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Shows how Deleuze’s engagement with Stoicism produced many of his most singular and powerful ideas -/- Reveals a lasting influence on Gilles Deleuze by mapping his provocative reading of ancient Stoicism Unearths new possibilities for bridging contemporary philosophy and classics by engaging a vital yet recently rising area of scholarship: continental philosophy’s relationship to ancient philosophy Introduces the untranslated Stoic scholarship published by pre- and post-Deleuzian French philosophers of antiquity to the English-reading world -/- Deleuze dramatises the story of ancient (...) philosophy as a rivalry of four types of thinkers: the subverting pre-Socratics, the ascending Plato, the interiorising Aristotle and the perverting Stoics. Deleuze assigns the Stoics a privileged place because they introduced a new orientation for thinking and living that turns the whole story of philosophy inside out. -/-Ryan J. Johnson reveals Deleuze’s provocative reading of ancient Stoicism produced many of his most singular and powerful ideas. For Deleuze, the Stoics were innovators of an entire system of philosophy which they structured like an egg. Johnson structures his book in this way: Part I looks at physics (the yolk), Part II is logic (the shell) and Part III covers ethics (the albumen). Including previously untranslated French Stoic scholarship, Johnson unearths new possibilities for bridging contemporary and ancient philosophy. (shrink)

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Ryan J. Stark surveys the classic monsters in great literature and film, television, the Bible, and perhaps unexpectedly, the world in which we live. Monsterdom is real, Stark observes, but often hidden beneath the concealment spell of modern secular thought. This guidebook aims to break that spell, and, if so, to confirm once more a world that brims with high strangeness, or what Christian philosophers have always called 'reality.' The book appeals to those who study the paranormal dimensions of (...) religion and horror, broadly imagined. The clergy will also find it helpful, as will players of monster-riddled video games. (shrink)

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Explores how Deleuze's thought was shaped by Lucretian atomism – a formative but often-ignored influence from ancient philosophy -/- More than any other 20th-century philosopher, Deleuze considers himself an apprentice to the history of philosophy. But scholarship has ignored one of the more formative influences on Deleuze: Lucretian atomism. Deleuze’s encounter with Lucretius sparked a way of thinking that resonates throughout all his writings: from immanent ontology to affirmative ethics, from dynamic materialism to the generation of thought itself. Filling a (...) significant gap in Deleuze Studies,Ryan J. Johnson tells the story of the Deleuze-Lucretius encounter that begins and ends with a powerful claim: Lucretian atomism produced Deleuzianism. (shrink)

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Solomon Maimon argues that while Kantianism does venture quite a way toward the establishment of an immanent critical project that more satisfyingly addresses real experience, it does not fulfill the aims of its own project. In order to negotiate Maimon’s claim, I utilize the primary metaphorics of the First Critique: homesickness. The Kantian longing for home is an insatiable yearning, a striving for the end of something that cannot end, namely, the end of the search for home (Zuhause). According to (...) Maimon, although home is unattainable, there is a different sense of home: home is the path itself, a sort of nomadism, a roving life of the path that never leads home. The Kant of the first Critique did not fully realize that the project could not reach an actual final resting place; in fact, this realization, that home is a transcendental ideal, might be the very motivation for the third Critique. Thus, in order not merely to justify the possibility of synthetic a priori knowledge, but also to allow the application of such knowledge to reach the facts themselves, actuality as such, the “well-groundedness” of the critical project requires some re-direction from Maimon. To do this, Maimon renders Kantian transcendental conditions truly genetic. (shrink)

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ABSTRACTInitial evaluations generalise to new contexts, whereas counter-attitudinal evaluations are context-specific. Counter-attitudinal information may not change evaluations in new contexts beca...

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This article examines neuroleptics in relation to the histories of biopsychiatry and neoliberalism in the United States. Drawing from Foucault's concept of biopower, I contend that neuroleptics are socially constructed as a mechanism to address underlying biological illnesses in order to achieve neoliberal subjectivity for mad/disabled people. I then argue this biopsychiatric and neoliberal construct dominates services with the expressed goal of creating people who self‐govern their own drug consumption. This, however, contrasts with accounts that depict intersubjective balancing acts between (...) treatment providers and mad/disabled people, who must incorporate the various effects of psychoactive drugs beyond measures of rehabilitation. In doing so, I advocate for new lines of psychological inquiry that critically examine the structural determinants of poverty and the underlying constructions of citizenship and wellness. (shrink)

