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The written responses to Mammaṭa’s Light on Literature (Kāvyaprakāśa) constitute the largest corpus of works on Sanskrit poetics, with no other corpus even coming close. Yet, with a few exceptions, it is virtually unstudied. This essay focuses on the wave of responses to the Light composed during the first hundred years after its appearance, during which it attracted an unprecedented number of written responses of various types: sketchy notes, complete running commentaries, and independent treatises that were meant to replicate or (...) compete with it. Based on a detailed study of chapter eight of Mammaṭa’s work, dedicated to poetic qualities (guṇas)—a complex topic that has been largely misunderstood— the essay identifies the main players in this period, roughly corresponding to the twelfth century. It also determines the authors’ relative chronology and their textual strategies vis-à-vis the Light, its sources, and each other. As the article shows, the early responses were layered, in the sense that each layer subsumed all previous ones, and broad, in that the discussion expanded to include participants who were not Brahmins from Kashmir. Furthermore, the essay explores some of the commentarial practices of the three early Saṅkētas on the Light, which formed the basis of all later engagements. (shrink)

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Journalism and media studies lack robust theoretical concepts for studying journalistic knowledge ‎generation. More specifically, conceptual challenges attend the emergence of big data and ‎algorithmic sources of journalistic knowledge. A family of frameworks apt to this challenge is ‎provided by “social epistemology”: a young philosophical field which regards society’s participation ‎in knowledge generation as inevitable. Social epistemology offers the best of both worlds for ‎journalists and media scholars: a thorough familiarity with biases and failures of obtaining ‎knowledge, and a strong (...) orientation toward best practices in the realm of knowledge-acquisition ‎and truth-seeking. This paper articulates the lessons of social epistemology for two central nodes of ‎knowledge-acquisition in contemporary journalism: human-mediated knowledge and technology-‎mediated knowledge. ‎. (shrink)

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The Old Javanese Rāmāyaṇa Kakawin, the earliest known Javanese literary work, is based on the sixth-century Sanskrit Bhaṭṭikāvya. It is an outcome of a careful and thorough project of translation and adaptation that took place at a formative moment in the cultural exchange between South and Southeast Asia. In this essay we explore what it was that the Javanese poets set out to capture when they rendered the Bhaṭṭikāvya into Old Javanese, what sort of knowledge and protocols informed their work, (...) in what way the outcome was different from the original, and what the Old Javanese Rāmāyaṇa can teach us about Bhaṭṭi’s poem and the nascent poetics of kakawin literature. In particular, we show how Sanskrit figures of speech, or ornaments were understood, commented upon, expanded, and reconfigured. A close look at these texts allows us insights into this remarkable moment of cultural exchange. (shrink)

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War and peace in the Bible -- Theoretical aspects of war in rabbinic thought -- War and peace in modern Jewish thought and practice -- Israel, war, ethics and the media.

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Courier poetry is perhaps the richest and most vital literary genre of premodern South Asia, with hundreds of poems in a great variety of languages. But other than dubbing these poems “imitations” of Kālidāsa’s classical model, existing scholarship offers very little explanation of why this should be the case: why poets repeatedly turned to this literary form, exactly how they engaged with existing precedents, and what, if anything, was new in these many poems. In hopes of raising and beginning to (...) answer such questions, this essay closely examines one such work, the Haṃsasandeśa of Vāmana Bhaṭṭa Bāṇa, and its close correspondence with two important intertexts: Kālidāsa’s Meghasandeśa and Vedānta Deśika’s Haṃsasandeśa. I argue that Vāmana Bhaṭṭa Bāṇa’s work is an intricate mosaic that is put together from pieces—both absences and presences—that are taken from both these poems and that make sense only if we are familiar with their sources, and that this mosaic is nonetheless a surprisingly new and independent statement. On the basis of this analysis, I go on to suggest that novelty in the genre is partly made possible precisely through dense engagement with the vocabulary, figures of speech, situations, and other building blocks of the intertexts, a practice that often results in a heightened mode of density. (shrink)

