, Bonnie Chi, USC Marshall School of Business’ Marion Philadelphia, and SCA’s Patrick Fritz, celebrating the 25th anniversary of the John H. Mitchell Business of Cinematic Arts (BCA) program with the program’s students, alumni and supporters. BCA a joint degree program between the USC School of Cinematic Arts and the USC Marshall School of Business.
Dear SCA Family,
Welcome to In Motion magazine, Fall 2024 issue!
Whether you are someone who still spends their days on campus, has graduated, retired from active campus duty, or are considering joining us, there’s something in this issue that will make you feel closer to our School.
The big news is that in less than five years, SCA will be celebrating its centenary! The School traces its roots back to one class that launched at USC in February 1929, only thirty-four years after the Lumière brothers debuted their cinématographe, effectively launching the motion picture industry. The class was a lecture series titledIntroduction to Photoplay, that was taught by the biggest stars of the day. Names like Douglas Fairbanks, Ernst Lubitsch, Irving Thalberg, and Mary Pickford. The students who filled those early classes were curious about the emerging field, but probably couldn’t imagine what it would become.
Between now and February 2029, the Road to 100 will be filled with opportunities to reflect on SCA’s evolution, and the important place it holds as the leading education partner of the cinematic media industries. And there will of course be equal amounts of celebration! You can start planning now to be on campus in 2029 to join in the fun. There will be many kinds of events; I’m sure there will be something you will enjoy.
For now, we continue to celebrate the achievements of our community members, covered in this edition of the magazine. And if you’d like to stay abreast of all the latest news about what’s happening here on campus, sign up for theSCA Behind the Scenes newsletter by emailingcommunications@cinema.usc.edu. If you’re an alum, please be sure to update your information in SCA Community.
Everyone is always welcome to come to campus anytime for screenings and other public events. You can also connect on social media @USCCinema.
We look forward to connecting with you!
Dean Elizabeth M. Daley

SCADonations HELP RAMP UPStudent PRODUCTIONS
Recent gifts to SCA, including the Sony Crystal LED Wall for virtual production and endowments for student safety and ethics programs, enhance filmmaking capabilities, support student development, and address evolving industry needs by fostering creativity, safety, and ethical decision-making.

SCA WELCOMESFour NEW DIVISION CHAIRS

SCA DRIVESNew PARTNERSHIPfor AI INMedia &Storytelling (AIMS)
Dr. Holly Willis, Chair of the Media Arts + Practice Division at USC's School of Cinematic Arts, is also the co-founder of the innovative AI for Media & Storytelling (AIMS) initiative, launched in collaboration with the USC Annenberg School for Communication and Journalism.

USCGames AGP PROJECT IS A MOBILESuccess!
The USC Games AGP project Werecleaner is nominated for Apple Mobile Game of The Year!
FIRST PITCHReturns TO CAMPUS!
The John Wells Division of Writing for Screen & Television’s showcase returns to campus with a new format.

PROMOTING ETHICALStorytelling
The new Director of Cinematic Ethics has a message for bettering storytelling workplaces!


Shane D. Stanger
Stark Producing Program Grad Shane D. Stanger MakesGood Bad Things
Adam B. Stein
Adam B. Stein ‘05,Final Destination Director, Reveals His Must See Horror Films

Corey Sherman
Corey Sherman’sBig Boys shows coming out doesn’t have to be traumatic

Jonathan Curtis
Jonathan Curtiss ’18 works to create a space for screenings and discussions

YEARin REVIEW
SCA Retirements
Teresa Cheng
John C. Hench Endowed Division Chair
and SCA ProfessorLoretta Kania
Assistant to the Vice Deans
of Faculty and Academic AffairsMichael Taylor
SCA Professor and Founder of the
Media Institute for Social ChangeJennifer Warren
SCA Professor,
Film & Television Production DivisionSteve Olson
SCA Facilities,
Building Systems ManagerGeorgia Jeffries
SCA Professor, John Wells Division
of Writing for Screen and TelevisionDavid Weitzner
Mark Burnett Endowed Chair
and Head of Summer Program