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The pursuit of health is one of the most basic and prevalent concerns of humanity. In order to better attain and preserve health, a fundamental and unified description of the concept is required. Using Paul Tillich's ontological framework, I introduce a complete characterization of health and disease is that is useful to the philosophy of medicine and for health-care workers. Health cannot be understood merely as proper functioning of the physical body or of the separated levels of body, mind, and (...) soul. Rather, the multidimensional unity that is the essence of human life requires a new understanding of health as balanced self-integration within the multiple human dimensions. The ontological description of health and disease has concrete implications for how health-care workers should approach healing. It calls for a multidimensional approach to healing in which particular healing is needed and helpful if it considers the other realms of the human. It reveals the importance of accepting limited health as well as the value of faith understood as an ultimate concern because of its ability to wholly integrate the person. (shrink)

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Recent global events demonstrate that analytical frameworks to aid professionals in healthcare ethics must consider the pervasive role of social structures in the emergence of bioethical issues. To address this, the authors propose a new sociologically informed approach to healthcare ethics that they term “social bioethics.” Their approach is animated by the interpretive social sciences to highlight how social structures operate vis-à-vis the everyday practices and moral reasoning of individuals, a phenomenon known as social discourse. As an exemplar, the authors (...) use social bioethics to reframe common ethical issues in psychiatric services and discuss potential implications. Lastly, the authors discuss how social bioethics illuminates the ways healthcare ethics consultants in both policy and clinical decision-making participate in and shape broader social, political, and economic systems, which then cyclically informs the design and delivery of healthcare. (shrink)

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This paper challenges the typical function of narrative in the medical humanities to advocate for a medical posthumanities: an approach that destabilizes the centrality of "the human" and instead embraces patient narratives that are embodied, fragmented, and provisional. To make this claim, we first challenge the stability of the “humanity” described in the “medical humanities” and reiterated in the genre that we call “the medical romance.” In this genre, illness and suffering destabilize a sense of identity and coherence, which is (...) then restored through introspection and interpretation of the patient narrative. To challenge this genre, we turn to surface reading, a literary studies technique that sees traditional interpretation as too hurriedly foreclosing on meaning. Through a close reading of Franz Kafka’s The Trial and Henrik Ibsen’s Hedda Gabler, we demonstrate both what surface reading looks like and also how it embraces generic and interpretive instability. Finally, we focus this approach to narrative on physician-assisted suicide (PAS), particularly attending to PAS and disability, to argue that both medical romance and its entailed traditional narrative interpretation overvalue “the human” as an agential individual seeking a “good death.” This at once affirms the tendency to encourage the allegedly meaningful death of disabled people by PAS, and also excludes from narrative focus the structural and environmental sources of suffering. The medical posthumanities, in its attention to embodiment, networks, environment, and the decentralizing of individual agents, would better make room for patient narratives that value the messiness and interconnectedness of lived experience. (shrink)

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This paper transforms elements of Hegel’s thought into antiracism through the work of James Baldwin in three Acts. Act One offers a Hegelian Account of Honesty that is structurally inspired by “conscience” from his Phenomenology of Spirit. Honesty has two, seemingly paradoxical, dimensions. To address the unacknowledged whiteness in Hegel, we turn to Baldwin in Act Two. Baldwin deepens and problematizes Hegelian Honesty through a conceptual diagnosis of “double misrecognition”: the first is the misrecognition of Blackness as inferior, the second (...) is the misrecognition of whiteness as superior. Act Three articulates how the structure of whiteness forecloses Schuld and shame by connecting this dual foreclosure to the two dimensions of Hegelian honesty and Baldwin’s diagnosis of double misrecognition. We conclude by formulating a sketch of “antiracist idealism” as version of what the Germans call Vergangenheitsaufarbeitung, that is, doing the hard, uncomfortable labor of comprehending how the present is not separate from but completely composed of old scars, wounds, violence, and atrocities. Antiracist idealism enables us to both learn from yet also challenge canonical idealism through contemporary forms of antiracism. (shrink)