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This article discusses the composition and transmission of early Buddhist texts with specific reference to sutras. After briefly summarizing the main reasons why it is likely that these oral compositions were designed to be memorized and transmitted verbatim, I will discuss the main types of changes that these texts underwent in the course of their transmission and the reasons such changes occurred, then attempt to give an account of the challenge that change, particularly intentional change, posed to the oral transmission (...) of fixed, memorized texts. (shrink)

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This paper revisits the longstanding tradition concerning the dual authorship of the Light on Literature (Kāvyaprakāśa), the dominant treatise on Sanskrit poetics in the second millennium CE. The discussion focuses on one case study, a brief comment dismissing the ornament “cause” (hetu), found in the latter part of chapter 10 in the portion traditionally attributed to Mammaṭa’s successor Allaṭa (aka Alaka). This passage is analyzed in the broader context of the Light’s discussion of semantic capacities (chapter 2), suggestion (chapter 4), (...) and other ornaments (chapter 10). The essay also looks at the way generations of commentators have dealt with this topic and the potential inconsistencies in its treatment in the Light. The paper thus throws light on the question of the work’s overall integration, seamless or not so seamless, both in its genetic and receptive histories. (shrink)

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This essay is a first attempt to trace the evolution of biographical accounts of Appayya Dīkṣita from the sixteenth century onward, with special attention to their continuities and changes. It explores what these rich materials teach us about Appayya Dīkṣita and his times, and what lessons they offer about the changing historical sensibilities in South India during the transition to the colonial and postcolonial eras. I tentatively identify two important junctures in the development of these materials: one that took place (...) in the first generation to be born after his death, when the idea of him as an avatar of Śiva was introduced, and another at the end of the nineteenth century and the beginning of the twentieth, when many new stories about his encounters with his colleagues and students surfaced. The essay follows a set of themes and tensions that pertain to Appayya Dīkṣita’s social and political affiliations, his sectarian agendas, and the geographic sphere of his activities. These themes and tensions are closely related and prove to be surprisingly resilient, despite the many changes that occurred during the five centuries of recollection that this essay sketches. This overall coherence, I argue, is integral to Appayya Dīkṣita’s sociopolitical context and self-chosen identity. (shrink)

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Rather paradoxically, the personal and intellectual roots of Sir Isaiah Berlin, an influential contributor to liberal political theory and Western political thought, stem from East-European autocra...

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First Words, Last Words charts an intense "pamphlet war" that took place in sixteenth-century South India. The book explores this controversy as a case study in the dynamics of innovation in early modern India, a time of great intellectual innovation. This debate took place within the traditional discourses of Vedic Hermeneutics, or Mīmāṃsā, and its increasingly influential sibling discipline of Vedānta, and its proponents among the leading intellectuals and public figures of the period. At the heart of this dispute lies (...) the role of sequence in the cognitive processing of textual information, especially of a scriptural nature. Vyāsatīrtha and his grand-pupil Vijayīndratīrtha, writers belonging to the camp of Dualist Vedānta, purported to uphold the radical view of their founding father, Madhva, who believed, against a long tradition of Mīmāṃsā interpreters, that the closing portion of a scriptural passage should govern the interpretation of its opening. By contrast, the Nondualist Appayya Dikshita ostensibly defended this tradition's preference for the opening. But, as the book shows, the debaters gradually converged on a profoundly novel hermeneutic-cognitive theory in which sequence played little role, if any. In fact, they knowingly broke new ground, and only postured as traditionalists. First Words, Last Words explores the nature of theoretical innovation in this debate and sets it against the background of comparative examples from other major scriptural interpretive traditions. The book briefly surveys the use of sequence in Jewish, Christian, and Islamic hermeneutics and also seeks out parallel cases of covert innovation in these traditions. (shrink)

