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19. yüzyıla kadar kitlesel ölümlere sebep olan salgın hastalıkların başında, veba ve kolera gelmekteydi. Tüm dünyada olduğu gibi Osmanlı Devleti de bu hastalıklardan çeşitli dönemlerde büyük ölçüde etkilenmiştir. Osmanlı’da karantina uygulaması ve genel temizlik kurallarına uyulmasıyla hastalıkların üstesinden gelinmiş, Avrupa’daki ilaç ve tedavi çalışmaları yakından takip edilmiştir. Hem halkın hem de idarecilerin bilgilendirilmesi için son derece önem arz eden Osmanlı basını, salgın hastalıklara geniş yer vermiştir. Hastalığın kontrolü her ne kadar karantina ile sağlanmaya çalışılmışsa da karantina sürecine hadislerden hareketle dini (...) bir meşruiyet atfedilerek sürecin daha sağlıklı bir şekilde yürütülmesi amaçlanmıştır. Dolayısıyla modern tıbbın önerileri dini kaidelerle güçlendirilmiş ve hastalıklarla maddi ve manevi unsurlarla topyekûn mücadele edilmiştir. Osmanlı’nın son dönemlerinde basında hastalıklarla mücadelenin inanç kültürü kısmını oluşturan dini referans noktası hadis, dua ve rivayetlerden oluşmaktaydı. Bu çalışmamın çerçevesini dini konularla siyasi meselelerin bir arada işlendiği İslamcı süreli yayınların hastalıklarla ilgili kaleme alınan yazıları oluşturmuştur. (shrink)

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Bu araştırmanın amacı İlahiyat Fakültesi öğrencilerinin epistemolojik inançları ve akademik erteleme durumlarını incelemektir. Araştırmada İlahiyat Fakültesi öğrencilerinin epistemolojik inançları ve akademik erteleme durumları cinsiyet, sınıf, mezun olunan ortaöğretim kurumu ve öğretim durumu değişkenleri açısından incelenmiştir. Ayrıca katılımcıların epistemolojik inançları ile akademik erteleme durumları arasındaki ilişki de irdelenmiştir. Araştırmada ilişkisel tarama modeli benimsenmiştir. Verilerin toplanmasında Deryakulu ve Büyüköztürk tarafından Türk kültürüne uyarlanan ‘Epistemolojik İnanç Ölçeği’ ile Çakıcı tarafından geliştirilen ‘Akademik Erteleme Ölçeği’ kullanılmıştır. Çalışmanın örneklemini Türkiye’de farklı İlahiyat Fakültelerine devam eden öğrenciler (...) arasından kolay erişilebilir örneklem tekniğiyle seçilen 357 öğrenci oluşturmaktadır. Verilerin analizinde SPSS 27 programı kullanılmıştır. Katılımcıların ölçeklerden aldıkları puan ortalamalarını karşılaştırmak üzere ikili gruplarda Bağımsız Örneklemler t Testi, ikiden çok grupta Tek Yönlü Varyans Analizi testi kullanılmıştır. Çoklu gruplarda farklılaşmaların kaynağını tespit etmek amacıyla post hoc testlerinden LSD kullanılmıştır. Ölçek puanları arasındaki ilişkilere Pearson Korelasyon Analizi ile bakılmıştır. Tüm analizlerde.05 anlamlılık düzeyi olarak kabul edilmiştir. Araştırma sonucunda katılımcıların Epistemolojik İnanç Ölçeği’nde en yüksek ortalamayı “Tek Bir Doğrunun Var Olduğuna İnanç” alt boyutunda, en düşük ortalamayı “Öğrenmenin Çabaya Bağlı Olduğuna İnanç” alt boyutunda elde ettikleri görülmüştür. Ölçekler ile ölçek alt boyut puanlarında cinsiyet, sınıf, mezun olunan ortaöğretim kurumu ve öğretim durumu değişkenleri açısından anlamlı bir farklılaşma gözlenmemiştir. Araştırmada, epistemolojik inanç alt boyutları ile akademik erteleme olgusu arasında negatif yönde, zayıf fakat anlamlı ilişkiler bulgulanmıştır. Bu sonuç, epistemolojik inançlarda güçlenme arttıkça akademik erteleme eğiliminin azalabildiği şeklinde yorumlanmıştır. Eğitim sürecinde, öğrencilerin öğrenmeye dönük kişisel ilgi ve çabaları geliştirilirse akademik erteleme eğilimleri azalabilir. (shrink)