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This is a short story about vision, thought, and contradiction and the role they play in the first half of Hegel's Science of Logic. The Logic begins with a descent, in this case, the fall from Being into Nothingness. Later, at nearly the exact middle of each text, there is a certain paradox in which everything is at stake, the category of contradiction. At this exact moment, thinking both fails and is birthed anew in a speculative guise. In this section, (...) we engage some of Analytic philosophy's influential interpretations of Hegel's strange use of contradiction. In order to get there, we turn to a curious art work, James Turrell's Pleiades, as an aesthetic example of that first fall. We will then progress through the text, with thought and vision as our dual guide, at quite a quick pace, not slowing down until we enter Hegel's story of contradiction, where I will show the explosive nature of contradiction. This will allow us to see how Hegel harnesses the power of contradiction in order to generate the second half of the story of the Science of Logic. I begin with the descent of being into nothingness, the moment when darkness. (shrink)

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“Towards the end of a sultry afternoon early in July a young man came out of his little room in Stolyarny Lane and turned and in the direction of Kameny Bridge in central St. Petersburg.”[1] Right then, this young man, a former law student named Rodion Raskolnikov, is caught in an agonizing conversation with himself over whether or not to commit the ultimate crime: to murder an innocent person. Exasperated, wondering what to do with such a weighty decision, he cried (...) aloud, “that’s why I don’t act, because I am always talking. Or perhaps I talk so much just because I can’t act.”[2] On this occasion, he decided not to actualize his thoughts, and so kept on pondering. A little later, as he wandered through the dusty streets of the lively St. Petersburg public market, the young man again relapses into contemplation of the character of his existence, its worth, and its meaning. If he ever did decide to commit such evil, the act would determine what kind of man he is. It is a question of the movement from thought to action... (shrink)

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: In recent literature supporting a hybrid view between metaethical cognitivism and noncognitivist expressivism, much has been made of an analogy between moral terms and pejoratives. The analogy is based on the plausible idea that pejorative slurs are used to express both a descriptive belief and a negative attitude. The analogy looks promising insofar as it encourages the kinds of features we should want from a hybrid expressivist view for moral language. But the analogy between moral terms and pejorative slurs (...) is also problematic. In this paper, I argue for two main ways in which we should distinguish between two different types of pejorative terms: slurs, on the one hand, and what I call general pejorative terms, on the other. I examine the problems with the analogy between slurs and moral terms and conclude that general pejorative terms like ‘jerk’ are a better candidate on which to model the potential dual-use behavior of moral terms. So if hybrid theorists are looking for a dual-use model for moral language, they should be careful to base their analogies on general pejoratives, rather than slurs. (shrink)

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This essay returns to John Brown’s so-called Raid on Harpers Ferry and his plan to build a mountain guerilla wing of the Underground Railroad through the Appalachian Mountains in order to theorize a concept of sabotage. Learning from the Haitians and other militant and enslaved rebellions, Brown seems to have interpreted American chattel slavery infrastructurally, which meant the key to abolition was the militant sabotage of the infrastructural racism and oppression.