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The new G?ndh?r? manuscript finds from Afghanistan and Pakistan, which date from approximately the first century BCE to the third or fourth century CE, are the earliest manuscript witnesses to the literature of the Indian Buddhist nik?yas or schools. They preserve texts whose parallels are found in the various Tripi?akas, or what remains of them, preserved in other languages and belonging to various nik?yas, including sections of?gamas such as the Ekottarik?gama and Vana-sa?yutta of the Sa?yutta-nik?ya/Sa?yukt?gama and anthologies of such s?tras, (...) besides many texts that are not generally classed as "canonical", such as commentaries. These very early collections of texts raise questions concerning canon-formation, such as whether the Gandh?ran communities that produced these manuscripts had fixed?gama collections and closed canons or whether this material witnesses a stage in which collections and canons were still relatively fluid and open, and whether these manuscripts, which span several centuries, witness a shift towards fixity. This paper addresses these issues and re-examines our understanding of the formation of the canons of the early Indian nik?yas in light of the new G?ndh?r? manuscript finds. (shrink)

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Nanomedicine offers remarkable options for new therapeutic avenues. As methods in nanomedicine advance, ethical questions conjunctly arise. Nanomedicine is an exceptional niche in several aspects as it reflects risks and uncertainties not encountered in other areas of medical research or practice. Nanomedicine partially overlaps, partially interlocks and partially exceeds other medical disciplines. Some interpreters agree that advances in nanotechnology may pose varied ethical challenges, whilst others argue that these challenges are not new and that nanotechnology basically echoes recurrent bioethical dilemmas. (...) The purpose of this article is to discuss some of the ethical issues related to nanomedicine and to reflect on the question whether nanomedicine generates ethical challenges of new and unique nature. Such a determination should have implications on regulatory processes and professional conducts and protocols in the future. (shrink)

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Vedānta Deśika produced his monumental poetic biography of Kṛṣṇa in a time when Kṛṣṇa-centered devotionalism was expanding to become perhaps the dominant mode of bhakti across South Asia. Central to this phenomenon is the growing popularity of the Bhāgavatapurāṇa, and especially of its exploration of Kṛṣṇa’s erotic play with the gopīs in his youth. Troubled by the unrestrained and seemingly adharmic sexuality of Kṛṣṇa, Deśika used the literary techniques and narrative paradigms of the mahākāvya to assimilate but also domesticate this (...) increasingly important Bhāgavata episode: Kṛṣṇa’s eroticism remains central but confined within more conventional marital norms and is thus made dharmically and theologically acceptable. Once he has resolved these dharmic problems, however, Deśika is happy to explore the soteriological, devotional, and paradoxical dimensions of erotic love with Kṛṣṇa. (shrink)

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As has been obvious to anyone who has looked at them, there is a special relationship between the two earliest extant works on Sanskrit poetics: Bhāmaha’s Kāvyālaṃkāra (Ornamenting Poetry) and Daṇḍin’s Kāvyādarśa (The Mirror of Poetry). The two not only share an analytical framework and many aspects of their organization but also often employ the selfsame language and imagery when they are defining and exemplifying what is by and large a shared repertoire of literary devices. In addition, they also betray (...) highly specific disagreements regarding the nature and aesthetic value of a set of literary phenomena. It has thus long been clear to Indologists that the two are in conversation with one another, but the nature of the conversation and its directionality have never been determined: Was Bhāmaha responding to Daṇḍin’s Kāvyādarśa ? Was Daṇḍin making a rejoinder to Bhāmaha’s Kāvyālaṃkāra ? Were the two authors contemporaries who directly interacted with one another? Or was their interaction indirect and mediated through other texts that are no longer extant? Determining the nature of the interrelations between the two authors and their texts may teach us a great deal about the origins of Sanskrit poetics, the direction in which it developed during its formative period, and the way in which some of the disagreements between Daṇḍin and Bhāmaha metamorphosed in later time. By reviewing existing scholarship, considering new evidence, and taking a fresh look at some of the passages that have long stood at the center of this debate, this article sets out to answer the question of the texts’ relationship and relative chronology. (shrink)