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Traditional aesthetic theories emphasize pleasure, while recent non-hedonistic approaches prioritize “getting it right” in aesthetic engagement. This paper critiques Dominic McIver Lopes’s and C. Thi Nguyen’s theories by arguing that correctness is neither the necessary guiding norm nor the constitutive or right motivator. Instead, I propose bias reduction—minimizing the improper influence of prior outlooks. This shift from correctness to minimizing distortion better captures aesthetic agency and allows for pluralism and radical disagreement.

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This paper applies the account developed by Susanna Siegel in The Rationality of Perception to aesthetic cases and explores the implications of such an account for aesthetic engagement as well as curatorial and exhibitionary practices. It argues that one’s prior outlook – expertise, beliefs, desires, fears, preferences, attitudes – can have both aesthetically good and bad influences on perceptual experiences, just as it can have both epistemically good and bad influences. Analysing these bad influences in cases of ‘hijacked’ aesthetic perception (...) will reveal that, unless we recognize that our perception of high-level and low-level aesthetically relevant properties is norm-governed, we will be at a loss to explain what goes wrong in these cases. Just as perception can be rational or irrational, so too can it be apt or inapt. (shrink)

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The topic of imaginative resistance attracted considerable philosophical attention in recent years. Yet, with a few exceptions, no historical investigation of the phenomenon has been carried out. This paper amends this gap in the literature by constructing a Humean and a Kantian explanation. The main contributions of this historical analysis to this debate are to make room for emotions in explanations of resistance reactions and to upset the polarization between rival accounts by suggesting that our possible responses to morally flawed (...) works can vary. In some cases, we resist imagining counter‐evaluative claims due to our unwillingness to do so, and in others, due to our inability. (shrink)

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Most critical discussions of European immigration policies are centered around the concept of Fortress Europe and understand the concept of the border as a way of sealing off unwanted immigration movements. However, ethnographic studies such as our own multi-sited field research in South-east Europe clearly show that borders are daily being crossed by migrants. These findings point to the shortcomings of the Fortress metaphor. By bringing to the fore the agency of migrants in the conceptualization of borders, we propose to (...) understand how borders are being shaped by taking as a starting point the struggles of mobility. Against the background of our two-year transdisciplinary research project TRANSIT MIGRATION European migration and border policies cannot be longer conceptualized as being simply oriented towards the prevention of migration. Since migrants cross the borders daily, what happens if the borders’ permeability is part of the way they work? If so, we have to investigate the mechanisms of border policies and practices anew. One is the concept of the border or migration regime. The other is the concept of the autonomy of migration. Our concept of ethnographic regime analyses is based on a transdisciplinary approach, comprising political studies, anthropology and sociology. (shrink)

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This article examines Bolzano’s aesthetic cognitivism. It argues that, while reminiscent of German rationalist aesthetics and hence potentially appearing rigid and outdated, Bolzano’s version of cognitivism is, in fact, highly innovative and more flexible than the cognitivism championed by the rationalists. He imports from the rationalists the idea that aesthetic appreciation and creation are rule-governed, yet does not construe rule-following and engaging in free aesthetic activities as mutually exclusive. Furthermore, thanks to his nuanced treatment of the interaction between aesthetic values (...) and other types of values, Bolzano’s aesthetic cognitivism presents a fresh alternative to contemporary versions of aesthetic cognitivism. (shrink)

