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There are compelling medical, ethical, and legal arguments that support mandating use of a central institutional review board for the review of clinical trials performed at multiple institutional sites. Progress against serious diseases depends on this.

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Despite the recent advances in information and communication technology that have increased our ability to store and circulate information, the task of ensuring that the right sorts of information gets to the right sorts of people remains. We argue that the many efforts underway to develop efficient means for sharing information across healthcare systems and organizations would benefit from a careful analysis of human action in healthcare organizations. This in turn requires that the management of information and knowledge within healthcare (...) organizations be combined with models of resources and processes of patient care that are based on a general ontology of social interaction. The Health Level 7 (HL7) is one of several ANSI-accredited Standards Developing Organizations operating in the healthcare arena. HL7 has advanced a widely used messaging standard that enables healthcare applications to exchange clinical and administrative data in digital form. HL7 focuses on the interface requirements of the entire healthcare system and not exclusively on the requirements of one area of healthcare such as pharmacy, medical devices, imaging or insurance transactions. This has inspired the development of a powerful abstract model of patient care called the Reference Information Model (RIM). The present paper begins with an overview of the core classes of the HL7 (Version 3) RIM and a brief discussion of its “actcentered” view of healthcare. Central to this account is what is called the life cycle of events. A clinical action may progress from defined, through planned and ordered, to executed. These modalities of an action are represented as the mood of the act. We then outline the basis of an ontology of organizations, starting from the theory of speech Acts, and apply this ontology to the HL7 RIM. Special attention is given to the sorts of preconditions that must be satisfied for the successful performance of a speech act and to the sorts of entities to which speech acts give rise (e.g. obligations, claims, commitments, etc.). Finally we draw conclusions for the efficient communication and management of medical information and knowledge within and between healthcare organizations, paying special attention to the role that medical documents play in such organizations. (shrink)

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To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare's plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from (...) A Midsummer Night's Dream to King Lear and The Winter's Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear. (shrink)

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We examine the influence of word choices on mathematical practice, i.e. in developing definitions, theorems, and proofs. As a case study, we consider Euclid’s and Euler’s word choices in their influential developments of geometry and, in particular, their use of the term ‘polyhedron’. Then, jumping to the twentieth century, we look at word choices surrounding the use of the term ‘polyhedron’ in the work of Coxeter and of Grünbaum. We also consider a recent and explicit conflict of approach between Grünbaum (...) and Shephard on the one hand and that of Hilton and Pedersen on the other, elucidating that the conflict was engendered by disagreement over the proper conceptualization, and so also the appropriate word choices, in the study of polyhedra. (shrink)

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The Propertian speaker's private erotic gaze evolves into Foucault's "panoptic" gaze of state control, illustrating in the process the early and formative years of Augustan social ideology and its relation to urban renewal. Composed almost a decade before the passage of social legislation in 18 B.C.E. ( leges Iuliae ), Propertius 2.31—the ecphrasis of the temple to Apollo on the Palatine—and its companion piece 2.32 anticipate the radical redefinition of imperial power under Augustus, the encroachment of the state into the (...) private domains of family and sexuality, and the eventual use of such legislation as a "strategy of surveillance.". (shrink)

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This volume presents a study edition of the lectures delivered by Charles Peirce to theLowell Institute in Boston in the Fall of 1903. These previously unpublished lectures present a comprehensive and revised statement of his work on the methods of science. Offering mature reflection on a lifetime's thought and work, they represent the culmination of Peirce's research on scientific objectivity. Alongside the Cambridge Conferences Lectures (1898, edited by K. L. Ketner), the Harvard Lectures on Pragmatism (1903, edited by (...) P. A. Turrisi), and the The Logic of Interdisciplinarity (the project of Peirce's Monist Series 1891-1909, edited by E. Bisanz), theLowell Lectures of 1903 presented here offer significant insights into Peirce's mature phase as an explorer of objective methods in interdisciplinary science. This collection will appeal to anyone interested in the work of this great thinker, the history of science, and the history of American intellectual life. (shrink)

