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.2025 Jul;1549(1):219-229.
doi: 10.1111/nyas.15373. Epub 2025 May 16.

Third-order self-embedded vocal motifs in wild orangutans, and the selective evolution of recursion

Affiliations

Third-order self-embedded vocal motifs in wild orangutans, and the selective evolution of recursion

Chiara De Gregorio et al. Ann N Y Acad Sci.2025 Jul.

Abstract

Recursion, the neuro-computational operation of nesting a signal or pattern within itself, lies at the structural basis of language. Classically considered absent in the vocal repertoires of nonhuman animals, whether recursion evolved step-by-step or saltationally in humans is among the most fervent debates in cognitive science since Chomsky's seminal work on syntax in the 1950s. The recent discovery of self-embedded vocal motifs in wild (nonhuman) great apes-Bornean male orangutans' long calls-lends initial but important support to the notion that recursion, or at least temporal recursion, is not uniquely human among hominids and that its evolution was based on shared ancestry. Building on these findings, we test four necessary predictions for a gradual evolutionary scenario in wild Sumatran female orangutans' alarm calls, the longest known combinations of consonant-like and vowel-like calls among great apes (excepting humans). From the data, we propose third-order self-embedded isochrony: three hierarchical levels of nested isochronous combinatoric units, with each level exhibiting unique variation dynamics and information content relative to context. Our findings confirm that recursive operations underpin great ape call combinatorics, operations that likely evolved gradually in the human lineage as vocal sequences became longer and more intricate.

Keywords: great apes; isochrony; recursion; rhythm; tempo; vocal communication.

© 2025 The Author(s). Annals of the New York Academy of Sciences published by Wiley Periodicals LLC on behalf of The New York Academy of Sciences.

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Conflict of interest statement

The authors declare no competing interests.

Figures

FIGURE 1
FIGURE 1
Recursive self‐embedded isochrony in Bornean male orangutan loud calls, as originally described by Lameira et al. The findings represent a case of second‐order self‐embedded isochrony underpinned by applying a recursive operation once.
FIGURE 2
FIGURE 2
Tempo differences across levels for alarm calls given in response to natural (light pink) and non‐natural (pink) predators. From left to right: tempo of combinations, bouts, and series of alarm calls. * Denotesp‐value <0.05; ns denotes the absence of statistical significance.
FIGURE 3
FIGURE 3
Recursive self‐embedded isochrony in Sumatran female alarm calls. Findings represent a case of third‐order self‐embedded isochrony underpinned by applying a recursive operation twice. Dark blue blocks represent call units of eight different possible call types. Light‐blue blocks containing dark squares represent bouts. Light gray blocks containing light‐blue blocks represent series. Orange lines between blocks represent silent intervals. Red lines represent inter‐onsettk intervals.
FIGURE 4
FIGURE 4
rk distributions for alarm calls in the three layers. From top to bottom: probability density functions ofrk for the combination level, overall and based on predator type; probability density functions ofrk for the bout level, overall and based on predator type; density functions ofrk for the series level, overall and based on predator type. * Denotesp<0.05; statistically significant matching between the empirical distribution and a small integer ratio rhythmic category.
See this image and copyright information in PMC

References

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