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  1.  143
    Hegel's idealism: the satisfactions of self-consciousness.Robert B. Pippin -1989 - New York:
    This is the most important book on Hegel to have appeared in the past ten years. The author offers a completely new interpretation of Hegel's idealism that focuses on Hegel's appropriation and development of Kant's theoretical project. Hegel is presented neither as a pre-critical metaphysician nor as a social theorist, but as a critical philosopher whose disagreements with Kant, especially on the issue of intuitions, enrich the idealist arguments against empiricism, realism, and naturalism. In the face of the dismissal of (...) absolute idealism as either unintelligible or implausible, Pippin explains and defends an original account of the philosophical basis for Hegel's claims about the historical and social nature of self-consciousness and of knowledge itself. (shrink)
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  2.  178
    Hegel’s Practical Philosophy – Rational Agency as Ethical Life.Robert B. Pippin -2008 - New York: Cambridge University Press.
    This fresh and original book argues that the central questions in Hegel's practical philosophy are the central questions in modern accounts of freedom: What is freedom, or what would it be to act freely? Is it possible so to act? And how important is leading a free life? Robert Pippin argues that the core of Hegel's answers is a social theory of agency, the view that agency is not exclusively a matter of the self-relation and self-determination of an individual but (...) requires the right sort of engagement with and recognition by others. Using a detailed analysis of key Hegelian texts, he develops this interpretation to reveal the bearing of Hegel's claims on many contemporary issues, including much-discussed core problems in the liberal democratic tradition. His important study will be valuable for all readers who are interested in Hegel's philosophy and in the modern problems of agency and freedom. (shrink)
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  3.  70
    Hegel’s Practical Philosophy.Robert Pippin -2008 -Graduate Faculty Philosophy Journal 31 (2):423-441.
  4.  159
    Kant’s Theory of Form: An Essay on the Critique of Pure Reason.Robert B. Pippin -1982 - Yale University Press.
  5.  51
    Idealism as Modernism: Hegelian Variations.Robert B. Pippin -1997 - New York: Cambridge University Press.
    'Modernity' has come to refer both to a contested historical category and to an even more contested philosophical and civilisational ideal. In this important collection of essays Robert Pippin takes issue with some prominent assessments of what is or is not philosophically at stake in the idea of a modern revolution in Western civilisation, and presents an alternative view. Professor Pippin disputes many traditional characterisations of the distinctiveness of modern philosophy. In their place he defends claims about agency, freedom, ethical (...) life and modernity itself, all of which are central to the German idealist philosophical tradition, and in particular, to the writings of Hegel. Having considered the Hegelian version of these issues the author explores other accounts as found in Habermas, Strauss, Blumenberg, Nietzsche, and Heidegger. (shrink)
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  6.  47
    Hegel’s Realm of Shadows: Logic as Metaphysics in “the Science of Logic”.Robert B. Pippin -2018 - Chicago: University of Chicago Press.
    Hegel frequently claimed that the heart of his entire system was a book widely regarded as among the most difficult in the history of philosophy, The Science of Logic. This is the book that presents his metaphysics, an enterprise that he insists can only be properly understood as a “logic,” or a “science of pure thinking.” Since he also wrote that the proper object of any such logic is pure thinking itself, it has always been unclear in just what sense (...) such a science could be a “metaphysics.” -/- Robert B. Pippin offers here a bold, original interpretation of Hegel’s claim that only now, after Kant’s critical breakthrough in philosophy, can we understand how logic can be a metaphysics. Pippin addresses Hegel’s deep, constant reliance on Aristotle’s conception of metaphysics, the difference between Hegel’s project and modern rationalist metaphysics, and the links between the “logic as metaphysics” claim and modern developments in the philosophy of logic. Pippin goes on to explore many other facets of Hegel’s thought, including the significance for a philosophical logic of the self-conscious character of thought, the dynamism of reason in Kant and Hegel, life as a logical category, and what Hegel might mean by the unity of the idea of the true and the idea of the good in the “Absolute Idea.” The culmination of Pippin’s work on Hegel and German idealism, no Hegel scholar or historian of philosophy will want to miss this book. (shrink)
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  7.  94
    Hegel on Self-Consciousness: Desire and Death in the Phenomenology of Spirit.Robert B. Pippin -2010 - Princeton University Press.