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I argue that Kant’s aesthetic theory yields a fruitful theory of art criticism and that this theory presents an alternative both to the existing theories of his time and to contemporary theories. In this regard, my dissertation offers an examination of a neglected area in Kant scholarship since it is standardly assumed that a theory of criticism flies in the face of some of Kant’s most central aesthetic tenets, such as his rejection of aesthetic testimony and general objective principles of (...) taste. If art criticism is an enterprise of providing evaluations of artworks supported by reasons, then it is hard to see what the Kantian art critic can do for us. If I cannot defer to the critic’s judgment that she loved Blade Runner and there are no feasible general principles linking the depiction of futuristic cityscapes, or the accompaniment of a haunting minimalist soundtrack to the goodness of a film, then it does not seem to matter whether the critic communicates to me her evaluation of Blade Runner or supports her evaluation with descriptions of Blade Runner scenes. Nevertheless, the assumption that these Kantian tenets preclude the possibility of art criticism is mistaken and it is my aim to show how this can be. The project has two phases. In the first phase I develop a new interpretation of Kant’s theory of artistic beauty. In the second phase I make use of this interpretation to put forward a Kantian account of art criticism. Central to my interpretation is the notion that judgments of perfection, e.g., Blade Runner is an excellent neo-noir science fiction film, inform our aesthetic evaluations and receive support from descriptions of non-aesthetic properties of the film. It is precisely this underappreciated role of judgments of perception that I exploit in making room for Kantian art criticism. (shrink)

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Contributed articles on modern philosophy, Saiva Siddhanta and Cō. Kiruṣṇarājā.

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Background: Professional commitment, which constitutes one of the criteria of the professionalisation process, is directly affected by attitude towards the work, constituting the content of nursing profession. Aim: This study was conducted to determine the effect of nurses’ attitudes towards work on their professional commitment. Methods: This study is a cross-sectional and analytical study. The data were collected from 293 nurses working at different units in a public hospital between April 2019 and May 2019. The data collection tool includes a (...) 10-question participant information form, the Nurses’ Professional Commitment Scale and the Attitude Towards Work Scale. Variables were analysed using multiple linear regression. Results: The nurses obtained high scores from overall professional commitment and attitude towards work scales and their subscales. Significant differences were found in the scale total and its subscales caused especially by the variables of professional experience, position, income level and the status of willingly choosing the profession ( p< 0.05). Nursing professional commitment was predicted by ‘content of the work’, (β = 0.32, p< 0.01), ‘working conditions’ (β = 0.38, p< 0.01), ‘co-workers’ (β = 0.30, p< 0.01) and ‘compensation’ (β = 0.21, p< 0.01), which accounted for 25.6% of the variance in nursing professional commitment. Ethical considerations: Ethics committee approval and institutional permissions were obtained. The participants were informed about the study and written consent was obtained. Conclusions: The nurses who had an increasing duration of professional experience, were working in managerial position, found their income level sufficient and chose the profession willingly had higher professional commitment and attitudes towards work. In addition, a significant correlation was found between nurses’ professional commitment and their attitudes towards work, and nurses’ professional commitments were explained with their attitudes towards work. It is important to increase and strengthen the attitude towards work that affects nurses’ professional commitments. (shrink)

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In this paper the following theorem is proved regarding groups of finite Morley rank which are perfect central extensions of quasisimple algebraic groups.Theorem1.Let G be a perfect group of finite Morley rank and let C0be a definable central subgroup of G such that G/C0is a universal linear algebraic group over an algebraically closed field; that is G is a perfect central extension of finite Morley rank of a universal linear algebraic group. Then C0= 1.Contrary to an impression which exists in (...) some circles, the center of the universal extension of a simple algebraic group, as an abstract group, is not finite in general. Thus the finite Morley rank assumption cannot be omitted.Corollary1.Let G be a perfect group of finite Morley rank such that G/Z(G) is a quasisimple algebraic group. Then G is an algebraic group. In particular, Z(G) is finite([4],Section27.5).An understanding of central extensions of quasisimple linear algebraic groups which are groups of finite Morley rank is necessary for the classification oftamesimpleK*-groupsof finite Morley rank, which constitutes an approach to the Cherlin-Zil’ber conjecture. For this reason the theorem above and its corollary were proven in [1] (Theorems 4.1 and 4.2) under the assumption oftameness, which simplifies the argument considerably. The result of the present paper shows that this assumption can be dropped. The main line of argument is parallel to that in [1]; the absence of the tameness assumption will be countered by a model-theoretic result and results fromK-theory. The model-theoretic result places limitations on definability in stable fields, and may possibly be relevant to eliminating certain other uses of tameness. (shrink)

