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This book provides a definitive account of Jacques Derrida's involvement in debates about the university. Derrida was a founding member of the Research Group on the Teaching of Philosophy (GREPH), an activist group that mobilized opposition to the Giscard government's proposals to "rationalize" the French educational system in 1975. He also helped to convene the Estates General of Philosophy, a vast gathering in 1979 of educators from across France. Furthermore, he was closely associated with the founding of the International College (...) of Philosophy in Paris, and his connection with the International Parliament of Writers during the 1990s also illustrates his continuing interest in the possibility of launching an array of literary and philosophical projects while experimenting with new kinds of institutions in which they might take their specific shape and direction. Derrida argues that the place of philosophy in the university should be explored as both a historical question and a philosophical problem in its own right. He argues that philosophy simultaneously belongs and does not belong to the university. In its founding role, it must come from "outside" the institution in which, nevertheless, it comes to define itself. The author asks whether this irresolvable tension between "belonging" and "not belonging" might not also form the basis of Derrida's political thinking and activism where wider issues of contemporary significance are concerned. Key questions today concerning citizenship, rights, the nation-state and Europe, asylum, immigration, terror, and the "return" of religion all involve assumptions and ideas about "belonging"; and they entail constitutional, legal, institutional and material constraints that take shape precisely on the basis of such ideas. This project will therefore open up a key question: Can deconstruction's insight into the paradoxical institutional standing of philosophy form the basis of a meaningful political response by "theory" to a number of contemporary international issues? (shrink)

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The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most important and influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Derrida's thought. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key (...) terms used in Derrida's writings and detailed synopses of his key works. The Dictionary also includes entries on Derrida's major philosophical influences and those he engaged with, such as Kant, Hegel, Husserl, Freud, Heidegger, Foucault, Lacan and Levinas. It covers everything that is essential to a sound understanding of Derrida's philosophy, offering clear and accessible explanations of often complex terminology. The Derrida Dictionary is the ideal resource for anyone reading or studying Derrida, deconstruction or modern European philosophy more generally. (shrink)

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Through an attentive reading of his essay, “Psychoanalysis Searches the States of Its Soul,” it is possible to pursue Derrida's thinking about psychoanalysis and cruelty in terms of the distinction he makes between Nietzsche and Freud, whereby the latter maintains an “opposable term” to cruelty. This article explores the status and significance of such an “opposable term” as one possible source of a Freudian future beyond Freud, and in a postscript carries its reading into the question of the “side of (...) life” and of death in Derrida's H.C. for Life. (shrink)

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This essay explores Étienne Balibar’s treatment of the conceptual development of a notion of the super-ego in Freud as crucial to Balibar’s own thinking of the connection between politics and psychoanalysis. Via Balibar’s writing, however, it traces the antinomic forces at work in the question of a psychoanalytic supplement of politics, in the process examining not only the psychic conditions of the "political" but also the "politics" of different forms of psychological discourse and debate.

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This essay reads Derrida’s Geschlecht III: Sex, Race, Nation, Humanity in the context of the philosophical and political legacies associated with the motif of leaping. Surveying the philosophical and textual ‘politics’ of this figure of the leap in the work of Kierkegaard, Hegel, Marx, Freud, Heidegger and others, the essay tracks its connection to the question of philosophical nationalism (and associated images of place, ground and gathering) explored by Derrida in Geschlecht III, speculating on the ambivalent resonances that ‘leap’ across (...) the political spectrum. (shrink)

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If critical momentum in European philosophy and theory has seemed to shift away from deconstruction over the past decade or so, nevertheless the indebtedness of contemporary key thinkers to Derrida's writing and the entire project of deconstruction is unquestionable, regardless of whether it is always fully acknowledged, and whether or not Derrida's influence manifests itself as a source of inspiration or the grounds of critical antagonism or opposition. Many of those who now reject deconstruction continue to write texts that engage (...) with Derrida's work, whether dismissively or not. In this context, how best to recall deconstruction as a continuing 'voice' across the various fields of the critical humanities, theory and philosophy? The starting point for this collection of essays is the idea that, rather than reduce deconstruction to an object of historical importance or memory, one might more fruitfully analyze its significance in terms of complex matrices of desire in which it continues to figure; ceaselessly provoked in this way, deconstruction may neither be dismissed as simply 'dead', nor unproblematically defended as still alive and well. Instead, it asks to be repositioned on the threshold of life-death (about which deconstruction has always had much to say), an intricate threshold which profoundly complicates its relationship to the 'present' field of critical thought. This is a field which-according to a highly complex set of desires-still struggles to memorialize, to inter, or indeed to cremate, reduce to ashes, the deconstructive corpus. This collection therefore brings together leading voices at the forefront of their critical fields, in order to address the question of the desires of deconstruction, in precisely these multiple senses. With contributions from Etienne Balibar, Catherine Malibou and Martin Hagglund, the volume includes key thinkers across various generations of scholarship: those whose careers took off in the 1960s, at the same time Derrida's importance was gaining acknowledgement; those who played their part in the Anglo-American reception and translation of Derrida in the subsequent two or three decades; those taught by him; and those who, without undue discipleship or hagiography, now seek to critically re-evaluate his work. (shrink)