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This pioneering book presents a reconstitution of Charles Sanders Peirce philosophical system as a coherent architecture of concepts that form a unified theory of reality. Historically, the majority of Peircean scholars adopted a thematic approach to study isolated topics such as semiotics and pragmatism without taking into account the author’s broader philosophical framework, which led to a poor and fragmented understanding of Peirce’s work. In this volume, professor Ivo Assad Ibri, past president of The Charles Sanders Peirce Society and a (...) leading figure in the Brazilian community of Peircean scholars, adopts a systemic approach to Peirce’s thought and presents Peirce’s scientific metaphysics as a deep ontological architecture based on a semiotic logic and on pragmatism as criteria of meaning. Originally published in Portuguese, this book became a classic among Brazilian Peircean scholars by presenting a conceptual matrix capable of providing a clear reference system to ground the thematic studies into the broader Peircean system. Now translated to English, this reviewed, amplified and updated edition aims to make this contributions available to the international community of Peircean scholars and to serve as a tool to understand Peirce’s work in a more systemic way by integrating concepts such as experience, phenomenon, existence and reality, as well as theories such as Chance, Continuity, Objective Idealism, Cosmology and Pragmatism, in a coherent system that reveals Peirce’s complex metaphysical architecture. "As the philosophical reputation of Charles S. Peirce continues to rise to first-tier prominence in the history of American philosophy, Ivo Ibri’s Kósmos Noetós assumes a unique status in both a pioneering and a magisterial work of transcontinental Peirce scholarship. This original work of this internationally renowned scholar and editor, and Professor of Philosophy at the Pontifical Catholic University of San Paulo, penetrates to the heart of Peirce’s architectonic system of phenomenological, metaphysical, and semiotic categories which heuristically characterize our world as “a universe perfused with signs.” Ibri’s own synergistic commentary on the radiating registers of Peirce’s cosmogonically and pragmatistically conceived “one intelligible theory of the universe” also instructively contributes to the illumination of significant nodes of interface with a range of relevant theoretical trends in the contemporary academy; as well, it places Peirce in the company of such thinkers as Plato, Aristotle, Plotinus, Kant, and Schelling who preceded Peirce in providing a legacy of first-tier reasoning on our intelligibly developing world. Kosmos Noetos impresses as Ibri’s pure, lucid, passionately thought-loving, philosophical articulation of his own and as the indispensable prolegomena to all future Peirce studies." David Dilworth, State University of New York at Stone Brook – USA "Ivo Ibri has offered us in this exquisite work a framing of the inner logic of Charles S. Peirce's core metaphysical vision and its existential implications. It is a deep and nuanced exploration of the internal dynamics of Peirce’s central metaphysical categories, developed through rigorous and detailed attention to the evolution of Peirce’s thought on the ‘vitally important topics’ of the appearing, the reality, and the intelligibility of the world. The two-leveled format of the book, an intricate weaving of Peirce’s texts and discursive elaboration and linkage by Ibri, gives it a distinctive feel and is the bedrock of its value. The book is a remarkable combination of presentation and analysis. It is informed by Ibri’s deep philosophical culture and is a gentle and convincing argument for the centrality of metaphysics in understanding Peirce’s thought. It offers in a new way indispensable suggestions for our own attempts to think about our places in an evolving universe with the aid of Peirce and offers threads of thought to be followed up by others." Robert E. Innis, University of MassachusettsLowell – USA. (shrink)

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This book offers the first sustained multi-disciplinary investigation of the question and status of ethics in light of the current "return to ethics" underway in a variety of critical fields. While the questions of ethics have become increasingly important in recent years for many fields within the humanities, there has been no single volume that seeks to address the emergence of this concern with ethics across the disciplinary spectrum. Given this lack in currently available critical and secondary texts, and also (...) the urgency of the issues addressed by the critics assembled here, the time is right for a collection of this nature. By assembling the work of nine critics from among these disciplines-including philosophy, women's studies, cultural studies, anthropology, literary studies, and history-this collection will help to frame the conversation on the status of ethics in the coming years. One of the great features of the book is the very high quality of work and the importance within the critical scene of many of its contributors. Contributors:Lowell Gallagher, Richard J. Golsan, David E. Johnson, Howard Marchitello, Kelly Oliver, Marshall Sahlins, Gayatri Chakravorty Spivak, Tzvetan Todorov, Krzysztof Ziarek. (shrink)

