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In this paper, we present a case of a boy – Noah Wall, who till today surprises the world of neuroscience with his will to grow his brain and survive. The case presented in this study sets a stepping stone in understanding the advent of the will to make a choice, from a neuro-quantum mechanics interpretation. We propose that besides our internal states of choices (neurogenesis, neuroplasticity, cell differentiation, etc.) we also relate with external states of choices (love, compassion, empathy, (...) emotions, etc.) that contributes to its emergence. Quantum uncertainty seems to support the existence of a fundamental property based on which the universe functions; which means that even the nothing of free space has a small chance of containing something. Outcomes are not determined by prior or random events but by consciousness that gives rise to these outcomes. This provides us a lead into understanding the existence of the will and the origin of choice when we look deeper into the realms of the implausible interpretations of quantum mechanics. Free will is the ability for the mind to choose between possible outcomes. Willful power is therefore not only a psychological intervention but also a biological and quantum intervention, where we have the capacity to make choices about what direction we will take, making a change to the systematic functioning of our body. (shrink)

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The act of dance appears as a pattern of conscious movements in space and time, but a dancer who has the ability to go beyond the limits of space and time (experientially) can bring about a non-local experience of oneself and the audience making it an ecstatic communion. In this paper, we are interested in examining the extent of subjective experience of a dancer and his audience; hence, we take up a case study in first-person to understand the performer-audience interaction. (...) For this purpose, we chose Indian contemporary dancer Astad Deboo, an artist who is known to create such a magical two-way interaction consigning his audience as well as himself to a state of being mesmerized. The art of creating a non-localexperience seems to be his forte, where the audience can feel him within, while he feels his audience within. To explain this phenomenon, we propose the resonance of inner experiential states of the performer and audience as the underlying mechanism that creates a non-local interaction between them. To validate the present hypothesis, one must subject both the performer and observer to experimental studies, which involve simultaneous tracking and monitoring of the active zones in the brain associated with performing and performance viewing. In the above context, it would also be interesting to see if there exists a point of time during the performance event, where both these subjects report similar active zones in the brain. (shrink)

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How do we know what we know? • How do we perceive ourselves and the world around? • Is what we perceive the only reality that exists? (or) • Is there a different reality other than what we perceive? (Not referring to the source of C, but to the CoC, in the very limit of our physical structure).

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The soul is agile and transparent; it does not make the body weighty. It streams limitless within the patterns of regimented matter, gratifies the body until it can fill it no more, but remains as a swirling ball of energy with it. We do not see it, but can imagine it; like the wind; an energy, we do not see but can feel and there is no kerb to imagine its likeness. The soul so translucent lies beneath the scabbard of (...) the body; brings the flesh to life; a heave of energy within and out of every speck of flesh. It abides the laws of nature and so departs the body upon death to be transformed and reutilized. Cosmic energy shapes matter and so shapes life; fabricates the mind and the soul; makes the body conscious of its presence. To seek it, we need to imagine it; imagination helps us see within the stores of the cosmic energy matrix. For no matter what, the soul exists, it is no extraordinary form, no mysterious form; a sphere of energy; pure, created with the purposefulness of engaging life in forms that can support it; us; to experience the magnificence of what is and why it was created. This paper is an insight into the imaginings and imaginations of the soul that deepens the ability of the human mind to venture into the depths of the cosmic energy which crafts it. (shrink)

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Microorganisms demonstrate conscious-like intelligent behaviour, and this form of consciousness may have emerged from a quantum mediated mechanism as observed in cytoskeletal structures like the microtubules present in nerve cells whichapparently have the architecture to quantum compute. This paper hypothesises the emergence of proto-consciousness in primitivecytoskeletal systems found in the microbial kingdoms of archaea, bacteria and eukarya. To explain this, we make use of the Subject–Object Model (SOM) of consciousness which evaluates the rise of the degree of consciousness to conscious (...) behaviourin these systems supporting the hypothesis of emergence and propagation of conscious behaviour during the pre-Cambrian partof Earth’s evolutionary history. Consciousness as proto-consciousness or sentience computed via primitive cytoskeletal structures substantiates as a driver for the intelligence observed in the microbial world during this period ranging from single-cellular to collective intelligence as a means to adapt and survive. The growth in complexity of intelligence, cytoskeletal system and adaptive behaviours are key to evolution, and thus supports the progression of the Lamarckian theory of evolution driven by quantum mediated proto-consciousness to consciousness as described in the SOM of consciousness. (shrink)

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