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Introduction : writing the event, or, citations from an archive of the future -- The archive and the anthological -- Writing obsession -- Writing friendship : Agamben and Derrida -- Anonymity writing pedagogy : Beckett, Descartes, Derrida -- Raelity -- Can dreaming be 'political'? : some questions on the politics of cultural studies : an interview with Paul Bowman -- End note : saying the event.

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Encountering Derrida explores the points of engagement between Jacques Derrida and a host of other European thinkers, past and present, in order to counter recent claims that the era of deconstruction is finally drawing to a close. The book rereads Derrida in order to renew deconstruction's various conceptions of language, poetry, philosophy, institutions, difference and the future. This impressive collection of essays from the world's leading Derrida scholars re-evaluates Derrida's legacy and looks forward to the possible futures of deconstruction by (...) confronting various challenges to Derrida's thought. Collectively, the essays argue that Derrida must be read alongside others , an approach that produces some surprising new accounts of this challenging critical thinker. _ _. (shrink)

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In L'Arrêt de mort, as Derrida suggests, an ‘epochal suspension’ manifests itself, compulsively pulsating so as to conjure a certain spectrality beyond all consciousness, perception, or ordinary attentiveness. Re-reading Blanchot's text, I argue that it is on the borderlines of sleep that the ‘arrythmic pulsation’ of the arrêt de mort happens as impossible event – ‘the state of suspension in which it's over – and over again, and you'll never have done with that suspension itself’, to quote Derrida once more. (...) While ‘Living On’ makes little of sleep, however, I take this cue to follow a pathway which leads from Blanchot to Levinas. Blanchot's writing exposes the sleep of reason which occurs in the very promise of perfect day, a promise which mutates in the dream he associates with the ‘other night’, a dream which harbours the irrepressible return of ‘time's absence’, and which opens on to the very ‘outside’ which the world – and the self – lacks or wants (as much as ‘world’ or ‘self’ seek to overcome this ‘outside’ as such). Levinas, meanwhile, wants to think irremissible pure existing (il y a) in terms of insomnia; in contrast, consciousness seeks to assert itself over the unremitting presence of the ‘there is’ through its capacity for unconsciousness or sleep. This essay seeks to attend to the complexities of a certain ‘fatality of being’ that threatens to sweep away the ‘ego’ as consciousness's capacity to sleep is confronted by the radical vigilance of insomnia and the deep anonymity of the night (Existence and Existents). (shrink)

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Title pagae -- Copyright -- Contents -- Series Editor's Preface -- Acknowledgements -- Introduction: Modern Thought in Pain -- 1 After Pains -- 2 Distress I -- 3 Distress II -- 4 Pain of Debt, or, What We Owe to Retroactivity -- 5 Survival of Cruelty -- 6 Grief-substitutes, or, Why Melanie Klein Is So Funny -- Index.

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As calls mount for resistance to recent political events, Simon Morgan Wortham explores the political implications and complexities of a psychoanalytic conception of resistance. Through close readings of a range of authors, both within and outwith the psychoanalytic tradition, the question of the politics of psychoanalysis itself is read back into the task of thinking resistance from a psychoanalytic point of view. Morgan Wortham also reveals a new theory of phobic resistance at the centre of the politics of psychoanalysis, one (...) that creates fresh possibilities for contemporary political analysis. (shrink)