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Bertrand Russell, in the second of his 1914Lowell lectures, Our Knowledge of the External World, asserted famously that ‘every philosophical problem, when it is subjected to the necessary analysis and purification, is found either to be not really philosophical at all, or else to be, in the sense in which we are using the word, logical’ (Russell 1993, p. 42). He went on to characterize that portion of logic that concerned the study of forms of propositions, or, as (...) he called them, ‘logical forms’. This portion of logic he called ‘philosophical logic’. Russell asserted that ... some kind of knowledge of logical forms, though with most people it is not explicit, is involved in all understanding of discourse. It is the business of philosophical logic to extract this knowledge from its concrete integuments, and to render it explicit and pure. (p. 53) Perhaps no one still endorses quite this grand a view of the role of logic and the investigation of logical form in philosophy. But talk of logical form retains a central role in analytic philosophy. Given its widespread use in philosophy and linguistics, it is rather surprising that the concept of logical form has not received more attention by philosophers than it has. The concern of this paper is to say something about what talk of logical form comes to, in a tradition that stretches back to (and arguably beyond) Russell’s use of that expression. This will not be exactly Russell’s conception. For we do not endorse Russell’s view that propositions are the bearers of logical form, or that appeal to propositions adds anything to our understanding of what talk of logical form comes to. But we will be concerned to provide an account responsive to the interests expressed by Russell in the above quotations, though one clarified of extraneous elements, and expressed precisely. For this purpose, it is important to note that the concern expressed by Russell in the above passages, as the surrounding text makes clear, is a concern not just with logic conceived narrowly as the study of logical terms, but with propositional form more generally, which includes, e.g., such features as those that correspond to the number of argument places in a propositional function, and the categories of objects which propositional.... (shrink)

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Applying the tools and methods of analytic philosophy, analytic feminism is an approach adopted in discussions of sexism, classism and racism. The Bloomsbury Companion to Analytic Feminism presents the first comprehensive reference resource to the nature, history and significance of this growing tradition and the forms of social discrimination widely covered in feminist writings. Through individual sections on metaphysics, epistemology, and value theory, a team of esteemed philosophers examine the relationship between analytic feminism and the main areas of philosophical reflection. (...) Their engaging and original contributions explore how analytic feminists define their concepts and use logic to support their claims. Each section provides concise overviews of the main debates in feminist literature within that particular area of research, as well as introductions to each of the chapters. Together with a glossary and an annotated bibliography, this companion features an overview of the basic tools used in reading analytic philosophy. The result is an in-depth and authoritative guide to understanding analytic feminist's characteristic methods. Table of contents List of Contributors Acknowledgments Editor's Preface Part 1: Introduction 1. Introduction: What Is Analytic Feminism? Pieranna Garavaso, (University of Minnesota Morris, USA) 2. Introduction: Why Analytic Feminism? Ann Garry, (California State University, Los Angeles, USA) 3. Introduction: The Society for Analytical Feminism: Our Founding Twenty-Five Years Ago, Ann E. Cudd (College of Arts and Sciences at Boston University, USA)and Kathryn J. Norlock (Trent University, USA) Part 2: Metaphysics 4. Introduction to Feminist Metaphysics, Katharine Jenkins (The University of Nottingham, UK) and Pieranna Garavaso (University of Minnesota Morris, USA) 5. Feminist Metaphysics: Can This Marriage be Saved? Jennifer McKitrick, (University of Nebraska-Lincoln, USA) 6. Feminist Metaphysics as Non-Ideal Metaphysics, Mari Mikkola (Humboldt University, Germany) 7. Kinds of Social Construction, Esa Diaz-Leon (University of Barcelona, Spain) 8. Gender and the Unthinkable, Natalie Stoljar (McGill University, Canada) 9. Who's Afraid of Andrea Dworkin? Feminism and the Analytic Philosophy of Sex Katharine Jenkins, (The University of Nottingham, UK) Part 3: Epistemology 10. Introduction to Feminist Epistemology, Pieranna Garavaso (University of Minnesota Morris, USA) 11. Contemporary Standpoint Theory: Tensions, Integrations, and Extensions, Sharon Crasnow (Norco College, USA) 12. Objectivity in Science: The Impact of Feminist Accounts, Evelyn Brister (Rochester Institute of Technology, USA) 13. Feminist Philosophies of Science: The Social and Contextual Nature of Science, Lynn Hankinson Nelson (University of Washington, USA) 14. Reasonableness as an Epistemic Virtue, Deborah K. Heikes (University of Alabama, USA) 15. Agnotology, Feminism, and Philosophy: Potentially the Closest of Allies, Janet A. Kourany (University of Notre Dame, USA) 16. Say Her Name: Maladjusted Epistemic Salience in the Fight Against Anti-Black Police Brutality, Ayanna De'Vante Spencer (Michigan State University, USA) 17. The Epistemology of (Compulsory) Heterosexuality, Rachel Fraser (University of Cambridge, UK) Part 4: Value Theory 18. Introduction to Value Theory, Amanda Roth (State University of New York at Geneseo, USA) and Pieranna Garavaso (University of Minnesota Morris, USA) 19. Relational Autonomy and Practical Authority, Andrea C. Westlund, (University of Wisconsin-Milwaukee, USA) 20. (Feminist) Abortion Ethics and Fetal Moral Status, Amanda Roth (State University of New York at Geneseo, USA) 21. Feminist Approaches to Advance Directives, Hilde Lindemann (Michigan State University, USA) 22. What is Sex Stereotyping and What Could Be Wrong with It? Adam Omar Hosein (University of Colorado, Boulder, USA) 23. Kant's Moral Theory and Feminist Ethics-Women, Embodiment, Care Relations, and Systemic Injustice, Helga Varden (University of Illinois, USA) 24. Resisting Oppression Revisited, Carol Hay (University of MassachusettsLowell, USA) 25. Women and Global Injustice: Institutionalism, Capabilities, or Care? Angie Pepper (University of York, UK) 26. Feminism, Nationalism, and Transnationalism: Reconceptualizing the Contested Relationship, Ranjoo Seodu Herr (Bentley University, USA) Part 5 Basic Logical Notions Pieranna Garavaso (University of Minnesota Morris, USA) and Lory Lemke (University of Minnesota Morris, USA) A–Z of Key Terms and Concepts Pieranna Garavaso (University of Minnesota Morris, USA) . (shrink)