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We develop a cultural evolutionary theory of the origins of prosocial religions and apply it to resolve two puzzles in human psychology and cultural history: (1) the rise of large-scale cooperation among strangers and, simultaneously, (2) the spread of prosocial religions in the last 10–12 millennia. We argue that these two developments were importantly linked and mutually energizing. We explain how a package of culturally evolved religious beliefs and practices characterized by increasingly potent, moralizing, supernatural agents, credible displays of faith, (...) and other psychologically active elements conducive to social solidarity promoted high fertility rates and large-scale cooperation with co-religionists, often contributing to success in intergroup competition and conflict. In turn, prosocial religious beliefs and practices spread and aggregated as these successful groups expanded, or were copied by less successful groups. This synthesis is grounded in the idea that although religious beliefs and practices originally arose as nonadaptive by-products of innate cognitive functions, particular cultural variants were then selected for their prosocial effects in a long-term, cultural evolutionary process. This framework (1) reconciles key aspects of the adaptationist and by-product approaches to the origins of religion, (2) explains a variety of empirical observations that have not received adequate attention, and (3) generates novel predictions. Converging lines of evidence drawn from diverse disciplines provide empirical support while at the same time encouraging new research directions and opening up new questions for exploration and debate. (shrink)

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Two dominant interpretations of Kant's notion of adherent beauty, the conjunctive view and the incorporation view, provide an account of how to form informed aesthetic assessments concerning artworks. According to both accounts, judgments of perfection play a crucial role in making informed, although impure, judgments of taste. These accounts only examine aesthetic responses to objects that meet or fail to meet the expectations we have regarding what they ought to be. I demonstrate that Kant's works of genius do not fall (...) within either of these categories. The distinguishing features of these works, namely, originality and exemplarity, become unrecognizable on these interpretations because originality and exemplarity lie in the work's ability to exceed one's expectations concerning its form and content. They contribute to artistic beauty through alternative transformation methods distinct from that of abstraction, namely, concept expansion and repudiation. These additional accounts of transformation lead to a rather surprising outcome: works of genius turn out to be paradigm cases where one can and indeed ought to form informed pure judgments of taste. (shrink)

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In this paper, in answering the question why Kant didn’t think very highly of music, I argue that for Kant (i) music unlike other art forms, lends itself more easily to combination judgments involving judgments of sense, which increases the propensity to make aesthetic mistakes and is ill-suited as an activity for improving one’s taste; (ii) music expresses aesthetic ideas and presents rational ideas only by taking advantage of existing associations while other art forms do so by breaking with the (...) laws of association and creating new associations. I propose that (ii) constitutes the reason why music is not a rich source for reflection and thereby cannot stimulate the enlargement of the cognitive faculties. Given that the standard Kant uses in setting up the hierarchy of fine arts in terms of their cultivating role is the enlargement of cognitive faculties, this explains why music is placed at the bottom of his hierarchy. (shrink)

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When we look at a single example in the comparison of the West and the East, the ban on minarets in Switzerland or the absence of any churches in Saudi Arabia leads to incorrect conclusions. Such ideological selectivity hinders the model of coexistence. In this research study, we mentioned the possibilities, needs and minimum requirements of a coexistence model beyond the Ummah. We perform firstly (1) the description or diagnosis of the given situation, namely the determination of the problem: the (...) political or historical, theological and cultural sources, and origin of the problem; (2) the expansion of the given situation to the paradigm from the history, the spirit of the times, theological sources and principles; and (3) solution: updating the theological, political and cultural displacements and applying them in the current context. Contribution: This is the thesis of this paper: humans have enough theological, political, cultural and educational possibilities for a new global Convivencia for being able to realise ‘together and common living’. Humans have the theological, political and cultural opportunities to realise a new global Convivencia ‘living together even if not in unison’ for the future. (shrink)

