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Works by Martin S. Lindauer

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  1.  26
    The meanings of the physiognomic stimuli taketa and maluma.Martin S. Lindauer -1990 -Bulletin of the Psychonomic Society 28 (1):47-50.
    Physiognomic properties refer to the nonliteral sensory, perceptual, and affective connotations evoked by an object: a mountain, for example, is big as well as “quiet, looming, and threatening.” In this study (N = 58), the three types of meanings carried by meaningless stimuli were examined. Four equally unfamiliar stimuli, which were either physiognomically evocative (maluma and taketa) or neutral, were rated on 15 perceptual, affective, and sensory scales. Taketa and maluma were distinguished on 21 of the 30 endpoints of the (...) scales, whereas the neutral stimuli were distinguished on only 8. Subjects’ physiognomy and sex did not play a role. The implications of these findings are discussed. (shrink)
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  2.  18
    Size and distance perception of the physiognomic stimulus “taketa”.Martin S. Lindauer -1988 -Bulletin of the Psychonomic Society 26 (3):217-220.
  3.  25
    Artistic and nonartistic backgrounds as determinants of the cognitive response to the arts.Joseph Bilotta &Martin S. Lindauer -1980 -Bulletin of the Psychonomic Society 15 (5):354-356.
  4.  19
    Preferences for figural complexity as a function of cognitive style.Alan G. Frost &Martin S. Lindauer -1980 -Bulletin of the Psychonomic Society 16 (3):221-224.
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  5.  21
    A failure to find an effect of perceptual set on creativity.Martin S. Lindauer -1990 -Bulletin of the Psychonomic Society 28 (1):33-36.
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  6.  46
    Brightness differences and the perception of figure-ground.Martin S. Lindauer &Judith G. Lindauer -1970 -Journal of Experimental Psychology 84 (2):291.
  7.  26
    Expectation and satiation accounts of ambiguous figure-ground perception.Martin S. Lindauer -1989 -Bulletin of the Psychonomic Society 27 (3):227-230.
  8.  29
    Exorcising the ghosts in the study of eidetic imagery.Martin S. Lindauer -1979 -Behavioral and Brain Sciences 2 (4):609-610.
  9. Imagery and the arts.Martin S. Lindauer -1983 - In Anees A. Sheikh,Imagery: Current Theory, Research, and Application. Wiley. pp. 468--506.
  10.  27
    Seeing and touching aesthetic objects: I. Judgments.Martin S. Lindauer,Eleni A. Stergiou &David L. Penn -1986 -Bulletin of the Psychonomic Society 24 (2):121-124.
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  11.  15
    Seeing and touching aesthetic objects: II. Descriptions.Martin S. Lindauer -1986 -Bulletin of the Psychonomic Society 24 (2):125-126.
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  12.  62
    Toward a liberalization of experimental aesthetics.Martin S. Lindauer -1973 -Journal of Aesthetics and Art Criticism 31 (4):459-465.
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  13.  24
    The effects of the physiognomic stimuli taketa and maluma on the meanings of neutral stimuli.Martin S. Lindauer -1990 -Bulletin of the Psychonomic Society 28 (2):151-154.
    In physiognomy, sensory, perceptual, and affective connotations are suggested by an object. For example, a mountain, in addition to being literally big, may also seem “quiet, looming, and threatening.” The capacity of physiognomically endowed but meaningless stimuli (like taketa and maluma) to transfer these meanings to similarly unfamiliar but neutral stimuli was examined on 15 perceptual, affective, and sensory rating scales (N = 118). The meanings of the two neutral stimuli were influenced in 26 instances (vs. 8 cases in which (...) the neutral stimuli followed one other); most changes were affective and sensory rather than perceptual; and the shifts in meanings were noncongruent—taketa’s “aggressiveness,” for example, led to a “peaceful” rating of the two neutral shapes. The implications of these findings are discussed. (shrink)
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