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In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.4 (2001) 322-334 [Access article in PDF] From Mysticism to Skepticism: Stylistic Reform inSeventeenth-century British Philosophy and RhetoricRyan J. Stark The idea of stylistic plainness captured the imaginations of philosophers in the seventeenth century. Francis Bacon's early attacks on "sweet falling clauses" and Thomas Sprat's invectives against "swellings of style" are especially quotable, and have been cited often by scholars from R. F. Jones (...) to Ian Robinson as evidence that a new attitude toward style emerged in the seventeenth century in conjunction with the new science. Still, even Robinson, who acknowledges the scientific influence on prose, cannot reconcile the plain style ideology with the less-than-sparse styles of the plain style advocates themselves. "The paradox," Robinson notes, "is that Sprat's language is itself imaginative and rhetorical," adding that Sprat denounced "the imagination... in a quite strongly imaginative way" with his "anti-rhetorical rhetoric" (160). This problem leads Robinson to charge that Sprat, Joseph Glanville, Bishop John Wilkins, and the other plain style advocates contradicted themselves by using highly metaphorical styles to criticize metaphorical styles, or were hypocrites in a stronger phrasing, even "painted hypocrites," to borrow a metaphor from one of Wilkins's complaints against metaphorical language.I will address this persistent argument that members of the Royal Society contradicted themselves by using elaborate metaphors to denounce elaborate metaphors, calling into question the very premise of the plain style mandates. The fact that members of the Royal Society continued to use figurative language in their writings is irrelevant. The plain style advocates did not attempt to remove figurative language from all discourses, or even scientific discourses. 1 "Plainness," instead, denotes a lack of occult influence in language. This forgotten philosophical meaning of "plainness" shows clearly that the plain style advocates did not share an antipathy toward ornamental styles, as is often suggested; rather, they shared an antipathy toward entelechial conceptions of style. The Royal Society's [End Page 322] arguments against obscure styles are arguments against the assumptions of a magical worldview, that enchanted cosmos occupied by Faustus and Macbeth, not arguments against any specific type of sentence structure or kind of metaphor. Technical issues of grammar and syntax played a minor role in these stylistic debates. In an ontological sense, the plain style advocates from Bacon to Sprat reconceptualized the very nature of linguistic form. This reconceptualization is best described as a movement away from mystical understandings of style and toward skeptical understandings of style, and this shift from mysticism to skepticism marks the stylistic reformation in the seventeenth century. 1. Entelechies and ornaments Bacon complains famously against "tropes and figures," "sweet falling of clauses," and "watery writings" in an introductory section of The Advancement of Learning entitled "Discredits to Learning from the Follies of the Learned--Ciceronianism, Scholasticism, Alchemy, and Natural Magic" (24-26). 2 Bacon includes a section for distempers of learning that do not fit neatly into categories, called "Other Errors of Learned Men Which Hinder the Progress and Credit of Learning." The coupling of these styles with alchemy and natural magic is not incidental. Bacon and the subsequent plain style advocates of the Royal Society target Ciceronian and scholastic styles specifically because of their strange cosmic elements, not because of their grammatical structures. For the new scientists, these vital styles recall a mystical worldview full of celestial influences, magical emblems, oneiric visions, and attendant spirits. The introductory section of Bacon's Advancement of Learning codifies in the newly scientific community the negative association between mysterious styles (e.g., Ciceronian, Senecan, baroque, metaphysical) and various kinds of occult behavior. Perhaps more so than any other English text, Bacon's Advancement banishes those mystical high styles of the late Renaissance to the mists and shadows of the credulous past, as Cowley describes in his "Ode to the Royal Society," to the "Kingdom of Darkness and Night" in Pope's Dunciad, or to "the island of savage women and moonlight" in Tennyson's "Locksley Hall."In Sciri Tuum Nihil Est, Glanville defends the plain style programs... (shrink)

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There are two intriguing paradoxes in molecular biology-the inconsistent relationship between organismal complexity and (1) cellular DNA content and (2) the number of protein-coding genes-referred to as the C-value and G-value paradoxes, respectively. The C-value paradox may be largely explained by varying ploidy. The G-value paradox is more problematic, as the extent of protein coding sequence remains relatively static over a wide range of developmental complexity. We show by analysis of sequenced genomes that the relative amount of non-protein-coding sequence increases (...) consistently with complexity. We also show that the distribution of introns in complex organisms is non-random. Genes composed of large amounts of intronic sequence are significantly overrepresented amongst genes that are highly expressed in the nervous system, and amongst genes downregulated in embryonic stem cells and cancers. We suggest that the informational paradox in complex organisms may be explained by the expansion of cis-acting regulatory elements and genes specifying trans-acting non-protein-coding RNAs. (shrink)

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How do the intellect and will remain free while pursuing a life of virtue? This is where the question of prudence comes in. Is the practical wisdom of the prudent man founded upon some kind of innate or acquired instinct, or does it presuppose understanding of intellectually grasped basic principles? And if those principles are presupposed, is reason necessary for applying them in any given instance, or can one solely look to the rightly formed appetites acquired by moral virtue? In (...) answering these questions,Ryan J. Brady looks first and foremost to St. Thomas Aquinas and his ancient and modern interpreters. Brady's way of engaging the question of the interplay between the intellect and reason is by focusing on two apparently conflicting texts of St. Thomas Aquinas, one of which says that synderesis (the habit of the first principles of the practical intellect) appoints the end to the moral virtues and another which says prudence does. The author's conviction is that the correct way of reconciling the two texts not only establishes knowledge not only of the role of conscience, virtue, and natural law in the moral life but also provides insight into the profoundly complementary roles of reason and will within the context of a life of virtue. (shrink)

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As more and more news organizations shutter their comment sections, it is worth considering what they mean to journalism and to journalists. How do we explain their demise and i...

