Results for 'Space perception'
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- Space-Perception and the Philosophy of Science.Patrick Heelan -1986 -Erkenntnis 24 (3):399-402.No categories
- Space-Perception And The Philosophy Of Science.Patrick A. Heelan -1983 - University Of California Press.00 Drawing on the phenomenological tradition in the philosophy of science and philosophy of nature, Patrick Heelan concludes thatperception is a cognitive, ...
- SpacePerception, Visual Dissonance and the Fate of Standard Representationalism.Farid Masrour -2017 -Noûs 51 (3):565-593.This paper argues that a common form of representationalism has trouble accommodating empirical findings about visualspaceperception. Vision science tells us that the visual system systematically gives rise to different experiences of the same spatial property. This, combined with a naturalistic account of content, suggests that the same spatial property can have different veridical looks. I use this to argue that a common form of representationalism about spatial experience must be rejected. I conclude by considering alternatives to (...) this view. (shrink)
- Spaceperception among unilaterally paralyzed children and adolescents.Howard T. Blane -1962 -Journal of Experimental Psychology 63 (3):244.
- Spaceperception and parallax.Leslie Smith -1981 -Philosophy 56 (April):248-252.
- Time andSpacePerception in Ahmet Hamdi Tanpınar’s Poem ‘Bursa’da Zaman’.Tuba Dalar -2018 -Akademik İncelemeler Dergisi 13 (2):183-200.Ahmet Hamdi Tanpınar feels the civilization crisis in his soul like the most of the intellectuals who witnessed the last days of the Ottoman State and the establishment of the Republic. This uneasy intellectual of the Republic tries to find peace with a reasonable synthesis, such as changing to continue and continuing to change. The soul of time andspace pervades every line that comes out of Ahmet Hamdi Tanpınar's pen. In his poem Time in Bursa (Bursa’da Zaman), which (...) deals with Ottoman life manifestations, is written to Bursa, known for its profound influence on the Tanpınar, where the synthesis of culture is seen on each corner. To comprehend Tanpınar’s poetry, it is necessary to think about time,space, memory, history, dream and imagination. These concepts take place in the lines of the Tanpınar as a call to the forgotten social identity. It is certain that imaginative memory has a collective dimension. The cultural memory that transcends individual life and becomes historical re-establishes the past by way of recollection. At this point, memory holds on to time andspace against forgetting. For this reason, Ahmet Hamdi Tanpınar looks at time andspace with another perspective. The poet, aware of the interaction of time andspace with memory, attributes a symbolic meaning to these concepts. In this study, time andspaceperception of Ahmet Hamdi Tanpınar will be sketched out from the poem of Time in Bursa and the world of feeling and thought that shapes his works will be tried to be determined. (shrink)No categories
- Visualspace-perceptions in the dark.W. H. S. Monok -1884 -Mind 9 (36):617-617.
- Space-Perception and the Philosophy of Science.Harold I. Brown -1985 -Philosophy of Science 52 (1):159-160.
- Perceptual load influences auditoryspaceperception in the ventriloquist aftereffect.Ranmalee Eramudugolla,Marc R. Kamke,Salvador Soto-Faraco &Jason B. Mattingley -2011 -Cognition 118 (1):62-74.A period of exposure to trains of simultaneous but spatially offset auditory and visual stimuli can induce a temporary shift in theperception of sound location. This phenomenon, known as the 'ventriloquist aftereffect', reflects a realignment of auditory and visual spatial representations such that they approach perceptual alignment despite their physical spatial discordance. Such dynamic changes to sensory representations are likely to underlie the brain's ability to accommodate inter-sensory discordance produced by sensory errors (particularly in sound localization) and variability (...) in sensory transduction. It is currently unknown, however, whether these plastic changes induced by adaptation to spatially disparate inputs occurs automatically or whether they are dependent on selectively attending to the visual or auditory stimuli. Here, we demonstrate that robust auditory spatial aftereffects can be induced even in the presence of a competing visual stimulus. Importantly, we found that when attention is directed to the competing stimuli, the pattern of aftereffects is altered. These results indicate that attention can modulate the ventriloquist aftereffect. © 2010 Elsevier B.V. (shrink)
- Vertical eye movement andspaceperception: A developmental study.Donald H. Thor,John J. Winters &David L. Hoats -1969 -Journal of Experimental Psychology 82 (1p1):163.
- Spaceperception and the fourth dimension.Stephen H. Kellert -1994 -Man and World 27 (2):161-180.
