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Tom Sparrow shows how, in the 21st century, speculative realism aims to do what phenomenology could not: provide a philosophical method that disengages the human-centred approach to metaphysics in order to chronicle the complex realm of nonhuman reality. -/- Through a focused reading of the methodological statements and metaphysical commitments of key phenomenologists and speculative realists, Sparrow shows how speculative realism is replacing phenomenology as the beacon of realism in contemporary Continental philosophy.

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The essays collected here demonstrate that the philosophy of habit is not confined to the work of just a handful of thinkers, but traverses the entire history of Western philosophy and continues to thrive in contemporary theory. A History of Habit: From Aristotle to Bourdieu is the first book to document the richness and diversity of this history. It demonstrates the breadth, flexibility, and explanatory power of the concept of habit as well as its enduring significance. It makes the case (...) for habit’s perennial attraction for philosophers, psychologists, and sociologists. (shrink)

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Sensation is a concept with a conflicted philosophical history. It has found as many allies as enemies in nearly every camp from empiricism to poststructuralism. Polyvalent, with an uncertain referent, and often overshadowed by intuition, perception, or cognition, sensation invites as much metaphysical speculation as it does dismissive criticism. -/- The promise of sensation has certainly not been lost on the phenomenologists who have sought to ‘rehabilitate’ the concept. In Plastic Bodies, Tom Sparrow argues that the phenomenologists have not gone (...) far enough, however. Alongside close readings of Merleau-Ponty and Levinas, he digs into an array of ancient, modern, and contemporary texts in search of the resources needed to rebuild the concept of sensation after phenomenology. He begins to assemble a speculative aesthetics that is at once a realist theory of sensation and a philosophy of embodiment that breaks the form of the ‘lived’ body. Maintaining that the body is fundamentally plastic and that corporeal identity is constituted by a conspiracy of sensations, he pursues the question of how the body fits into/fails to fit into its aesthetic environment and what must be done to increase the body’s power to act and exist. (shrink)

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Alphonso Lingis is the author of many books and renowned for his translations of Levinas, Merleau-Ponty, and Klossowski. By combining a rich philosophical training with an extensive travel itinerary, Lingis has developed a distinctive brand of phenomenology that is only now beginning to gain critical attention. Lingis inhabits a ready-made language and conceptuality, but cultivates a style of thinking which disrupts and transforms the work of his predecessors, setting him apart from the rest of his field. This essay sketches Lingis’ (...) phenomenology of sensation in order to give expression to some dimensions of Lingisian travel. As we see, Lingis deploys a theory of the subject which features the plasticity of the body, the materiality of affect, and the alimentary nature of sensation. (shrink)

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Through six heterodox essays this book extracts a materialist account of subjectivity and aesthetics from the philosophy of Emmanuel Levinas. More than a work of academic commentary that would leave many of Levinas’s pious commentators aghast, Sparrow exhibits an aspect of Levinas which is darker, yet no less fundamental, than his ethical and theological guises. This darkened Levinas provides answers to problems in aesthetics, speculative philosophy, ecology, ethics, and philosophy of race, problems which not only trouble scholars, but which haunt (...) anyone who insists that the material of existence is the beginning and end of existence itself. (shrink)

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Alphonso Lingis is arguably the most intriguing American philosopher of the past fifty years. An extended encounter with the singular philosopher, The Alphonso Lingis Reader conducts us through Lingis’s early writing on phenomenology to his hybrid studies fusing philosophy, psychoanalysis, anthropology, communication theory, aesthetics, and other disciplines, to his original, inspired arguments about everything from knowledge to laughter to death.

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This essay uses Ulrich Beck’s concept of risk society to understand the threat of catastrophic climate change. It argues that this threat is “abstract-corporeal”, and therefore a special kind of threat that poses special kinds of epistemic and ecological challenges. At the center of these challenges is the problem of human vulnerability, which entails a complex form of trust that both sustains and threatens human survival.