In MEMORIAM
Larry Auerbach
1929 – 2024
Agent & SCA Associate Dean for Industry Relations
After spending 47 years at the William Morris Agency (WMA), Auerbach came to the School of Cinematic Arts in 1993 to establish the Office of Industry Relations. One of the most well-known agents in the business, Auerbach’s was said to have a “golden rolodex” of contacts. His clients included Elvis Presley, who he booked on his first television appearance, Norman Jewison, Bernardo Bertolucci, Aretha Franklin, Sam Cooke, Bea Arthur, Alan Alda, and many more. He retired from SCA in 2018, having spent 25 years leveraging his relationships to help countless School of Cinematic Arts students, faculty and staff make connections that would further their careers, or the School’s programs.Auerbach is survived by his three sons David, Bruce, and Stephen, six grandchildren, and one great granddaughter.
Richard Block
1926 – 2024
Broadcasting Executive & SCA ProfessorRichard “Dick” Block taught TV station management at the School of Cinematic Arts for many years, drawing on knowledge accrued in decades spent planning and launching television stations across the United States. As the head of Kaiser Broadcasting, he established independent television stations in national markets including Boston, Chicago, Los Angeles, Philadelphia, Cleveland, Detroit and San Francisco. He was also instrumental in launching the Weather Channel and the Game Show Network. Block served on the boards of many industry organizations, including the National Association of Broadcasters, the Association of Independent TV Stations, the TV Bureau of Advertising, and Broadcast Education Association. He is survived by his son Nick Block, daughter Julie Grunsky, four grandchildren and five greatgrandchildren.
Ned Comstock
1955-2024
Cinematic Arts Archivist & USC AlumnusAfter graduating from the university in 1977, Comstock spent his entire professional career working at the Cinematic Arts Library (formerly the Cinema-Television Library). Comstock was known for a meticulous attention to detail that was valued by everyone who needed extensive help with Cinema research, and benefitted from receiving Ned’s “research packages”—detailed copies, notes, suggestions, insider stories, and rare finds. As Bill Whittington, former assistant chair in the Division of Cinema and Media Studies noted: “Ned’s acumen for all things cinematic was often hidden by his low-key demeanor, but his enthusiasm for research was irrepressible. Ned’s life’s work affirms his understanding that archives are not merely repositories for storage, but a means of providing access and context for what remains of the past.” Comstock’s contributions are noted in the credits and acknowledgments of numerous films, books, and other media.
Lee Gabler
1940 – 2024
Agent & SCA Board MemberGabler gained prominence at International Creative Management (ICM), rising through the ranks to become Executive Vice President and head of Worldwide Television. He was then recruited to Creative Artists Agency (CAA) to lead its television division, and became managing partner and co-chairman there. Gabler had a long relationship with David Letterman, securing the deals that would make Letterman a force in late night television, and working as a consultant to Letterman’s company Worldwide Pants. Other Gabler clients included Mel Brooks, Aaron Spelling, Jerry Bruckheimer, John Wells and companies led by Mel Brooks; Steven Spielberg; Paul Junger Witt, Tony Thomas, and Susan Harris; and Brian Grazer and Ron Howard. Gabler was a longtime member of the School of Cinematic Arts Board of Councilors, and also sat on boards for the Museum of Television & Radio and the Academy of Television Arts & Sciences. He also served as Vice President of the Hollywood Radio & Television Society.
Gabler is survived by his wife, producer Elizabeth, daughters Annalise Gabler and Jennifer Gabler Rawlings, sister Melina Gabler, and four grandchildren.
Jon Landau
1960 – 2024
Producer & SCA Alumnus and Board MemberKnown as one of the filmmakers who brough the value of a film school education into prominence, Landau produced three films with frequent collaborator writer/producer/director James Cameron, that are among the industry’s biggest hits—Avatar (2009), Avatar: The Way of Water (2022) and Titanic (1997), which won 11 Oscars including Best Picture for Landau and Cameron. Landau joined Cameron’s company Lightstorm Entertainment, serving as Chief Operating Officer. He was previously Executive Vice President of Feature Film Production at 20th Century Fox, where he oversaw movies that includedHome Alone (1990),Mrs. Doubtfire (1993),Speed (1994),True Lies (1994).
He is survived by his wife, Julie Landau; son, Jamie and Jodie; sisters, Tina and Kathy Landau; and brother, Les.
George Schenck
1942-2024
Television Showrunner & SCA Alumnus
Schenck, a prolific writer, was producer and co-showrunner (with Frank Cardea, his creative partner of 40 years) of the wildly popular television drama,NCIS. With Cardea, he wrote 48 episodes ofNCIS and created the adventure series Bring ‘Em Back Alive, the crime show Crazy Like a Fox, and the drama Pros and Cons. They also wrote for Fantasy Island, The Cosby Mysteries, High Sierra Search and Rescue, The Great Defender, Soldier of Fortune, Inc., Relic Hunter and Hack. Schenck’s feature credits includeDon’t Worry, We’ll Think of a Title (1966),More Dead Than Alive (1969), andFutureworld (1976), the first sequel to Michael Crichton’s 1973 hitWestworld.Other credits includeThe Wild Wild West, Branded, Hondo and Bonanza, andThe Phantom of Hollywood.Schenck is a double SCA graduate—he earned an undergraduate writing degree, and was in the first graduate production class. He is survived by his sons Kirk and Jeff, two daughters-in-law and five grandchildren.