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  1.  107
    Emerging visions of the aesthetic process: psychology, semiology, and philosophy.Gerald C. Cupchik &Janos László (eds.) -1992 - New York, NY, USA: Cambridge University Press.
    This book is about aesthetic processes and play from the perspectives of psychologists, philosophers, and semiologists. They explore the underlying processes from many viewpoints, including the prehistoric roots of language and art; the historical evolution of artistic, literary, and musical styles; the structure of artworks from both gestalt and semiotic perspectives; the biological and psychological processes underlying production and appreciation; the appeal of sentimental art; emotional responses to art and other aesthetic forms; personality in relation to artistic style; the testing (...) and measurement of art-related skills; the relations between social life and literary understanding; literature in relation to media; as well as neurobiological, developmental and individual growth perspectives on play activity. (shrink)
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  2.  55
    The landscape of time in literary reception: Character experience and narrative action.Gerald C. Cupchik &Janos Laszlo -1994 -Cognition and Emotion 8 (4):297-312.
    This experiment examined responses to excerpted episodes from short stories that either focused on action or on the experiences of the characters. The effects of instructional sets to approach the texts from the viewpoint of subjective involvement or objective detachment were also studied. The two story types and two reading sets were factorially combined in a within-subjects design. Scale ratings of the story excerpts and reading times (syllables per second) were measured. A total of subjects (20 males and 20 females) (...) read six segments from each of the episodes as quickly and accurately as possible. Pretest data were obtained for each segment indicating how much it “provided insight into the characters' experiences”, and its level of suspense and surprise. Segments which “provided in sight” were read more slowly, whereas surprising segments were read more quickly. Under the Subjective Set, subjects slowed the pace of reading if they judged the text to be “rich in meaning about life”. For the Objective Set, stories that were judged to have evoked “images” were read more slowly. Females were more responsive to the Subjective Set than were the males, finding the stories to be “richer in meaning” and more “personally relevant”. Females also slowed their reading pace for segments that they judged to be “rich in meaning about life”, while males slowed down if the stories evoked “images”. (shrink)
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  3. The Role of Attachment Patterns in Emotional Processing of Literary Narratives.János László &Éva Fülöp -2007 - In Leonid Dorfman, Colin Martindale & Vladimir Petrov,Aesthetics and innovation. Newcastle, UK: Cambridge Scholars Press. pp. 263--277.
  4.  217
    An evaluation of the impact of the European Association of Social Psychology.Kristina Petkova,Sylvie Graf,Ana Guinote,Michal Bilewicz,Alexandra Hantzi,Ángel Gómez,Alberta Contarello,Alberto Voci,János László,Maria Lewicka,Karmela Liebkind &Miles Hewstone -2012 -History of the Human Sciences 25 (3):117-126.
  5. Chapter Fourteen The Role of Attachment Patterns in Emotional Processing of Literary Narratives Janos Laszlo and Eva Fulop.Janos Laszlo -2007 - In Leonid Dorfman, Colin Martindale & Vladimir Petrov,Aesthetics and innovation. Newcastle, UK: Cambridge Scholars Press. pp. 257.
  6.  58
    What's the point in points without a grammar?Csaba Piéh,János László,István Siklaki &Tamás Terestyéni -1983 -Behavioral and Brain Sciences 6 (4):607.
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