- Space-Perception and the Philosophy of Science. [REVIEW]Joseph J. Kockelmans -1988 -International Studies in Philosophy 20 (3):117-118.
- Space-Perception and the Philosophy of SciencePatrick A. Heelan.Paul Moser -1989 -Isis 80 (4):741-742.
- Piaget's theory ofspaceperception in infancy.Anat Ninio -1979 -Cognition 7 (2):125-144.
- Experiments inspaceperception: (I).James H. Hyslop -1894 -Psychological Review 1 (3):257-273.
- Experiments inspaceperception (II).James H. Hyslop -1894 -Psychological Review 1 (6):581-601.
- Optical motions andspaceperception: An extension of Gibson's analysis.John C. Hay -1966 -Psychological Review 73 (6):550-565.
- Helmholtz's theory ofspace-perception.J. H. Hyslop -1891 -Mind 16 (61):54-79.
- On the origin ofspaceperception.Alfred Politz -1979 -Philosophy and Phenomenological Research 40 (December):258-264.
- The role of instruction in experimentalspaceperception.Cecil W. Mann &Randolph O. Boring -1953 -Journal of Experimental Psychology 45 (1):44.
- A method of controlling stimulation for the study ofspaceperception: the optical tunnel.James J. Gibson,Jean Purdy &Lois Lawrence -1955 -Journal of Experimental Psychology 50 (1):1.
- Accommodation and convergence in visualspaceperception.V. W. Grant -1942 -Journal of Experimental Psychology 31 (2):89.
- (1 other version)Studies in Auditory and VisualSpacePerception.Arthur Henry Pierce -1902 -The Monist 12:476.No categoriesExport citation
Bookmark - Space-Perception and the Philosophy of Science. By Patrick A. Heelan. [REVIEW]Dennis R. Zusy -1986 -Modern Schoolman 63 (2):142-144.
- Book Reviews :Space-Perception and the Philosophy of Science. BY PATRICK A. HEELAN. Berkeley: University of California Press, 1983. Pp. xiv + 383. $29.00. [REVIEW]Steve Fuller -1986 -Philosophy of the Social Sciences 16 (3):391-394.
- Professor Pierce onspaceperception.James H. Hyslop -1904 -Journal of Philosophy, Psychology and Scientific Methods 1 (4):98-100.
- (1 other version)A genetic view ofspaceperception.E. A. Kirkpatrick -1901 -Psychological Review 8 (6):565-577.
- The idea thatspaceperception involves more than eye movement signals and the position of the retinal image has come up before.Alexander A. Skavenski -1994 -Behavioral and Brain Sciences 17 (2):331-332.
- Problem of sex differences inspaceperception and aspects of intellectual functioning.Julia A. Sherman -1967 -Psychological Review 74 (4):290-299.
- Raum and ‘Room’: Comments on Anton Marty onSpacePerception.Clare Mac Cumhaill -2019 - In Giuliano Bacigalupo & Hélène Leblanc,Anton Marty and Contemporary Philosophy. Cham: Palgrave. pp. 121-152.I consider the first part of Marty’s Raum und Zeit, which treats of both the nature ofspace and spatialperception. I begin by sketching two charges that Marty raises against Kantian and Brentanian conceptions ofspace (and spatialperception) respectively, before detailing what I take to be a characteristically Martyan picture ofspaceperception, though set against the backdrop of contemporary philosophy ofperception. Marty has it that spatial relations are non-real but (...) existent, causally inert relations that are grounded inspace, which is itself non-real but existent. Objects do not inhere inspace in the way properties inhere in substances. Rather, there is a ‘non-real’ relation of ‘fulfillment’ (Erfüllung) that holds between objects and places inspace, which itself subsists. I consider whether any contemporary philosophy ofperception is equipped to make sense of Martyanspaceperception and I suggest that the most promising conception is Naïve Realism. I then outline a difficulty for this theoretical translation. Naïve Realism is a direct theory ofperception whereby S is said to perceive O just in case S stands in a psychological relation of acquaintance with O, where this relation is both non-representational and explanatorily primitive. For Marty however, all relations are non-real and, insofar as they are grounded, are neither fundamental, nor brute or primitive in an explanatory sense. I close by detailing what I thereby take a distinctively Martyan form of Naïve Realism to involve. The central theoretical tenet that phenomenal character is fundamentally constituted by worldly objects is preserved; but the manifestly relational structure of the acquaintance relation, construed in particular as a relation of awareness, is treated as derivative. I make headway in spelling out the latter claim by bringing Marty into fleeting conversation with another Thomist - G.E.M. Anscombe. (shrink)
- The effects of auditory-vestibular nerve pathology onspaceperception.Cecil W. Mann -1951 -Journal of Experimental Psychology 42 (6):450.