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This essay conceives ecological life as radically dependent, vulnerable, and horrific. Epistemologically speaking, we are quite ignorant of the web of dependency that sustains our lives. Our ecological condition often prevents us from locating and identifying our dependencies and the many ways our actions impact the environment. This is the terror and danger that plagues the Anthropocene. Our ignorance bears an ontological weight that can be drawn out with the concept of trust. Trust, I argue, is not a choice. Trust (...) is a necessity to which we are riveted, and one that is always conditioned by our vulnerability and ignorance. The picture of ecological trust that I paint is not a hopeful one: it is dark, pessimistic, and urgent. It opposes visions of our future that are superstitious and optimistic about our ability to respond effectively to climate change. (shrink)

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Continental philosophy is witnessing a global renaissance of speculative philosophy. And while some corners of this movement are gaining traction in art- and architecture-theoretical circles, its application to philosophical aesthetics has been forestalled in favor of metaphysical and, secondarily, epistemological inquiry. This essay tracks some of the ways that speculative aesthetics is emerging, and opening new pathways, within the renaissance. It accomplishes three primary tasks. First, it enumerates several of the ways that the name “speculative aesthetics” has been mobilized in (...) contemporary speculative philosophy. Second, it presents and develops one approach to speculative aesthetics, namely Graham Harman’s, and highlights its indebtedness to Levinas. Third, it briefly endorses a particular way forward for speculative aesthetics, one that is object-oriented and articulated in a recent essay by N. Katherine Hayles, the work of Steven Shaviro, and my book Plastic Bodies. (shrink)

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In this paper, I argue that Jonathan Glover, a prominent advocate of human genetic engineering, relies on a limited naturalistic account of normal human function in his defense of genetic engineering as a means of decreasing future instances of disability. I show that his concept of disability and the normative argument informed by it in his Choosing Children: Genes, Disability, and Design fails to incorporate the phenomenological dimension of embodiment, and that this dimension should be included in any account of (...) disability and human flourishing. Such inclusion, however, requires us to consider seriously the counterintuitive view that racial minorities are constitutionally disabled in racist societies. (shrink)

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Itinerant Philosophy: On Alphonso Lingis gathers a diverse collection of texts on Lingis’s life and philosophy, including poetry, original interviews, essays, book reviews, and a photo essay. It also includes an unpublished piece by Lingis, “Doubles,” along with copies of several of his letters to a friend.

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The body is central to the philosophies of Spinoza and Nietzsche. Both thinkers are concerned with the composition of the body, its potential relations with other bodies, and the modifications which a body can undergo. Gilles Deleuze has contributed significantly to the relatively sparse literature which draws out the affinities between Spinoza and Nietzsche. Deleuze’s reconceptualization of the field of ethology enables us to bring Spinoza and Nietzsche together as ethologists of the body and to elaborate their common, physiological perspective (...) on ethico-political composition. This is accomplished by reading the concepts of force, power, and affect as they are mobilized in their discussions of corporeity and intercorporeity. What emerges is a metaphysics of bodies that can simultaneously be regarded as a physiology of encounters, one which renders the friend/enemy distinction indiscernible and opens the door for a rethinking of the nature of political alliances. Both Spinoza and Nietzsche are shown to be invaluable resources for helping us imagine the potential of the individual’s body and the body politic. (shrink)

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This essay defends the view that, as embodied, our identities are necessarily dependent on the aesthetic environment. Toward this end, it examines the renewal of the concept of sensation (aisthesis) in phenomenology, but then concludes that the methodology and metaphysics of phenomenology must be abandoned in favor of an ontology that sees corporeal identity as generated by the materiality of aesthetic relations. It is suggested that such an ontology is available in the work of Spinoza, which helps break down the (...) natural/ artificial and human/nonhuman distinctions, and can thereby engender an environmental ethics grounded in aesthetic relations. An explication of body/ world dependence is provided via the concept of plasticity and a properly Spinozist aesthetics is invoked, but remains to be worked out. (shrink)

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Investigating the trail of philosophical leads in HBO’s chilling True Detective series, an elite team of philosophers examine far-reaching riddles including human pessimism, Rust’s anti-natalism, the problem of evil, and the ‘flat circle’.

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Review of Graham Harman, Speculative Realism: An Introduction, Polity, 2018.

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Review of Markus Gabriel, Fields of Sense, Edinburgh University Press, 2015.

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