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There is something quite deceptive about Bilhaṇa’s Vikramāṅkadevacarita , one of the most popular and oft-quoted works of the Sanskrit canon. The poem conforms perfectly to the stipulations of the mahākāvya genre: it is replete with descriptions of bravery in battle and amorous plays with beautiful women; its language is intensified by a powerful arsenal of ornaments and images; and it portrays its main hero, King Vikramāṅka VI of the Cāḷukya dynasty (r. 1076–1126), as an equal of Rāma. At the (...) same time, the poem subverts these very aspects of Sanskrit literary culture: the poetic language is thinned down at a series of crucial junctions; the Rāmaness of the hero is repeatedly undermined; and the poet consistently airs his ambivalence toward, if not utter resentment for his immediate cultural milieu, his own patron and subject matter, and the very task of a court poet. The article argues that Bilhaṇa’s ambivalence and alienation are the hallmark of his work, and that the poet constantly and consciously struggles with and comments on what he sees as the utter incompatibility between poetry and political reality. It also demonstrates that Bilhaṇa’s unique, personal voice resonates in his many afterlives and in several collections of poems attributed to him posthumously. I argue that it may well be a sign of recognition of what was truly innovative in his poetry that the tradition has credited Bilhaṇa with such additional lives and corpora. (shrink)

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À la figure moderne du mal politique – et plus particulièrement à la pathologie des systèmes totalitaires qui engendrent la « superfluité » des individus – Arendt avait associé, au moment du procès Eichmann, l’idée de la « banalité du mal ». C’est par cette formule – la « terrible », l’ « indicible », l’ « impensable » banalité..

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In two studies we investigated the association between physical cleansing and moral and immoral behavior in real-life situations. In Study 1, after a workout at the gym, participants cheated more after taking a shower than before taking one. In the second study, participants donated more money to charity before rather than after they bathed for religious purification. The results extend previous findings about moral cleansing and moral licensing and are discussed within the framework of conceptual metaphor theory.

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The heated and unresolved debate in philosophy of history evoked by Hempel’s suggestion that the deductive-nomological model of explanation is equally applicable to the natural sciences and history, has unintentionally led to a distorted conception of what it is to explain in history. We argue that explanation in history, at its best, is contingent not on general laws, not even on consequentiality, but on labels as frames of meaning. These labels further serve as a basis for eliciting models which help (...) determine the fuller meaning of occurrences and processes in history. (shrink)

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This article offers a new definition of culture which hinges on what we consider to be its most distinctive feature, namely its artificiality. Our definition enables us to resolve some of the main issues and controversies involved in the concept of culture and its course of development. We argue that the large human brain played a revolutionary role in inverting the course of natural adaptation of the human species. This dramatic turnabout allowed humans to set their own conditions of existence (...) in their created environment; and one which unlike nature they were able to shape and dominate. We demonstrate the crucial part of language not merely in communication but in forming a web of meaningful symbols which gave rise to the human spiritual or metaphysical world. We depict human society as an unparalleled elaborate web of relationships which gave hominids an advantage over other species from the very beginning. (shrink)

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Recognizing newness is a difficult task in any intellectual history, and different cultures have gauged and evaluated novelty in different ways. In this paper we ponder the status of innovation in the context of the somewhat unusual history of one Sanskrit knowledge system, that of poetics, and try to define what in the methodology, views, style, and self-awareness of Sanskrit literary theorists in the early modern period was new. The paper focuses primarily on one thinker, Jagannātha Paṇḍitarāja, the most famous (...) and influential author on poetics in the seventeenth century, and his relationship with his important sixteenth-century predecessor, Appayya Dīkṣita. We discuss Jagannātha’s complex system of labeling of ideas as “new” and “old,” the new essay style that he used to chart the evolution of ideas in his tradition, his notion of himself as an independent thinker capable of improving the system created by his predecessors in order to protect its essential assets, and the reasons his critique of Appayya was so harsh. For both scholars what emerges as new is not so much their opinions on particular topics as the new ways in which they position themselves in relation to their system. (shrink)