- Studies in Auditory and VisualSpacePerception.Charles H. Judd -1902 -Philosophical Review 11 (3):303-307.
- Proximity and distance between current neuroscientific research and phenomenological investigation onspaceperception☆.Bernard Pachoud -2007 -Consciousness and Cognition 16 (3):684-686.
- A distance judgment function based onspaceperception mechanisms: Revisiting Gilinsky's (1951) equation.Teng Leng Ooi &Zijiang J. He -2007 -Psychological Review 114 (2):441-454.No categories
- ActivePerception and the Representation ofSpace.Mohan Matthen -2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs,Perception and Its Modalities. New York, NY: Oxford University Press. pp. 44-72.Kant argued that the perceptual representations ofspace and time were templates for the perceived spatiotemporal ordering of objects, and common to all modalities. His idea is that these perceptual representations were specific to no modality, but prior to all—they are pre-modal, so to speak. In this paper, it is argued that activeperception—purposeful interactive exploration of the environment by the senses—demands premodal representations of time andspace.
- The synthetic factor in tactualspaceperception.Thomas H. Haines -1905 -Psychological Review 12 (4):207-221.
- Evidence for the embodiment ofspaceperception: concurrent hand but not arm action moderates reachability and egocentric distanceperception.Stéphane Grade,Mauro Pesenti &Martin G. Edwards -2015 -Frontiers in Psychology 6.
- Visual processing in three-dimensionalspace: Perceptions and misperceptions.Fred H. Previc -1990 -Behavioral and Brain Sciences 13 (3):559-575.
- RepresentingSpace in Language andPerception.David J. Bryant -1997 -Mind and Language 12 (3-4):239-264.Space can be understood throughperception and language, but are the processes that represent spatial information the same in both cases? This paper reviews psychological evidence for the functional equivalence of spatial representations based on perceptual and linguistic inputs. It is proposed that spatial information is processed by a specialised spatial representation system (SRS) that creates geometric representations ofspace. The SRS receives inputs from perceptual and linguistic systems and uses these basic inputs to construct mental spatial (...) models of the observed or described environment. A mental spatial model is created by determining the coordinate locations of objects in the egocentric or allocentric frame of reference. The goal of the SRS is not to represent strictly what is perceived, but to model an environment that has an inherent three‐dimensional spatial structure. (shrink)
- Explicit and Implicit Own's Body andSpacePerception in Painful Musculoskeletal Disorders and Rheumatic Diseases: A Systematic Scoping Review.Antonello Viceconti,Eleonora Maria Camerone,Deborah Luzzi,Debora Pentassuglia,Matteo Pardini,Diego Ristori,Giacomo Rossettini,Alberto Gallace,Matthew R. Longo &Marco Testa -2020 -Frontiers in Human Neuroscience 14.
- QualitySpace Model of TemporalPerception.Michal Klincewicz -2010 -Lecture Notes in Computer Science 6789 (Multidisciplinary Aspects of Tim):230-245.QualitySpace Theory is a holistic model of qualitative states. On this view, individual mental qualities are defined by their locations in aspace of relations, which reflects a similarspace of relations among perceptible properties. This paper offers an extension of QualitySpace Theory to temporalperception. Unconscious segmentation of events, the involvement of early sensory areas, and asymmetries of dominance in multi-modalperception of time are presented as evidence for the view.
- Review of Studies in Auditory and VisualSpacePerception. [REVIEW]James Rowland Angell -1902 -Psychological Review 9 (4):397-401.
- An examination of some phases ofspaceperception.G. D. Higginson -1937 -Psychological Review 44 (1):77-96.
- The structure of the visual world. I.Space-perception and theperception of wholes.D. M. Purdy -1935 -Psychological Review 42 (5):399-424.
