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Richard Taft [12]Richard Tomlinson Taft [1]
  1.  75
    Heidegger and hölderlin: The over-usage of "poets in an impoverished time".Annemarie Gethmann-Siefert &Richard Taft -1989 -Research in Phenomenology 19 (1):59-88.
  2.  48
    Various tunings of thinking.Thomas Sheehan &Richard Taft -1983 -Research in Phenomenology 13 (1):211-219.
  3.  57
    Art and Philosophy in the Early Development of Hegel’s System.Richard Taft -1987 -The Owl of Minerva 18 (2):145-162.
    From his earliest writings as a student in the Evangelical Stift in Tübingen to the last years of his life as a professor in Berlin, art played a major role in Hegel’s various philosophical formulations. It is important to note, however, that although Hegel remained convinced of the general importance of art for his own philosophical endeavors, the particular details of his interpretation of its significance changed quite markedly over the years as he developed his own unique philosophical position and (...) as his firsthand experience of works of art increased. In this paper I will concentrate on some of Hegel’s earliest efforts toward developing his own philosophical system, and will show how this development is reflected in a fundamental transformation of his interpretation of the significance of art. More specifically, I will establish in what follows that one major consequence of Hegel’s evolving systematic philosophy is an “impoverishment” of the artistic in the sense that art comes to lose a certain fertility which it had had in his earlier views. This impoverishment is in effect the price exacted if art is to assume a place within Hegel’s system, precisely because the role and significance of art now come to be defined by and expressed in terms of its place in that system. Although this paper will be concerned with only the first stages in a process of development which continues all the way up to his Berlin lectures on beautiful art, it will nonetheless become apparent that Hegel’s early understanding of art has to have been radically altered for such a development even to begin. (shrink)
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  4.  53
    A Practical Guide to the Hegel-Archiv.Richard Taft -1984 -The Owl of Minerva 16 (1):110-113.
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  5.  45
    Style and the post-metaphysical project.Richard Taft -1985 -Research in Phenomenology 15 (1):113-132.
  6.  35
    Transgressions.Richard Taft -1984 -Research in Phenomenology 14 (1):269-275.
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  7.  61
    Taft on Desmond on Taft on Hegel.Richard Taft -1987 -The Owl of Minerva 18 (2):165-166.
  8.  49
    History of the Concept of Time: Prolegomena. By Martin Heidegger. [REVIEW]Richard Taft -1988 -Modern Schoolman 65 (4):277-279.
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  9.  43
    Nothing and Non-Existence: The Transcendence of Science. By William B. Turner. [REVIEW]Richard Taft -1989 -Modern Schoolman 66 (4):325-327.
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  10.  62
    Time and Narrative. Volume 3. By Paul Ricoeur. [REVIEW]Richard Taft -1991 -Modern Schoolman 68 (3):264-265.
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  11.  42
    The Transcendence of History: Essays on the Evolution of Historical Consciousness. By Joseph L. Esposito. [REVIEW]Richard Taft -1987 -Modern Schoolman 64 (3):209-211.
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