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It is often maintained that participants in inter-religious dialogue will benefit from increased access to other perspectives that deepens understanding of their own tradition and the traditions of others, but this is rarely examined empirically and with attention to bringing the human sciences into conversation with theological thinking about dialogue. Drawing on theory and methods from social network analysis, this research conceptualized inter-religious dialogue as a communication network and investigated the impact of differences in access to communication flows on dialogue (...) participants. Interviews with those most connected and those least connected showed differences in the characterization of dialogue experiences, relationships to the home community, and the ability to recognize similarities and differences and to engage in perspective-taking. Hubs were more freely able to migrate into the experiences and practices of the dialogue partners tradition, while being rooted in their home tradition. This research highlights the importance of the network perspective for studying dialogue as a relational and community practice and offers a description of the unique experiences and capacities of network hubs situated in the middle. It also underscores the way in which theological and human scientific analyses can interact in a complementary and enriching way. (shrink)

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I argue that Roger Ascham was a more vehement Protestant that is ordinarily assumed. Inheriting from the Reformation notions of apocalypse, Catholic witchcraft, and mass demonic possession, Ascham teaches English eloquence primarily so that students might defend themselves against the Devil's and Rome's rhetoric before the world ends, for the sake of their own salvation as well as England’s. More broadly, I demonstrate that scholars require a neglected theological category—eschatology—in order adequately to discuss the rise of modern English eloquence.

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This paper begins with a pressing question for contemporary philosophy: What does it mean to read Spinoza’s Ethics today? Before we can address this particular question, we pose another, one possibly prior, question. The question is situated within Spinozism itself. It asks, ‘What does it mean to read, for Spinoza?’ Given Spinoza’s commitment to the theory of parallelism, reading affects both the body and the mind. We first show how an explicit formulation of the three kinds of material bodies allows (...) us to understand the process by which the meaning of a text can affect the body of the reader. We then show how the three kinds of knowledge evince the order in which textual meaning can affect the mind of the reader. We then claim that these tripartite orders map directly onto each other. After demonstrating the structural parallelism at the corporeal and cognitive levels, we return to further characterize the nature of the meaning of the meaning of a text in order to understand what it means to read, for Spinoza. We conclude with an observation about the necessary interrelatedness of metaphysics and ethics. (shrink)

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This book reimagines and recasts the reception of Hegel and German philosophy in the nineteenth and twentieth centuries from the margins of academia through a triple archival recovery of three seminal yet overlooked American philosophers.

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In the wake of injustices in healthcare, the field of clinical ethics consultation would benefit from new methods that support ethicists in addressing the role of intersecting systems of oppression in healthcare decision-making.1 We argue for an expanded view of Delany and colleagues’ critical dialogue method to accomplish this by integrating a constructivist lens.2 By doing so, critical dialogue holds the potential to not only encourage a deeper examination of operating moral assumptions but also offers an important framework for examining (...) how underlying social structures shape ethical reasoning in clinical cases.3 As a first step in consultation methods, ethicists are often encouraged to solicit the viewpoints of treatment teams. Taking a constructivist viewpoint, these encounters can reveal to ethicists the narratives that teams share, which are iteratively developed through patient and treatment team interactions, and play a central role in how teams interpret cases. Further, consider that concepts in clinical ethics cases can directly contribute to the characterisation of patients by treatment teams, such as decisional capacity or agreeableness to care. In this regard, how treatment teams frame ethical concerns is not necessarily a direct reflection of the core issues; rather, their interpretations are partially rooted in narratives about patients and the interpersonal dynamics through …. (shrink)

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I summarize recent discussion in this journal and in Woolcock(1999) of the relevance of evolution to the question of thereality of moral rightness and wrongness. I show thata satisfactory version of Ruse-type evolutionaryethics has been adequately defended.