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Noël Carroll proposes a generalist theory of art criticism, which essentially involves evaluations of artworks on the basis of their success value, at the cost of rendering evaluations of reception value irrelevant to criticism. In this article, I argue for a hybrid account of art criticism, which incorporates Carroll's objective model but puts Carroll-type evaluations in the service of evaluations of reception value. I argue that this hybrid model is supported by Kant's theory of taste. Hence, I not only present (...) an alternative theory of metacriticism, which has the merit of reinstating the centrality of reception value in art critics’ evaluations, but also show that, contrary to a common conception, Kant's aesthetic theory can house a fruitful account of art criticism. The benefit of this hybrid account is that, despite being essentially particularist, it should be appealing even to generalists, including Carroll. (shrink)

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We hypothesize that cultural narratives such as myths and folktales are more likely to achieve cultural stability if they correspond to a minimally counterintuitive (MCI) cognitive template that includes mostly intuitive concepts combined with a minority of counterintuitive ones. Two studies tested this hypothesis, examining whether this template produces a memory advantage, and whether this memory advantage explains the cultural success of folktales. In a controlled laboratory setting, Study 1 found that an MCI template produces a memory advantage after a (...) 1‐week delay, relative to entirely intuitive or maximally counterintuitive cognitive templates. Using archival methods, Study 2 examined the cognitive structure of Grimm Brothers folktales. Compared to culturally unsuccessful folktales, those that were demonstrably successful were especially likely to fit an MCI template. These findings highlight the role of human memory processes in cultural evolution. (shrink)

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The authors examined cultural preferences for formal versus intuitive reasoning among East Asian (Chinese and Korean), Asian American, and European American university students. We investigated categorization (Studies 1 and 2), conceptual structure (Study 3), and deductive reasoning (Studies 3 and 4). In each study a cognitive conflict was activated between formal and intuitive strategies of reasoning. European Americans, more than Chinese and Koreans, set aside intuition in favor of formal reasoning. Conversely, Chinese and Koreans relied on intuitive strategies more than (...) European Americans. Asian Americans' reasoning was either identical to that of European Americans, or intermediate. Differences emerged against a background of similar reasoning tendencies across cultures in the absence of conflict between formal and intuitive strategies. (shrink)

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Kyiv-Mohyla Seminar on the History of Philosophy was established by the Kyiv-Mohyla Academy’s Department of Philosophy and Religious Studies in 2003. In this yearly seminar, the Department’s members as well as the historians of philosophy from other academic institutions regularly take part. Since 2003, 16 meetings of the seminar took place. They were focused on such topics as “Historiography of Philosophy in Ukraine: Current State and Perspectives”, “Actual Problems of the Source Studies in the Historiography of Philosophy”, “The Problem of (...) Text Interpretation in the Historiography of Philosophy”, “Dmytro Chyzhevskyi as a Historian of Philosophy”, “Historiography of Philosophy in Ukraine: Current State and Perspectives”, “The Problem of Method in the Historiography of Philosophy”, “Oleksii Losiev: Personality and Heritage ”, “Methodology of the Historiography of Philosophy: Actual Strategies”, “Wilhelm Windelband as a Philosopher and Historian of Philosophy ”, “Hegel’s Heritage in the Mirror of Interpretations”, “The Studies on the History of Philosophy: New Generation”, “Kant’s Criticism from the perspective of Wolf’s dogmatism”, “The Reception of Indian Philosophy in Ukraine: 1840s–1930s”, “Did Kant Answer the Question on What a Man Is?”. The proceedings of the early three meetings were published in a special volume. The current issue of “NaUKMA Research Papers in Philosophy and Religious Studies” contains the proceedings of the sixteenth meeting of Kyiv-Mohyla Seminar on the History of Philosophy, which took place at the National University of Kyiv-Mohyla Academy on February 1, 2017. The main speaker was Dr. Taras Lyuty, while the co-speakers included Dr. Mykhailo Minakov and Dr. Vakhtang Kebuladze. The meeting was conducted by Prof. Vadym Menzhulin. The audio recording of the meeting was deciphered by a PhD-student Taras Fostiak. (shrink)

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In our response to the 27 commentaries, we refine the theoretical claims, clarify several misconceptions of our framework, and explore substantial disagreements. In doing so, we show that our framework accommodates multiple historical scenarios; debate the historical evidence, particularly about “pre-Axial” religions; offer important details about cultural evolutionary theory; clarify the termprosociality;and discuss proximal mechanisms. We review many interesting extensions, amplifications, and qualifications of our approach made by the commentators.