    In the most influential chapter of his most important philosophical work, the Phenomenology of Spirit, Hegel makes the central and disarming assertions that "self-consciousness is desire itself" and that it attains its "satisfaction" only in another self-consciousness. Hegel on Self-Consciousness presents a groundbreaking new interpretation of these revolutionary claims, tracing their roots to Kant's philosophy and demonstrating their continued relevance for contemporary thought. As Robert Pippin shows, Hegel argues that we must understand Kant's account of the self-conscious nature of consciousness (...) as a claim in practical philosophy, and that therefore we need radically different views of human sentience, the conditions of our knowledge of the world, and the social nature of subjectivity and normativity. Pippin explains why this chapter of Hegel's Phenomenology should be seen as the basis of much later continental philosophy and the Marxist, neo-Marxist, and critical-theory traditions. He also contrasts his own interpretation of Hegel's assertions with influential interpretations of the chapter put forward by philosophers John McDowell and Robert Brandom. (shrink)
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  8.  106
    Modernism as a Philosophical Problem: On the Dissatisfactions of European High Culture.Robert B. Pippin -1991 - Malden, Mass.: Wiley-Blackwell.
  9.  257
    Kant on the Spontaneity of Mind.Robert B. Pippin -1987 -Canadian Journal of Philosophy 17 (2):449 - 475.
    In the Critique of Pure Reason, Kant refers often and with no apparent hesitation or sense of ambiguity to the mind. He does so not only in his justly famous destruction of rationalist proofs of immaterialism, but throughout his own, positive, ‘transcendental’ account in the Transcendental Aesthetic and Transcendental Analytic. In the first edition of the Critique, he even proposed what he adventurously called a ‘transcendental psychology’ and, although this strange discipline seemed to disappear in the second edition, he left (...) in that edition all his frequent references to forms ‘lying in the mind,’ and to the mind, or the self, or the subject of experience, or the ego, doing this or that. Curiously, though, despite an extensive secondary literature, there is in that literature relatively little discussion of what these expressions, in a proper, strictly Kantian sense, are supposed to refer to. There are two imaginative, extremely suggestive articles by Sellars, some hints at connections with eighteenth century psychology offered by Weldon, a tenebrous book by Heidemann, and some recent attention to the general issue of ‘Kant's theory of mind’ by Ameriks and Kitcher. (shrink)
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  10. Kant’s Theory of Form: An Essay on the Critique of Pure Reason.Robert B. Pippin -1982 -Tijdschrift Voor Filosofie 47 (3):515-516.
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  11.  65
    The Persistence of Subjectivity: On the Kantian Aftermath.Robert B. Pippin -2005 - New York: Cambridge University Press.
    The Persistence of Subjectivity examines several approaches to, and critiques of, the core notion in the self-understanding and legitimation of the modern, 'bourgeois' form of life: the free, reflective, self-determining subject. Since it is a relatively recent historical development that human beings think of themselves as individual centers of agency, and that one's entitlement to such a self-determining life is absolutely valuable, the issue at stake also involves the question of the historical location of philosophy. What might it mean to (...) take seriously Hegel's claim that philosophical reflection is always reflection on the historical 'actuality' of its own age? Discussing Heidegger, Gadamer, Adorno, Leo Strauss, Manfred Frank, and John McDowell, Robert Pippin attempts to understand how subjectivity arises in contemporary institutional practices such as medicine, as well as in other contexts such as modernism in the visual arts and in the novels of Marcel Proust. (shrink)
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  12.  124
    Subjects of Desire: Hegelian Reflections in Twentieth Century France.Robert B. Pippin &Judith P. Butler -1990 -Philosophical Review 99 (1):129.
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  13.  72
    Nietzsche, Psychology, and First Philosophy.Robert B. Pippin -2010 - University of Chicago Press.