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In lieu of an abstract, here is a brief excerpt of the content:Some Aspects of Christian Mystical Rhetoric, Philosophy, and PoetryRyan J. StarkThis is an article about poets and poetic philosophers who make spirited arguments. My purpose in particular is to clarify the nature of mystical rhetoric, which needs to be distinguished from secular rhetoric (i.e., “secular” as nonspiritual). As ways of existing in language, they are ontologically incommensurable, and we should treat them as such. Mystical rhetoric is that into (...) which Spirit enters, conveying to both writer and reader some aspect of providential kairos that cannot otherwise be attained. That is, God completes mystical inferences. God participates, illuminating the hearts of those who open themselves to grace through faith. Or, in other words, writers and readers who want to enter into numinous arguments must shelve the hermeneutics of suspicion. An overly critical stance actually diminishes the possibility of insight, even if it is well intended, much like nervous backseat driving, which—though aimed at producing safety—inevitably works against it. I am not suggesting, however, that skeptics are at a complete loss when approaching mystical rhetorical situations. Rather, they simply do not grasp the metaphysical, enchanted, or occult dimensions of the discourses at work, because they have closed themselves off to Spirit or—more commonly—have attempted to transmogrify Spirit into secular concepts, which distorts spirited language and leads to mischaracterizations of religious experience.1 In contrast, I provide a Christian approach to [End Page 260] mystical rhetoric, one that neither discounts nor sidesteps the real presence of the supernatural.Inspired Rhetoric and HermeneuticsFuror poeticus is a key element of mystical persuasion. The phrase literally means “poetical fury,” and the idea behind it in a Christian framework is that the Holy Spirit aids writers in creating imaginative texts (e.g., sonnets, sermons, essays, novels, blogs, etc.) or, in pernicious instances, demons aid writers.2 In either case, a mysterious force helps the author to compose. Moreover, furor touches readers or listeners, a point seldom emphasized but nonetheless central to this sublime practice of composition. Inspired writing requires inspired reading: furor poeticus needs furor lectoris.3 The Spirit aids readers in understanding mystical rhetoric, as long as those readers participate earnestly in the discourse. John Milton (1674, 7.31), for example, famously envisions such a “fit audience” in the third invocation to the Muse in Paradise Lost (i.e., the “great Argument”), where he calls on the reader for hermeneutical verve, a spirited reading to complement his enthusiastic writing. Søren Kierkegaard also writes to an audience capable of spiritually minded hermeneutics, allowing him to perform various edifying dissimulations through pseudonyms: the despairing aesthete, the unscrupulous seducer, the rigid moralist, and so forth. These inspired writers expect believing readers to contribute to their works, to complete their disputations, in fact, through spirited exegesis. Their methods of composition demand it, which is to say that writers touched by furor leave little room in their arguments for the sustainable disposition of the uninspired reader.Cicero explains spirited rhetoric and hermeneutics in De divinatione, where Quintus talks about how inspired readers experience the same type of furor as inspired writers, seers, and prophets: “Men capable of correctly interpreting all these signs of the future seem to approach very near the divine spirit of the gods whose will they interpret, just as scholars do when they interpret the poets” (1938, 226). Scholarship, in other words, is capable of tapping into mystical energy, making the scholars as prophetic as the vates on which they write. In the second book of On Christian Doctrine (1958, 75–78), Augustine also explains the importance of mystical exegesis as a form of prophecy, where sincere readers undergo the same type of inspiration as mystical writers. For Augustine, spirited reading begins with prayer and ends with revelation. In both accounts of furor, Cicero’s and Augustine’s, [End Page 261] the inspired audience and the inspired writer together experience rapture, a divine vision or illumination, which is precisely the type of communion that occurs during mystical discourses.4Still, the idea of seeking communion with God is potentially unsettling. The notion produces anxieties of psychosis, possession, and self-erasure. Plato famously expresses such concerns in Ion, for example... (shrink)

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While many of the most important figures in the history of philosophy have employed the concept of the simulacrum in one way or another, a detailed study of this usage has yet to be written. In this essay, I will attempt to tell the story of a sequence in that history of that usage, by focusing on one of Deleuze's case studies of the concept of the simulacrum. To do so, I will focus primarily on one the appendices to The (...) Logic of Sense: ‘Lucretius and the Simulacrum’. In order to understand what I will call the Deleuze–Lucretius encounter, I will proceed as follows. After a few initial guiding remarks regarding the general project of the ‘inversion of Platonism’, we will outline some of the most fundamental features of atomistic physics. This will allow us to discuss Lucretius’ thoughts on the clinamen, the swerve. This, in turn, leads directly to the concept of the simulacrum. With such a picture of Lucretian physics in hand, I will pivot to a discussion of Lucretius’ ethics. The ethics consists of a critique of superstition in terms of a general project of demystification. Although this sequence will concentrate mostly on what became one of the appendices to The Logic of Sense, I will end by looking at the more general usage of Lucretian atomism, especially as it functions in Difference and Repetition and The Logic of Sense. (shrink)

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This volume of 18 essays shows how leading philosophers address the problems of ancient metaphysics: one and the many, the potential and the actual, the material and immaterial, the divine and the world itself. Includes three original and previously unpublished translations of texts by Gilles Deleuze, Pierre Aubenque and Barbara Cassin.

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