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In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ennius and the Architecture of the Annales by Jackie Elliott, and: The Annals of Quintus Ennius and the Italic Tradition by Jay Fisher, and: Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid by Nora GoldschmidtThomas BiggsJackie Elliott. Ennius and the Architecture of the Annales. Cambridge and New York: Cambridge University Press, 2013. xiv + 590. Hardcover, $110.00.Jay Fisher. The Annals of Quintus Ennius and the Italic Tradition. Baltimore: Johns (...) Hopkins University Press, 2014. x + 206. Hardcover, $69.95.Nora Goldschmidt. Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid. Oxford Classical Monographs. Oxford: Oxford University Press, 2013. x + 258. Hardcover, $125.00.According to Aulus Gellius, Ennius claimed to have three hearts, each representing a part of his hybrid cultural identity (Gel. 17.71.1: Quintus Ennius tria corda habere sese dicebat, quod loqui Graece et Osce et Latine sciret). Matching his hearts in number, the three books under review delve into the various Greek, Italic, and Latin influences on Ennius’ eighteen-book Annales, exploring the epic’s literary heritage and reception. One might rightly claim that in the wake of these important contributions (1088 pages for 623 fragments), we have firmly entered an aetas Enniana. The elephant in the room for all those interested in the poem is, of course, its highly fragmentary state of preservation. Instead of serving as an insurmountable obstacle, the scholarly process of interpreting fragmentary texts actually emerges as a shared feature of the methodologies on display in these otherwise quite different works. While Fisher and Goldschmidt push the limits of what an incomplete epic can communicate, Elliott more skeptically tackles the nature of transmission and its impact on our knowledge of the text.Ennius’ Oscan heart, representing his Italic heritage, takes center stage in Fisher’s study. Many readers will find most original and striking his arguments for the epic resonance and formulaic quality of “traditional” Latin phrases and their links with languages such as Umbrian and Oscan. Fisher relies throughout on the meaningful co-occurrence of communicative words, “traditional collocation” (3), and the use of language from various “traditional” cultural fields such as ritual, prayer, kinship, and the military (he adoptsLowell Edmunds’ concept of “system reference,” 5). According to Fisher, Ennius’ use of these culturally marked forms of language, shaped during the period of the central Italian koine\ (seventh to fourth centuries b.c.e.), allows his epic to include and enact an elevated tone appropriate to the inherited demands of his genre. While Ennius’ revolutionary turn to the hexameter may initially suggest a decision to abandon all that is old (or perhaps old-fashioned) about “native” literary culture, the pervasive presence of the Italic militates against severing Ennius from the lifeblood pumped through his Oscan heart. In fact, the dialogue between “foreign and familiar” aspects of culture is key to Fisher’s demonstration of how the Italic past emerges as a ghostly mediator and occasional replacement of superficially Greek and Homeric elements (10, 56, 85).With a presumed audience of Latinists, it is somewhat surprising that the introduction, “Ennius and the Italic Tradition,” devotes little time to outlining his rather unique methodology. But Fisher prefers to show rather than tell. On page 5 he jumps right into an analysis of Skutsch Ann. 232 (non semper vostra [End Page 713] evortit nunc Iuppiter hac stat), the language and context of Jupiter Stator in Cicero Cat. 1, and the Oscan Jupiter Versor: he convincingly connects Oscan Iovi Versori with Ennius’ evortit... Iuppiter (8). While the particulars of the argument take a winding course through various temples and texts, it is the act itself of probing seemingly commonplace language to reveal linguistic and cultural significance that highlights the best of what Fisher has to offer.Chapter 2, “The Annals and the Greek Tradition,” traces the Italic features of the epic through what one might call cross-lingual window-allusion. For example, Ann. 1 (Musae quae pedibus magnum pulsatis Olympum) contains a well-known substitution of the Greek Musae for his predecessors’ Camenae, but Fisher draws our attention to the “native Latin tradition” of the Salian priests’ tripudium behind pedibus... pulsatis: “if the collocation pedem pulsare is a traditional expression for... (shrink)

