Disruption and the theory of the interaction order.Iddo Tavory &Gary Alan Fine -2020 -Theory and Society 49 (3):365-385.detailsMicro-sociological theory has traditionally stressed interactional pressures towards alignment: actors’ attempts to co-construct a shared definition of the situation. We argue that this model provides an insufficient account of the coordination of action and of the emergence of intersubjectivity among actors. To complement the focus on alignment, we develop a theory of disruption—a perceived misalignment of the dramaturgical structure of interaction in coordinating expected lines of action. We develop a theory of the interaction order that takes the interplay between interactional (...) alignment and disruption as a foundational challenge both for sociology and for actors in their everyday lives. We focus on the practical ways in which actors negotiate both interactional breaches and wider relational ruptures, and how they differentiate between disruptions-of relations and disruptions-for them. By doing so, we connect the interaction order to a wider relational order, providing a bridge between micro-level interactionism and the sociology of culture. (shrink)
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The Sociology of the Local: Action and its Publics.Gary Alan Fine -2010 -Sociological Theory 28 (4):355 - 376.detailsSociology requires a robust theory of how local circumstances create social order. When we analyze social structures not recognizing that they depend on groups with collective pasts and futures that are spatially situated and that are based on personal relations, we avoid a core sociological dimension: the importance of local context in constituting social worlds. Too often this has been the sociological stance, both in micro-sociological studies that examine interaction as untethered from local traditions and in research that treats culture (...) as autonomous from action and choice. Building on theories of action, group dynamics, and micro-cultures, I argue that a sociology of the local solves critical theoretical problems. The local is a stage on which social order gets produced and a lens for understanding how particular forms of action are selected. Treating ethnographic studies as readings of ongoing cultures, I examine how the continuing and referential features of group life (spatial arenas, relations, shared pasts) generate action and argue that local practices provide the basis for cultural extension, influencing societal expectations through the linkages among groups. (shrink)
Planning as social practice: the formation and blockage of competitive futures in tournament chess, homebuying, and political organizing.Max Besbris &Gary Alan Fine -2023 -Theory and Society 52 (6):1125-1148.detailsDrawing on models of the interaction order, we describe how planning is an inherently social activity. We argue that planning as a practice involves five core elements: mirroring, identifying, coordinating, timing, and surmounting. Specifically, planning depends on (1) a realization of likely responses of others, (2) a recognition of communal understandings, grounded in local cultures, (3) a commitment to collaborative engagements with allies, (4) an adjustment to temporal sequences involving the use of “in time” strategies and tactics, and (5) an (...) ability to overcome or avoid obstacles and blocking moves set by competitors and adversaries. Planning is evident in micro-, meso-, or macro-level domains. To demonstrate how planning is a social accomplishment, we analyze three distinct ethnographic sites: the world of competitive chess, dependent on the micro-interactions of two competitors; the meso-level process of homebuying, requiring the aid of real estate agents as allies; and macro-level structures in directing social movement activism in a contentious action field. Planning extends beyond cognitive achievement and is central to a sociology of the future. (shrink)
Ideology in action: A pragmatic approach to a contested concept.Gary Alan Fine &Kent Sandstrom -1993 -Sociological Theory 11 (1):21-38.detailsIdeology often has been regarded by sociologists as an elusive and muddy concept. We believe that the understanding of this core concept can be improved by the use of constructs drawn from a pragmatic, interactionist perspective. We argue specifically that 1) ideologies are based on a set of relatively simple metaphors and images to which people respond on the basis of their shared experience and expectations; 2) ideologies are not purely cognitive, but depend principally on emotional responses; 3) ideologies are (...) presented at such times and in such ways as to enhance the public impression of presenters and/or adherents; ideological enactment is fundamentally dramaturgical and interactional; and 4) ideologies are linked to groups and to the relationships between groups, which in turn depend on a set of resources in order to enact ideologies effectively. Ideologies are symbolic, affective, behavioral, and relational. In focusing on these themes, we avoid some overabstract conceptions of ideology that are endemic in social scientific literature. Instead we emphasize how ideologies can be linked to lived experience and to social interaction-a microsociological grounding of ideology. To understand the dynamics of ideology we examine ideologies about the environment, drawing from an ethnographic investigation of amateur mushroom collectors. (shrink)
Rumor, Trust and Civil Society: Collective Memory and Cultures of Judgment.Gary Alan Fine -2007 -Diogenes 54 (1):5-18.detailsContemporary societies are awash in rumor. Truth claims may have an uncertain provenance, but we tend to incorporate them into our belief system, act upon them, and recall them through collective memory. The question becomes who, what, where and when do we trust. The analysis of rumor belongs to the sociology of action. This paper sketches a brief analysis of the intersection of trust and rumors through the concepts of plausibility, credibility, frequency, diffusion, boundaries, divisiveness and stability or rumor. The (...) role of the ‘cultures of judgment’ is also outlined. (shrink)
(1 other version)Barack Obama and uncertain knowledge.Gary Alan Fine -2015 -Diogenes 62 (3-4):130-138.detailsTruth claims pervade the world: assertions that a speaker wishes to persuade an audience are true or at least plausible. But how to judge? Much proposed knowledge has uncertain legitimacy, evaluated through assumptions of how the world operates or by the reputation of its sponsor. In other words, plausibility and credibility shape our judgments. As students of conspiracy theories recognize, many “facts” are available, too many to be easily judged as to their accuracy. Facts are promiscuous. As judges of likelihood, (...) we conclude that some are false, others true, and still others taken out of context. Further, knowledge is never complete and so we must consider error and ignorance (a field of epistemology labeled agnotology) as well as accuracy and awareness. In this article I examine four critical allegations made about United States President Barack Obama: that he was born in Kenya, that he is Muslim, that he engaged in oral sex with another man, and that he is a socialist. While each of these claims may be false, they are false in different ways in light of the different criteria and strategies by which we weigh uncertainty. (shrink)
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Crafting authenticity: The validation of identity in self-taught art. [REVIEW]Gary Alan Fine -2003 -Theory and Society 32 (2):153-180.detailsThe desire for authenticity now occupies a central position in contemporary culture. Whether in our search for selfhood, leisure experience, or in our material purchases, we search for the real, the genuine. These terms are not, however, descriptive, but must be situated and defined by audiences. In this analysis, I examine the development of the market for self-taught art, an artistic domain in which the authentic is a central defining feature, conferring value on objects and creators. Self-taught art is a (...) form of identity artin which the characteristics of the artists and their life stories are as important as the formal features of the created objects. The article examines the justifications for this emphasis and the battles over the construction of biography. My examination of self-taught art is grounded in five years of ethnographic observation, interviews, and analyses of texts. (shrink)