    Friedrich Nietzsche is one of the most elusive thinkers in the philosophical tradition. His highly unusual style and insistence on what remains hidden or unsaid in his writing make pinning him to a particular position tricky. Nonetheless, certain readings of his work have become standard and influential. In this major new interpretation of Nietzsche’s work, Robert B. Pippin challenges various traditional views of Nietzsche, taking him at his word when he says that his writing can best be understood as a (...) kind of psychology. Pippin traces this idea of Nietzsche as a psychologist to his admiration for the French moralists: La Rochefoucauld, Pascal, Stendhal, and especially Montaigne. In distinction from philosophers, Pippin shows, these writers avoided grand metaphysical theories in favor of reflections on life as lived and experienced. Aligning himself with this project, Nietzsche sought to make psychology “the queen of the sciences” and the “path to the fundamental problems.” Pippin contends that Nietzsche’s singular prose was an essential part of this goal, and so he organizes the book around four of Nietzsche’s most important images and metaphors: that truth could be a woman, that a science could be gay, that God could have died, and that an agent is as much one with his act as lightning is with its flash. Expanded from a series of lectures Pippin delivered at the Collège de France, _Nietzsche, Psychology, and First Philosophy_ offers a brilliant, novel, and accessible reading of this seminal thinker. (shrink)
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  14.  28
    Filmed Thought: Cinema as Reflective Form.Robert B. Pippin -2019 - University of Chicago Press.
    With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, core (...) features and problems of shared human life. Filmed Thought examines questions of morality in Almodóvar’s Talk to Her, goodness and naïveté in Hitchcock’s Shadow of a Doubt, love and fantasy in Sirk’s All That Heaven Allows, politics and society in Polanski’s Chinatown and Malick’s The Thin Red Line, and self-understanding and understanding others in Nicholas Ray’s In a Lonely Place and in the Dardennes brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human. (shrink)
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  15.  66
    The culmination: Heidegger, German idealism, and the fate of philosophy.Robert B. Pippin -2024 - London: University of Chicago Press.
    Heidegger claimed that Western philosophy ended, failed even, in the German Idealist tradition. In The Culmination, Robert B. Pippin explores the ramifications of this charge through a masterful survey of Western philosophy, especially Heidegger's critiques of Hegel and Kant. Pippin argues that Heidegger's basic concern was to determine sources of meaning for human life, particularly those that had been obscured by Western philosophy's attention to reason. The Culmination offers a new interpretation of Heidegger, German Idealism, and the fate of Western (...) rationalism. (shrink)
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  16.  11
    After the Beautiful: Hegel and the Philosophy of Pictorial Modernism.Robert B. Pippin -2013 - London: University of Chicago Press.
    Philosophy and painting: Hegel and Manet -- Politics and ontology: Clark and Fried -- Art and truth: Heidegger and Hegel.
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  17.  216
    What is the question for which Hegel's theory of recognition is the answer?Robert B. Pippin -2000 -European Journal of Philosophy 8 (2):155–172.
  18.  311
    Brandom's Hegel.Robert B. Pippin -2005 -European Journal of Philosophy 13 (3):381–408.
  19.  94
    Idealism and the Problem of Finitude: Heidegger and Hegel.Robert B. Pippin -2022 - In Jure Simoniti & Gregor Kroupa,Ideas and Idealism in Philosophy. Boston: De Gruyter. pp. 127-150.
  20.  54
    Against Literary Darwinism.Françoise Meltzer,Anca Parvulescu,Robert B. Pippin,Chris Dumas,Ariella Azoulay,Jan De Vos &Jonathan Kramnick -2011 -Critical Inquiry 37 (2):315-347.
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  21.  220
    (1 other version)The Schematism and Empirical Concepts.Robert B. Pippin -1976 -Kant Studien 67 (1-4):156-171.
  22. Mine and thine? The Kantian state.Robert B. Pippin -2006 - In Paul Guyer,The Cambridge Companion to Kant and Modern Philosophy. New York: Cambridge University Press. pp. 416--446.