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The papers in Richard Vallée's Words and Contents span twenty-one years. The author navigates the discovery and exploration of different expressions and perspectives on language in this volume. Beginning with referring expressions and later addressing context sensitivity, the book examines how specific words contribute to the contents of utterances and the philosophical issues that surround them.

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1.1. Universitet. Chto on myslit? -- 1.2. Universitet. Chto on mozhet? -- 1.3. ... i chego ne mozhet? -- 2.1. Nauka. Zachem ėto nuzhno? -- 2.2. Obrazovanie. Kakoe obrazovanie? -- 2.3. Akademicheskie vobody. Dli︠a︡ chego? -- Zakli︠u︡chenie -- Chto pochitatʹ ob Universitete?

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_Seeing the World through Children’s Eyes_ brings an overarching emphasis on ‘seeing’ to early years research and provides an opportunity to see and hear from leading researchers in the field concerning how they work with visual methodologies in their early years research.

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What is the significance of that loose collective enterprise, sprung up in the aftermath of the sixties, known as L=A=N=G=U=A=G=E Writing? To answer this question I will be taking, initially, a somewhat oblique route. And I shall assume an agreement on several important social and political matters: first, that the United States, following the Second World War, assumed definitive leadership of a capitalist empire; second, that its position of leadership generated a network of internal social contradictions which persist to this (...) day ; third, that this postwar period has been characterized, at the international level, by an extended cold war shadowed by the threat of a global catastrophe, whether deliberate or accidental. Whatever one’s political allegiances, these truths, surely, we hold as self-evident.Postwar American poetry is deployed within that general arena, and to the degree that it is “political” at all, it reflects and responds to that set of overriding circumstances.1 In my view the period ought to be seen as falling into two phases. The first phase stretches from about 1946 to 1973 . This period is dominated by a conflict between various lines of traditional poetry, on one hand, and the countering urgencies of the “New American Poetry” on the other. In the diversity of this last group Donald Allen argued for a unifying “characteristic”: “a total rejection of all those qualities typical of academic verse.”2Of course, this representation of the conflict between “tradition” and “innovation” obscures nearly as much as it clarifies. The New American poets were, in general, must moe inclined to experimentalism than were writers like Richard Wilbur, Anthony Hecht, Louis Simpson, or Donald Justice. But Allen’s declaration can easily conceal the academic and literary characteristics of the innovators. Robert Duncan and Charles Olson, for example, key figures in the New American Poetry, can hardly not be called “literary” or even “academic” poets. If they opened certain new areas in the field of poetic style, no less could and has been said ofLowell, even in his early work. And if Frank O’Hara seems the antithesis of academic work, John Ashbery is, in his own way, its epitome. Yet both appear in Allen’s New American Poetry anthology. Moreover, who can say, between O’Hara and Ashbery, which is the more innovative of the two—so different are their styles of experimentation? 1. Black and feminist writing in the United States often confines the focus of the political engagement to a more restricted national theater. Nevertheless, even in these cases engagement is necessarily carried out within the global framework I have sketched above.2. The New American Poetry: 1945-1960, ed. Donald M. Allen , p. xi. Jerome J. McGann is Commonwealth Professor of English, University of Virginia. His most recent critical work, Buildings of Loss: The Knowledge of Imaginative Texts, will appear in 1987. “Some Forms of Critics Discourse” and “The Religious Poetry of Christina Rosetti” are among his previous contributions to Critical Inquiry. (shrink)

