In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.1 (2002) 95-110 [Access article in PDF] Dead Parrots Society Jessica S. Dietrich Statius' Silvae 2.4 is ostensibly written as a consolation poem to the poet's friend and benefactor Atedius Melior on the death of his pet parrot. But Statius also uses the opportunity provided by the poem's subject matter to engage in a dialogue with his literary predecessors. I will argue here that Statius (...) both inserts himself into and distinguishes himself from the Latin literary tradition through the use of two catalogues of birds, the first at 2.4.16-23 and the second at 2.4.26-28. Statius plays these catalogues off several stories in Ovid's Metamorphoses that also feature birds in order to comment on his own work, to locate it within the Latin tradition (particularly the poetry of Ovid), and to comment on the changing role of the poet under the emperors.Statius uses the form of, or at least certain elements of, the consolatio or epicedion 1 for many of the Silvae (1.4, 2.1, 2.4, 2.5, 2.6, 2.7, 3.3, 5.1, 5.3, 5.5), but these poems are concentrated in the second book whose overarching theme is death. 2 Two of the poems in book 2 are explicitly marked by Statius as consolationes: Silvae 2.1 (on the death of Melior's slave boy Glaucias) and 2.6 (on the death of Ursus' slave boy Philetus) are strikingly similar in form and content. 3 Although Silvae 2.4 is not specifically called a consolatio or epicedion by Statius in the preface, many scholars classify it as a consolatio because of its similarity to 2.1 and 2.6. 4 The poem begins with the poet's address to the parrot and a [End Page 95] statement about its death (2.4.1-3). There is no account of the death, but there is a description of the bird as he was in life when at a dinner party, hopping around the table and picking at the food (2.4.4-7). Statius also comments on the parrot's ability to exchange words and greetings (2.4.7-8). There follows a second declaration of its death (2.4.8-10), and then Statius begins to praise the bird by commenting on its cage (2.4.11-15). This is followed by an exhortation to mourn (2.4.16-23) in which the speaker of the poem (Statius) calls on a catalogue of birds to perform the parrot's funeral and he teaches them his lament for the parrot. The lament (2.4.24-28) sung to the birds returns to the beginning of the poem and almost repeats the address to the parrot (psittacus [2.4.25]); this lament includes a second catalogue of birds (2.4.26-28) to whom the parrot is compared. At the end of the poem, in order to bring comfort to the living, the poet focuses again on how the bird was in life and on its ability to speak (2.4.29-32). The poem ends with a description of the funeral and the pyre and hope for the afterlife (2.4.32-37).The similarity in the forms of Silvae 2.1, 2.4, and 2.6 creates a problem for the interpretation of the poems. As noted earlier, Silvae 2.1 is addressed to Atedius Melior on the death of his slave boy Glaucias, while Silvae 2.6 mirrors the opening poem by addressing Ursus on the death of his slave boy Philetus. While Statius' relationship with the addressees of 2.1 and 2.6 may be different, the relationship between Melior and Ursus and their objects of lament is similar--both Glaucias and Philetus are slaves. 5 By placing the parrot poem between the poems on dead slave boys, Statius seems to be drawing an uncomfortable parallel between the pet parrot and the human slave children. Perhaps in antiquity the equation of pets and slaves would not have been so striking, 6 but modern... (shrink)