  23. Leaving Nature Behind.Robert Pippin -2002 - In Nicholas Hugh Smith,Reading McDowell: On Mind and World. New York: Routledge. pp. 58--75.
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  24. Modernism as a Philosophical Problem. On the Dissatisfactions of European High Culture, 2e éd.Robert B. Pippin -2002 -Revue Philosophique de la France Et de l'Etranger 192 (1):114-115.
     
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  25. Back to Hegel?Robert Pippin -2012 -Mediations 26 (1-2).
    Robert Pippin reviews Slavoj Žižek’s Less than Nothing, a serious attempt to re-actualize Hegel in the light of Lacanian metapsychology. But does Žižek’s attempt to think Hegel with Lacan produce, as Žižek hopes, a political figuration adequate to the present? Or does it land us rather in the Hegelian zoo, along with such well-known specimens as the Beautiful Soul, the Unhappy Consciousness, and The Knight of Virtue?
     
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  26.  330
    Authenticity in Painting: Remarks on Michael Fried’s Art History.Michael Fried,Robert Pippin,Michel Chaouli,Stefan Andriopoulos,Richard Menke,Carlo Ginzburg,Dragan Kujundzic,Jacques Derrida &J. Hillis Miller -2005 -Critical Inquiry 31 (3):575.
    My topic is authenticity in or perhaps as painting, not the authenticity of paintings; I know next to nothing about the problem of verifying claims of authorship. I am interested in another kind of genuineness and fraudulence, the kind at issue when we say of a person that he or she is false, not genuine, inauthentic, lacks integrity, and, especially when we say he or she is playing to the crowd, playing for effect, or is a poseur. These are not (...) quite moral distinctions (no one has a duty to be authentic), but they are robustly normative appraisals, applicable even when such falseness is not a case of straight hypocrisy but of lack of self-knowledge or of self-deceit. (A person can be quite sincere and not realize the extent of her submission to the other’s expectations and demands.) This sort of appraisal also has a long history in post-Rousseauist reflections on the dangers of uniquely modern forms of social dependence, and they are prominent worries in the modern novel. (shrink)
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  27.  23
    Philosophy by other means: the arts in philosophy and philosophy in the arts.Robert B. Pippin -2021 - London: University of Chicago Press.
    The relationship between philosophy and aesthetic criticism has occupied Robert Pippin throughout his illustrious career. Whether discussing film, literature, or modern and contemporary art, Pippin's claim is that we cannot understand aesthetic objects unless we reckon with the fact that some distinct philosophical issue is integral to their meaning. In his latest offering, Philosophy by Other Means, we are treated to a collection of essays that builds on this larger project, offering profound ruminations on philosophical issues in aesthetics along with (...) revelatory readings of Henry James, Marcel Proust, and J. M. Coetzee. (shrink)
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  28.  30
    Interanimations: Receiving Modern German Philosophy.Robert B. Pippin -2015 - London: University of Chicago Press.
    In this latest book, renowned philosopher and scholar Robert B. Pippin offers the thought-provoking argument that the study of historical figures is not only an interpretation and explication of their views, but can be understood as a form of philosophy itself. In doing so, he reconceives philosophical scholarship as a kind of network of philosophical interanimations, one in which major positions in the history of philosophy, when they are themselves properly understood within their own historical context, form philosophy’s lingua franca. (...) Examining a number of philosophers to explore the nature of this interanimation, he presents an illuminating assortment of especially thoughtful examples of historical commentary that powerfully enact philosophy. After opening up his territory with an initial discussion of contemporary revisionist readings of Kant’s moral theory, Pippin sets his sights on his main objects of interest: Hegel and Nietzsche. Through them, however, he offers what few others could: an astonishing synthesis of an immense and diverse set of thinkers and traditions. Deploying an almost dialogical, conversational approach, he pursues patterns of thought that both shape and, importantly, connect the major traditions: neo-Aristotelian, analytic, continental, and postmodern, bringing the likes of Heidegger, Honneth, MacIntyre, McDowell, Brandom, Strauss, Williams, and Žižek—not to mention Hegel and Nietzsche— into the same philosophical conversation. By means of these case studies, Pippin mounts an impressive argument about a relatively under discussed issue in professional philosophy—the bearing of work in the history of philosophy on philosophy itself—and thereby he argues for the controversial thesis that no strict separation between the domains is defensible. (shrink)
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  29. Concept and intuition. On distinguishability and separability.Robert B. Pippin -2005 -Hegel-Studien 39:25-39.