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In lieu of an abstract, here is a brief excerpt of the content:Whose New American Poetry? Anthologizing in the NinetiesMarjorie Perloff (bio)In the two-year span 1993–94, no fewer than three major poetry anthologies appeared that featured the poetry of what has been called “the other tradition”—the tradition inaugurated thirty-five years ago by Donald M. Allen’s New American Poetry: 1945–1960. These three anthologies are, in order of publication, Eliot Weinberger’s American Poetry since 1950: Innovators and Outsiders, Paul Hoover’s Postmodern American Poetry, (...) and Douglas Messerli’s From the Other Side of the Century. A New American Poetry 1960–1990. 1 In 1994, moreover, there were two other large anthologies of alternate poetries by “younger” poets, 2 these two in the tradition of Ron Silliman’s In The American Tree: Language, Poetry, Realism and Douglas Messerli’s earlier ‘Language’ Poetries: An Anthology. They are Peter Gizzi, Connell McGrath, and Juliana Spahr’s two-volume anthology called Writing from the New Coast, 3 and Dennis Barone and Peter Ganick’s The Art of Practice: 45 Contemporary Poets.Five volumes, then, of the “new” alternate poetries. And a sixth—this time a real blockbuster—is in progress: Jerome Rothenberg and Pierre Joris’s two-volume Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, which differs from all of the above by covering poetry and poetics of the entire twentieth century and from around the world. The first volume of Poems for the Millennium, From Fin-de-Siècle to Negritude (1995), takes us from such “forerunners” of Modernism as Blake, Hölderlin, Dickinson, and Rimbaud through the Futurisms, Dada, Surrealism, and Objectivism, along with complex “galleries” of individual poets, while the second—and sure to be more controversial—volume (1997) brings us up to the global present.A new avant-garde thus seems to be in the making—indeed, oxymoronic as it may sound, a new avant-garde consensus. Yet the countercanonizing of the recent anthologies is not without its own aporias. What these are is my subject here.The Modest OppositionMy starting point is that of the avant-garde anthologists themselves: Donald Allen’s New American Poetry of 1960. From the vantage point of 1995, the most startling thing about the Allen anthology—still acknowledged by all later anthologists as the fountainhead of radical American poetics—is its modesty. The New American Poetry runs to 454 pages, including statements of poetics, biographical notes, and a short bibliography; it contains forty-four poets, all of them having come to prominence in the period between 1945 (the [End Page 104] end of World War II) and 1960 (the date of publication). The four-page preface opens as follows:In the years since the war American poetry has entered upon a singularly rich period. It is a period that has seen published many of the finest achievements of the older generation: William Carlos Williams’ Paterson, The Desert Music and Other Poems, and Journey to Love; Ezra Pound’s The Pisan Cantos, Section: Rock-Drill, and Thrones; H. D.’s later work culminating in her long poem Helen in Egypt; and the recent verse of E. E. Cummings, Marianne Moore, and the late Wallace Stevens. A wide variety of poets of the second generation, who emerged in the thirties and forties, have achieved their maturity in this period: Elizabeth Bishop, Edwin Denby, RobertLowell, Kenneth Rexroth, and Louis Zukofsky, to name only a few very diverse talents. And we can now see that a strong third generation, long awaited but only slowly recognized, has at last emerged.[xi]Note that Allen introduces the “new” American poetry, not as an “alternative” to anything else but as the successor of two preceding generations. He does not quarrel about the Moderns: if Eliot isn’t included in the above list, it is because he had stopped writing lyric poetry after Four Quartets and had turned to the theater. The cited second generation, moreover, is more “diverse” (Allen’s word) here than it will ever be again in the anthologies: Bishop and Denby,Lowell and Rexroth and Zukofsky. And the third generation, presumably following in the footsteps of the first and second, is now said to... (shrink)

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Berkeley's essay on vision was published in the spring of 1709. It was recognised at once as a book of considerable importance, and there was a second edition within the first year. The author was still only 24. His design, he wrote, was to show the ‘manner we perceive by sight the distance, magnitude and situation of objects’. Hitherto, writers on optics had ‘proceeded on wrong principles’.

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