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У статті розглянуто історичні та соціокультурні відмінності між масовою і популярною культурою. З’ясовано стосунок обох феноменів до загальної сфери культури та її головних засад. Розуміючи культуру як облаштування, плекання, виховання, вміння, вдосконалення, можна говорити про високі зразки осягання світу. Позаяк масові соціальні явища пов’язані з ослабленням інтелектуально-естетичних параметрів, виникає потреба порівняти високі та низькі рівні культури. Індустріалізація й урбанізація прискорили розвиток медій, які допомогли наблизити здобутки цивілізації до мас. Але ринкові механізми розповсюдження благ сприяли диктату комерції. Мистецькі виміри культури не (...) відповідали прагматичним вимогам і були притлумлені маркетинговими програмами, що спричинили інфантильність і споживацтво. Ці риси характеризують масову культуру. Та поруч із високою культурою віддавна існувала й народна, традиційна, низова культура, ознаками якої є доступність, поширеність, неофіційність, периферійність, неоднорідність і субкультурність. Проаналізовано становлення популярної культури від стародавніх до модерних часів. З’ясовано, що творці культури зарівно оперують високими ідеалами та популярними смислами. Втім, популярне відрізняється від масового завдяки породженню альтернатив. Тобто популярна культура не виродилася у конформізм, а зберегла запал протесту. Популярні тенденції не лише містять прагнення до задоволення широких потреб, а й враховують шанс протистояти примусу. Отже, варто визнати нетотожність маскульту і поп-культури. Тому популярна культура є цариною виникнення ідей, у якій соціальні гравці здатні творчо реалізувати свої уявлення та цінності. (shrink)

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In his recent article, “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty,” Robert Clewis aims to offer a fresh perspective on Kant’s views on the relation between beauty and utility. While, admittedly, a fresh approach is hard to come by, given the extensive treatment of the topic, Clewis thinks that a study of its historical context and origins might give us the needed edge. The most interesting and novel aspect of Clewis’s discussion is his detailed treatment of (...) Kant’s changing use of the term “selbstständig” (which in general means “independent,” “self-standing,” “stable,” “lasting,” “self-subsisting”). In the process of tackling the more general question as to what kind of eighteenth-century model of beauty-utility relation Kant proposes, Clewis addresses other issues, such as the seeming inconsistency between Kant’s earlier and later views on free and purpose-based beauty. As noted in the editor’s footnote of the Critique of the Power of Judgment (KU), while Kant uses the term “selbstständig,” in his precritical period to refer to “purpose-based beauty” (what he calls in the KU adherent or dependent beauty), he uses the same term to denote free beauty (independent beauty, that is to say) in the KU.1 Clewis argues that even though Kant uses the same term to refer to both dependent and independent beauty, albeit in different periods of his life, this switch in the application of the term is not caused by a change in the meaning of the term from Kant’s perspective, but a change in Kant’s views concerning the status of free beauty. I agree with Clewis that Kant did not change his mind about the meaning of the term “selbstständig.” Nevertheless, I disagree with the line Clewis pursues.I will argue that Clewis’s mistake lies in thinking that, throughout his career, Kant endorsed what he calls the “blocking-unifi cationist” view on the relation between beauty and utility (“beauty and perfection/utility are distinct concepts yet can be united or unifi ed” (2018, p. 309)). As I will show, this mistake results in an inconsistent story about Kant’s aesthetics as well as an inconsistency within Clewis’ own argument. I will try to articulate a more consistent story about the development of Kant’s ideas on aesthetics in general and his ideas on adherent beauty in particular by proposing that, contra Clewis, earlier Kant subscribed to what Clewis calls the “containment” account (beauty is a form of perfection) while the later Kant changed his mind (having given up on rationalism) and came to defend a version of “blocking-unificationist” view. (shrink)