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Le débat entre Carl Schmitt et Hans Blumenberg a des implications considérables. Il porte en dernière analyse sur le statut et la valeur assignés à la modernité, sur l’intelligibilité de l’histoire , sur la nature de la « légitimité » et donc in fine sur la confrontation entre « théologie politique » et « philosophie politique ». Ce dernier aspect pourrait également nous éclairer sur la fascination exercée par la pensée de Schmitt sur la « radicalité » politique actuelle. En (...) définitive, le débat porte sur le sens et la validité de la « sécularisation » et de la « sécularité » entendues comme catégories interprétatives de la modernité.The issue between Carl Schmitt and Hans Blumenberg has significant involvements. It turns ultimately on the statute and the value of modernity, on the intelligibility of history , on the nature of legitimity and at last on the collation between « political theology » and « political philosophy ». Seen from that side, it might to throw some light on the fascination exerted by Schmitt’s thought on political « radicality » today. That issue finally turns on meaning and validity of « secularisation » and « secularity » as interpretative categories for modernity. (shrink)

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We designed scaffolded tasks that targeted the skill of identifying reasoning errors and conducted a study with 472 middle school students. The study results showed a small positive impact of the scaffolding on student performance on one topic, but not the other, indicating that student skills of writing critiques could be affected by the topic and argument content. Additionally, students from low-SES families did not perform as well as their peers. Student performance on the critique tasks had moderate or strong (...) correlations with students’ state reading and writing test scores. Implications of the scaffolding and critique task design are discussed. (shrink)

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We offer a case-study in irrationality, showing that even in a high stakes context, intelligent and well trained professionals may adopt dominated practices. In multiple-choice tests one cannot distinguish lucky guesses from answers based on knowledge. Test-makers have dealt with this problem by lowering the incentive to guess, through penalizing errors (called formula scoring), and by eliminating various cues for outperforming random guessing (e.g., a preponderance of correct answers in middle positions), through key balancing. These policies, though widespread and intuitively (...) appealing, are in fact ‘‘irrational’’, and are dominated by alternative solutions. Number-right scoring is superior to formula scoring, and key randomization is superior to key balancing. We suggest that these policies have persisted since all stake-holders – test-makers, test-takers and test-coaches – share the same faulty intuitions. (shrink)

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"En me donnant un micro pour deux séries d'interventions, l'une sur l'histoire, l'autre sur la religion, France Culture m'a permis de résumer et clarifier les travaux que je mène depuis maintes années sur diverses affaires temporelles et spirituelles. Je ne saurais assez remercier sa directrice Sandrine Treiner de m'avoir ainsi donné l'occasion d'apporter ma petite pierre à l'édifice des Lumières, sous l'égide de la devise : Rendre la Raison populaire. Vaste programme, qui exige d'inquiéter nombre de lieux communs, ce qui (...) n'est jamais plaisant. Pourquoi? Parce que nous nous berçons de mots, toujours les mêmes, et que ces mots nous trompent. L'histoire? Elle est censée nous découvrir la réalité des choses : elle nous dorlote avec de fausses croyances. Les religions? Elles sont censées nous raconter des blagues : bombes et couteaux nous découvrent de rudes vérités. Et si l'opium du peuple n'était pas là où l'on pensait? C'est à renverser de vétustes perspectives qu'invite ce récapitulatif, dérangeant comme un réveille-matin". Régis Debray. (shrink)

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Innovations and Turning Points: Toward a History of Kāvya Literature. Edited byYigal Bronner, David Shulman, and Gray Tubb. South Asia Research. New Delhi: Oxford University Press, 2014. Pp. xvi + 805. Rs. 1295, $39.95.

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Style and Function: A Study of the dominant stylistic features of the prose portions of Pali canonical sutta texts and their mnemonic function. MarkAllon. The Internatioal Institute for Buddhist Studies, Tokyo 1997. xiv, 394 pp. ISBN 4-906267-40-8.

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Alphabet Scribes in the Land of Cuneiform: Sēpiru Professionals in Mesopotamia in the Neo-Babylonian and Achaemenid Periods. ByYigal Bloch. Gorgias Studies in the Ancient Near East, vol. 11. Piscataway, NJ: Gorgias Press, 2018. Pp. xv + 497. $99.

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