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In lieu of an abstract, here is a brief excerpt of the content:Diacritics 31.3 (2001) 89-107 [Access article in PDF] Teaching DeconstructionGiving, Taking, Leaving, Belonging, and the Remains of the University Simon Morgan Wortham The Remains of the University and the Study of Culture In his recent essay "Literary Study in the Transnational University," J. Hillis Miller tries to account for the hostility shown by some practitioners of a certain kind of cultural studies toward what is perceived as "high" theory—in (...) particular, deconstruction. Describing the emergence of cultural studies as a quasi-discipline, he remarks:Insofar as cultural studies still depends on the traditional idea of culture as the production in a subject or subjectivity of an identity produced through indoctrination by a nation-state or by a subculture such as an ethnic or gender community... it was necessary to resist the questioning by deconstruction of all the key concepts necessary to this idea of culture. These include identity, agency, the homogeneity of a given culture, whether hegemonic or minority, the definition of an individual by his or her participation in a nation or community, the unbreakable tie of a text or any other assemblage of signs to its context. The questioning by theory of these concepts often needed to be sidestepped in order for the project of cultural studies and related new disciplines to get going. These key concepts are glued together by a reinstalled referentiality that can no longer afford to be put in question and remain in question. [83] For Miller, a cultural studies of this sort relies on a minimal degree of retention of such unquestioned "referentiality" as a condition of its need to thematize, narrativize, or interpret various texts, events, and artifacts according to a wider "context" (whether this be described as "historical," "social," or "cultural") to which these phenomena remain unbreakably tied. A "context" such as outlined by Miller would of course need to be accorded a basic level of coherence for the analysis to get underway. Furthermore, insofar as—for Miller—this "context" would thereby establish a more or less generalizable framework within which might be understood the shaping of identity in particular instances, thus facilitating rather traditional ways of determining objects of cognition and knowledge, it could be considered to work so as to reanimate conventional ideas of the "self" or "agency." In assuming that there is always a "context" for every "text," in a way that could be comprehended in the above terms, a cultural studies of the kind described by Miller would reinstall the particular as an expression or exemplar of a more clearly determined situation or setting (history, nation, culture, society, ideology), which, in turn, might be considered to fuel critical misrecognition or reduction of the effects and implications of "transnationality" or "globalization." Furthermore, in this case, the [End Page 89] supposed exemplarity of the particular in its identity with the general would inevitably tend to prompt an account, as Miller himself puts it, of the "production in a subject or subjectivity of an identity" produced by a culture, whether it be hegemonic or minority: the assumed culture of a nation-state or, as is more often emphasized nowadays, a subculture existing in some sort of relation to more dominant cultural practices and trends. In addition to this reinscription of knowledge in relation to the human subject, the founding of a certain kind of cultural study upon longstanding models of cognition, as described above, would reestablish cultural studies practitioners working in this way as themselves knowing subjects. From this perspective, then, Miller would doubtless see certain aspects of the critical landscape of cultural studies—its not infrequent commitment to "identity politics" over the years, its shift of emphasis toward the participatory agency of subjects within contemporary popular culture, even some versions of the debate about the ethics of cultural studies—as set up to reinstall the coextensivity of subjects of knowledge and knowing subjects in a way that would depend uncritically on deeply structured relations of reference, identity, and agency.Miller therefore views cultural studies as, in the last analysis, based on a rather unquestioning reversion to more orthodox humanistic... (shrink)

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This article recalls Derrida's reading of Levinasian ethics as a discourse of the other, particularly in ‘Violence and Metaphysics’, in order to re-elaborate Derrida's own account of the other's heterogeneity, notably in light of critiques of deconstruction's thinking of difference, alterity, and the unconditional. At stake here is the precise meaning of what may be termed wholly other; or, better still, the specific nature of the arguments about the question of the other from among Derrida's earlier texts, which must be (...) recalled amidst any appeal to absolute alterity, especially of the kind frequently found in Derrida commentary today. The article suggests that, in the process of Derrida reading Levinas, the radical alterity of the other is sustained in ‘Violence and Metaphysics’ principally in terms of the legitimacy (or ‘discipline’) of a question that arises only on the hither side of a phenomenology of the other – a phenomenology that emerges, nonetheless, as its unacknowledged ground. Thus, in contrast to Levinasian thought (and yet also in deeper affinity with what we might term, for Derrida, its still obscured originality), deconstruction's discourse of the other opens onto the wholly other not simply as the ‘beyond’ or the ‘outside’ of phenomenology's limits, but only at the point where the phenomenological gives way in something like a double sense. (shrink)

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For Lyotard, “Auschwitz” is named only as the terrible sign of a differend. However, this paper argues that the dissymmetrical address alluded to in a 1993 lecture given by Lyotard for Amnesty, “The Other’s Rights,” makes possible an alternative legacy found in the very formation of civil politics which might itself “rephrase” this differend otherwise, transforming what may be termed “distress” into “rights” without recourse to the type of contractuality that would risk both repressing and compounding a “wrong” by seeking (...) to litigate it. (shrink)

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