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In this article, the author examines different theories and approaches to mass movements in the historical process and their impact on the condition of Western culture. In the short introduction, the main historical, cultural and philosophical origins of the mass movements from antiquity to present time are described. This paper examines the question why the social and cultural influence of the man of mass is difficult to predict. To answer this question, the author demonstrates the continuing transition from the psychology (...) of the crowd to the structure of mass instinct and collective interaction. The first part exposes general psychological characteristics of the mob according to the ideas of Gustave Le Bon. Le Bon describes masses as emotional, irresponsible, uncritical and conservative, although marks heroism and sacrifice as their positive manifestations. In the second part, the author reflects upon the perspective of Gabriel Tard on this problem. Tard’s term “public opinion” deals with the representatives who – while living in separation – participate in the mass communication. In the third part, attestations of the mass such as humility, conformism and obsession are investigated based on the ideas of Sigmund Freud. The next point of the article is devoted to Jose Ortega y Gasset’s concept of the revolt of masses. Ortega captures the ambivalence of masses who express the power ambition and indifference to culture. From the point of view of Hannah Arendt, masses become terrible, self-satisfied, atomized, unstructured and anonymous. However, Elias Canetti defines masses as compressed and scattered, closed and open, fast and slow. Yet different parameters of the masses one can find in Siegfried Kracauer’s writing – namely aesthetics, technicism, ritual. Finally, in the last part, the author appeals to Jean Baudrillard’s approach to the problem who declares that masses became silent and indistinct. (shrink)

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In this article, the author examines the relationship between the human self and its two distinctive conditions – the Other, as any alternative form of being, and the Stranger, as hostility. In the first part of the article, the author shows historical and cultural dimensions of Self and the Other in the European context. In this regard, anything that does not belong to a particular cultural area is deprived of ontological status and expelled. The Other has attributes of femininity or (...) bestiality and is associated with evil or deviation. However, the extraordinariness of the Other causes a certain enchantment. Finally, the Other becomes an image of the mirror that offers a look at oneself from aside. The second part exposes the structure of the relationship between Me and Thou according to the theory of Martin Buber. Here the monolithic world appears as a double. Openness, intimacy, and trust are characteristic for this construction. Aggressive forms of power are replaced with respect and responsibility. In the third part, based on the ideas of Emmanuel Levinas, the totality of being is proved unlocked by interaction with the Other. It becomes possible as a response to sympathy and love. Therefore, the Other is revealed through his/her face that one can see, while human condition is based on the fact that a human cares for the existence of the Other. Finally, in the fourth part, the author appeals to Julia Kristeva approach to the problem of Stranger. He finds out that the possibility of recognizing the essential elements of Stranger within our Self is an important aspect of human identity, as we will only be able to clarify our own purposes by accepting someone else in ourselves. (shrink)