- Agency,perception,space and subjectivity.Rick Grush &Alison Springle -2019 -Phenomenology and the Cognitive Sciences 18 (5):799-818.The goal of this paper is to illuminate the connections between agency,perception, subjectivity,space and the body. Such connections have been the subject matter of much philosophical work. For example, the importance of the body and bodily action onperception is a growth area in philosophy of mind. Nevertheless, there are some key relations that, as will become clear, have not been adequately explored. We start by examining the relation between embodiment and agency, especially the dependence (...) of agency onperception and the dependence ofperception on agency. We also consider the nature of subjectivity itself: In virtue of what do humans and animals but not rocks and pencils have genuine perceptual and agentive intentional contents? We sketch a hylomorphic account of subjects and subjectivity, which highlights connections between the conclusions argued for in the previous sections and some basic principles of teleosemantics. (shrink)
- Theperception of absence,space and time.Matthew Soteriou -2011 - In Johannes Roessler, Hemdat Lerman & Naomi Eilan,Perception, Causation, and Objectivity. Oxford, GB: Oxford University Press. pp. 181.This chapter discusses the causal requirements on perceptual success in putative cases of theperception of absence – in particular, in cases of hearing silence and seeing darkness. It is argued that the key to providing the right account of the respect in which we can perceive silence and darkness lies in providing the right account of the respect in which we can have conscious perceptual contact with intervals of time and regions ofspace within which objects can (...) potentially be perceived. In this account, a significant explanatory role is assigned to comparatively invariant structural features of our conscious experience of regions ofspace and intervals of time. The chapter discusses how the explanatory role assigned to these structural features affects our view of the causal requirements on perceptual success. (shrink)
- The Allocation of Valenced Percepts Onto 3DSpace.Fernando Marmolejo-Ramos,Artin Arshamian,Carlos Tirado,Raydonal Ospina &Maria Larsson -2019 -Frontiers in Psychology 10:414705.Research on the metaphorical mapping of valenced concepts ontospace indicates that positive, neutral, and negative concepts are mapped onto upward, midward, and downward locations, respectively. More recently, this type of research has been tested for the very first time in 3D physicalspace. The findings corroborate the mapping of valenced concepts onto the verticalspace as described above but further show that positive and negative concepts are placed close to and away from the body; neutral concepts (...) are placed midway. The current study aimed at investigating whether valenced perceptual stimuli are positioned onto 3Dspace akin to the way valenced concepts are positioned. By using a unique device known as the cognition cube, participants placed visual, auditory, tactile and olfactory stimuli on 3Dspace. The results mimicked the placing of valenced concepts onto 3Dspace; i.e., positive percepts were placed in upward and close-to-the-body locations and negative percepts were placed in downward and away-from-the-body locations; neutral percepts were placed midway. These pattern of results was more pronounced in the case of visual stimuli, followed by auditory, tactile, and olfactory stimuli. Significance Statement Just recently, a unique device called “the cognition cube” (CC) enabled to find that positive words are mapped onto upward and close-to-the-body locations and negative words are mapped onto downward and away-from-the-body locations; neutral words are placed midway. This way of placing words in relation to the body is consistent with an approach-avoidance effect such that “good” and “bad” things are kept close to and away from one’s body. We demonstrate for the very first time that this same pattern emerges when visual, auditory, tactile, and olfactory perceptual stimuli are placed on 3D physicalspace. We believe these results are significant in that the CC can be used as a new tool to diagnose emotion-related disorders. (shrink)
- Frameworks, Artworks, Place: TheSpace ofPerception in the Modern World.Tim Mehigan -2008 - Rodopi.Howspace – mental, emotional, visual – is implicated in our constructions of reality and our art is the focus of this set of innovative essays. For the first time art theorists and historians, visual artists, literary critics and philosophers have come together to assay the problem ofspace both within conventional discipline boundaries and across them. What emerges is a stimulating discussion of the problem of embodiedspace and situated consciousness that will be of interest to (...) the general reader as well as specialists working in the fields of art history and art practice, literature, philosophy and education. (shrink)
- Space and Sound: a two component theory of pitchperception.Adam Morton -manuscriptI identify two components in theperception of musical pitches, which make pitchperception more like colourperception than it is usually taken to be. To back up this implausible claim I describe a programme whereby individuals can learn to identify the components in musical tones. I also claim that following this programme can affect one's pitch-recognition capacities.
- Scale Development for EnvironmentalPerception of PublicSpace.Robbie Ho &Wing Tung Au -2020 -Frontiers in Psychology 11.We developed a psychometric scale for measuring the subjective environmentalperception of public spaces. In the scale development process, we started with an initial pool of 85 items identified from the literature that were related to environmentalperception. A total of 1,650 participants rated these items on animated images of 12 public spaces through an online survey. Using principal component analyses and confirmatory factor analyses, we identified two affective factors with 8 items and six cognitive factors with 22 (...) items. These eight factors represent the core attributes underlying environmentalperception of public spaces. Practicality of the scale and limitations of the study are also discussed. (shrink)
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Jonathan Ichikawa
Monte Johnson
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Øystein Linnebo
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