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  30.  107
    Hegel's Dialectic: The Explanation of Possibility.Robert B. Pippin &Terry Pinkard -1991 -Philosophical Review 100 (4):710.
  31. Fichte's Alleged Subjective, Psychological, One-Sided Idealism.Robert B. Pippin -2000 - In Sally S. Sedgwick,The Reception of Kant's Critical Philosophy: Fichte, Schelling, and Hegel. New York: Cambridge University Press. pp. 147--170.
  32.  56
    Reading Hegel.Robert Pippin -2018 -Australasian Philosophical Review 2 (4):365-382.
    The project defended in this article is a forty-plus year attempt to argue for the continuing philosophical importance of the positions in theoretical and practical and aesthetic philosophy defended in what has come to be known as ‘German Idealism’ (or ‘post-Kantian German philosophy.’) For the most part this has concerned Kant, Fichte, Schelling, Hegel, and the relations among them, with most of the attention focused on Hegel. The Hegel interpretation has been criticized for its claim about the influence of Kant (...) on Hegel’s account of apperceptive judgment, for the nature of the idealism ascribed to Hegel, and for the Kantian-Hegelian insistence on the autonomy and self-grounding authority of pure reason. The interpretation of Hegel’s practical philosophy has been criticized for defending an excessively social theory of agency, and the theory of modernization ascribed to Hegel has been criticized for claiming that philosophy could and should have a historically diagnostic task. The interpretation of Hegel’s theory of art argues that elements of Hegel’s basic philosophical position puts one in the best position to understand the meaning and importance of post-Hegelian pictorial modernism, that his general approach can be of great value in understanding his claim that great art had become ‘a thing of the past.’ A clarification of these positions, and a brief case for their philosophical importance comprises the substance of this recapitulation. (shrink)
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  33.  128
    The Significance of Self‐Consciousness in Idealist Theories of Logic.Robert Pippin -2014 -Proceedings of the Aristotelian Society 114 (2pt2):145-166.
    Among Kant's innovations in the understanding of logic (‘general logic’) were his claims that logic had no content of its own, but was the form of the thought of any possible content, and that the unit of meaning, the truth-bearer, judgement, was essentially apperceptive. Judging was implicitly the consciousness of judging. This was for Kant a logical truth. This article traces the influence of the latter claim on Fichte, and, for most of the discussion, on Hegel. The aim is to (...) understand the relations among self-consciousness, reason and freedom in the idealist tradition. (shrink)
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  34.  361
    Hegel's social theory of agency : the 'inner-outer' problem.Robert B. Pippin -2010 - In Arto Laitinen & Constantine Sandis,Hegel on action. New York: Palgrave-Macmillan. pp. 3-50.
    The following is a chapter of a book and I should say something at the outset about the content of the book. The topic is Hegel’s “social theory of agency,” and that topic, given how the problem of agency is usually understood, raises the immediate question of why anyone would think that “sociality” would have anything at all to do with the “problem of agency.” That problem is understood in a number of ways; most generally – what distinguishes naturally occurring (...) events from actions (if anything)? (Sometimes the question is: what, if anything, distinguishes responsible human doings from what animals do?) The most prominent approach has it that actions are things done intentionally by individuals, purposely, for a purpose. This is sometimes said to mean: acting from or on or because of an intention, although as we shall see this nominalization can be quite misleading. Or, of the many possible descriptions of some occurrence, it is an action is there is a true description which is intentional. This is often taken to mean simply that if you ask a person why he is doing something he can express this intention to explain himself, most often in the form of a reason. He does not (except in extraordinary circumstances) describe why he is acting in the way he might describe what caused his.. (shrink)
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  35.  57
    Fatalism in American film noir: some cinematic philosophy.Robert B. Pippin -2012 - Charlottesville: University of Virginia Press.