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In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Baumgarten's Aesthetics: Historical and Philosophical Perspectives ed. by J. Colin McQuillanEmine Hande TunaJ. Colin McQuillan, editor. Baumgarten's Aesthetics: Historical and Philosophical Perspectives. Lanham, MD: Rowman & Littlefield, 2021. Pp. viii + 364. Hardcover, $130.00.Contemporary philosophers have often overlooked the originality and impact of Alexander Gottlieb Baumgarten's views on aesthetics, and his contribution to the field is often reduced to his introduction of the term 'aesthetics' into the philosophical (...) lexicon. By illuminating the seminal character of Baumgarten's aesthetics and its enduring significance, J. Colin McQuillan's collection of twelve essays endeavors to rectify this neglect, particularly within the anglophone philosophical community. The collection aims to make recent scholarship on Baumgarten's aesthetics more accessible, with translated works from German scholars and their English counterparts presented in a single volume to entice anglophone readers. It stands as the first collection of essays devoted to Baumgarten's aesthetics to be published in English. Through the essays contained in this volume, readers are offered a comprehensive overview of Baumgarten's aesthetic theory and its progression as well as a deeper understanding of his substantial and influential contributions to the field.The collection begins with a comprehensive introduction by McQuillan, which provides insightful analysis of the reasons behind Baumgarten's neglected status and a concise biography of the philosopher. McQuillan lucidly summarizes Baumgarten's goals for his new science of aesthetics, the extent to which he was able to accomplish these goals, and what remained unfinished. McQuillan highlights Baumgarten's view that his aesthetics was not just a theoretical exercise, but rather had practical implications, such as the potential to enhance poetry, rhetoric, and other arts, and more generally all sensible cognition.The opening two essays of the collection offer dual perspectives on Baumgarten's aesthetics, one exploring the connection of his theories to the pursuit of establishing art as the presentation or representation of the absolute and the other presenting his aesthetics as modeled on the "art of invention" (ars inveniendi). Ursula Franke's essay contextualizes [End Page 711] Baumgarten's ideas within the historical framework and demonstrates his impact on the development of German idealist aesthetics, but it also serves as a valuable guide for further research on Baumgarten by providing an overview of contemporary research and avenues for engagement with his work. In the second essay, Stefanie Buchenau offers an insightful examination of the relationship between Baumgarten and Cicero, illuminating how the former crafted aesthetics as a new method of invention.The third and fourth essays of the collection have a narrower focus. In his analysis, Matthew McAndrew, following George Friedrich Meier, posits that Baumgarten, despite seemingly presenting two conflicting definitions of beauty—one attributing beauty to the object of cognition, and the other to the cognition itself—only held the former definition. Departing from previous interpretations that attempted to reconcile both definitions, McAndrew rejects the definition of beauty as the perfection of sensible cognition. Angelica Nuzzo argues that Baumgarten had a pluralistic understanding of truth and distinguished between aesthetic truth and logical truth. She examines Baumgarten's conception of aesthetic truth and contends that it is imperative to comprehend how poetry embodies and incorporates aesthetic truth. According to Nuzzo, Baumgarten believed that aesthetic truth is embodied.In the fifth essay, Simon Grote delves into the theological sources of Baumgarten's aesthetics. Grote claims that Baumgarten's definition of aesthetics was influenced by the definition of aisthēsis put forth by Halle Pietists. Indeed, he claims that seeing this connection between the Pietists and Baumgarten is vital to fully grasp the ethical dimensions of Baumgarten's early aesthetic theory. Like many Halle Pietists, Baumgarten was advancing a conception of moral education as involving the improvement of the human affects through the proper use of the sensible faculties. In the following essay, McQuillan examines the aspects of Baumgarten's aesthetics that set him apart from his rationalist predecessor Christian Wolff. Challenging the orthodox view that portrays Baumgarten as a Wolffian rationalist, McQuillan argues that Baumgarten limited the application of Wolff's mathematical method, circumscribed the scope of logic, and distinguished between sensible and intellectual perfection, separating what Wolff aimed to unite. In his contribution, Alessandro... (shrink)

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Background: Academic dishonesty has become a serious problem at institutions of higher learning. Research question: What is the frequency of academic dishonesty and what factors affect the tendency of dishonesty among Turkish health science school students? Research design: This descriptive and cross-sectional study aims to evaluate academic dishonesty among university nursing, midwifery, and dietetic students. Participants and research context: The study sample consisted of 499 health science students in Turkey. The tendency toward academic dishonesty was investigated using the Academic Dishonesty (...) Tendency Scale. Ethical considerations: Institutional review board approved the study. Written permission was obtained from the researcher to use Turkish version of the Academic Dishonesty Tendency Scale. Findings: Of all the students, 80.0% claimed to refer to Internet during homework preparation and 49.1% of students reported to cite the references at the end of article on some instances. Of the students, 56.1% claimed never to have cheated in the exams. It was found that academic dishonesty was partly low (1.80–2.59) in students. For students using a library while doing their homework, mean scores were significantly lower ( p< 0.05). There were also statistically significant difference between mean scores and student’s year in school, student’s perception of school success, and frequency of Internet use while doing homework ( p< 0.05). Discussion: The tendency of academic dishonesty was lower among students who use Internet and library more frequently. These findings are consistent with previous studies. Conclusion: Measurements to take against academic dishonesty should be directed toward not only students but institutions and instructors as well. (shrink)

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