    Introduction -- Trapped by oneself in Jacques Tourneur's Out of the past -- "A deliberate, intentional fool" in Orson Welles's The lady from Shanghai -- Sexual agency in Fritz Lang's Scarlet Street -- "Why didn't you shoot again, baby?": concluding remarks.
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  36.  96
    Naturalness and mindedness: Hegel' compatibilism.Robert B. Pippin -1999 -European Journal of Philosophy 7 (2):194–212.
    The problem of freedom in modern philosophy has three basic components: (i) what is freedom, or what would it be to act freely? (ii) Is it possible so to act? (iii) And how important is leading a free life?1 Hegel proposed unprecedented and highly controversial answers to these questions.
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  37.  127
    Hegel's metaphysics and the problem of contradiction.Robert B. Pippin -1978 -Journal of the History of Philosophy 16 (3):301-312.
  38.  48
    Hegel's Practical Philosophy: The Realization of Freedom'.Robert B. Pippin -2000 - In Karl Ameriks,The Cambridge companion to German idealism. New York: Cambridge University Press. pp. 180--199.
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  39.  120
    Kant's theory of value: On Allen wood's Kant's ethical thought.Robert B. Pippin -2000 -Inquiry: An Interdisciplinary Journal of Philosophy 43 (2):239 – 265.
  40. Natural and normative.Robert Pippin -unknown
    As a representative of the humanities, I understood my charge this afternoon to be to offer some sort of response to what is at the very least a book publishing or market phenomenon – the flood of recent books especially in the last decade by neuroscientists, primatologists, computer scientists, evolutionary biologists and economists about what had traditionally been considered issues in the humanities - issues like morality, politics, the nature of rationality, what makes a response to an object an aesthetic (...) response, and value theory - and the incorporation of such research methods by academics traditionally thought of as humanists. The organizers of our symposium have singled out for special attention the themes of autonomy, creativity and singularity, as these have come to be treated in these new interdisciplinary ways. I do not in any way count myself an expert in this emerging literature, but I do want to try to offer some initial and very general reasons to hesitate before jumping on this particular bandwagon. (shrink)
     
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  41. You can't get there from here: transition problems in Hegel's Phenomenology of Spirit.Robert Pippin -1993 - In Frederick C. Beiser,The Cambridge Companion to Hegel. New York: Cambridge University Press. pp. 52--85.
     
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  42. What is 'Conceptual Activity'?Robert Pippin -unknown
    One of the most discussed and disputed claims in John McDowell’s Mind and World is the claim that we should not think that in experience, “conceptual capacities are exercised on non-conceptual deliverances of sensibility.” Rather, “Conceptual capacities are already operative in the deliverances of sensibility themselves.” Such capacities are said to be operative, but not in the same way they are operative when the faculty of assertoric judgment is explicitly exercised. This position preserves the passivity and receptivity necessary for McDowell (...) to defend a picture of our thought as constrained by the world. (“The constraints come from outside thinking, but not from outside what is thinkable.”) And it maintains his Sellarsean criticism of the “Myth of the Given,” such that when we trace justification back we do not reach something that, because non-conceptual, could not play any role in such justification. The fact that the deliverances of sensibility are conceptually shaped (I will take this mean “have a conceptual form”) insures that sensibility can indeed play such a justificatory role in perceptual beliefs. (shrink)
     
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  43.  11
    Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy.Robert B. Pippin -2010 - Yale University Press.
    In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks’ _Red River_ and John Ford’s _The Man Who Shot Liberty Valance_ and _The Searchers._ Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expansion. His central question concerns how these films explore classical problems (...) in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state’s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected. Pippin’s account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy. (shrink)
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  44.  26
    (1 other version)What Was Abstract Art?Robert B. Pippin -2002 -Critical Inquiry 29 (1):1-24.
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  45.  219
    The significance of taste: Kant, aesthetic and reflective judgment.Robert B. Pippin -1996 -Journal of the History of Philosophy 34 (4):549-569.
    The Significance of Taste: Kant, Aesthetic and Reflective Judgment ROBERT B. PIPPIN 1? THE FUNDAMENTAL QUESTION of the "Analytic of the Beautiful" in the "Critique of Aesthetic Judgment" is easy enough to identify. On what basis, if any, could one claim some sort of universal a priori validity for judgments of the form, "This is beautiful"? In Kant's well-known analysis of this question, the issue is reformulated as: By what right could one claim that another person ought to feel pleasure (...) in the presence of certain objects? Let us call this the "basic question."' There is controversy enough about what Kant means by this basic question and how a deduction of the validity of such judgments is supposed to work. However, shortly after Kant began serious work on a "Critique of Taste" in ~787, the whole issue became even more complicated when the proposed work became a full-blown Critique of Judgment. The question of aesthetic judg- ment was presented within the new, larger topic of reflective judgment, was presumably thereby linked to the problem of teleological judgments, and so to the great general theme of the whole of the third Critique: the purposiveness I am grateful, for comments and criticisms, to Henry Allison, Volker Gerhardt, Rudolf Makkreel, Miles Rind, and to two anonymous referees for this journal. ' Kant's own formulation: "How is a judgment possible in which the subject, merely on the basis of his own feeling of pleasure in an object,.. (shrink)
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  46.  350
    Idealism and Agency in Kant and Hegel.Robert B. Pippin -1991 -Journal of Philosophy 88 (10):532-541.
  47. Finite and Absolute Idealism.Robert Pippin -2015 - In Sebastian Gardner & Matthew Grist,The Transcendental Turn. Oxford, GB: Oxford University Press UK.
    Any interpretation of Hegel which stresses both his deep dependence on and radical revision of Kant must account for the nature of the difference between what Hegel calls a merely finite idealism and a so-called ’Absolute Idealism’. Such a clarification in turn depends on understanding Hegel’s claim to have preserved the distinguishability of intuition and concept, but to have insisted on their inseparability, or, to have defended their ’organic’ rather than ’mechanical’ relation. This is the main issue in this chapter, (...) which invokes John McDowell’s notion of ’the unboundedness of the conceptual’ to clarify the issue, as well as noting a number of similar claims in Wittgenstein. The implications of Hegel’s view for the issues of metaphysics generally is explored. (shrink)
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  48.  65
    Hegel and Institutional Rationality.Robert B. Pippin -2001 -Southern Journal of Philosophy 39 (S1):1-25.
  49. Reason's Form.Robert Pippin -unknown
    The question of freedom in the modern German tradition is not just a metaphysical question. It concerns the status of a free life as a value, indeed, as they took to saying, the “absolute” value. A free life is of unconditional and incomparable and inestimable value, and it is the basis of the unique, and again, absolute, unqualifiable respect owed to any human person just as such. This certainly increases the pressure on anyone who espouses such a view to tell (...) us what a free life consists in. Kant’s famous answer is “autonomy,” where this means first or minimally freedom from external constraint, coercion and intimidation (“thinking for yourself”), but even more importantly, being in a certain specific sort of self-relation. I can only be said truly to be “ruling myself” when the considerations that determine what I do are reasons. But if, finally, in exercising reason I am merely rationally responsive to inclinations and desires and aversions, I am letting such contingent impulses “rule” my life, however strategically rational or hierarchically ordered my plans for satisfaction turn out to be. So, Kant concludes, I am only truly autonomous, self-ruling, when the one consideration of importance (that is, normatively authoritative) in what I do is, as he says so frequently if still mysteriously, the “ form of rationality” as such. The more familiar name for such a necessary condition of autonomy is the Categorical Imperative. To make clear that this subjection to the “form” of rationality counts as autonomy, Kant also insists that this moral law be understood as “self-legislated,” that we must be able to regard ourselves as its “author,” and that we are bound to such a law because we bind ourselves to it. (shrink)
     
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  50.  106
    The Modern World of Leo Strauss.Robert B. Pippin -1992 -Political Theory 20 (3):448-472.
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