A disson'ncia musical n’O nascimento da tragédia.Fernando R. De Moraes Barros -2023 -Cadernos Nietzsche 44 (3):143-160.detailsThe present paper aims at investigating the meaning and scope of the idea of musical dissonance in The Birth of Tragedy. In reviewing the possible explanatory definitions of this concept, within and outside the speculative-theoretical framework proper to Nietzsche’s first book, we hope to open a path that leads us to rethink the so-called “artist metaphysics”, and, specially, what is generally understood as Dionysian music.
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Notas sobre a ideia de improvisação musical em Nietzsche.Fernando R. De Moraes Barros -2021 -Cadernos Nietzsche 42 (1):129-144.detailsResumo: O propósito geral do presente texto consiste em introduzir o sentido e o alcance que noção de improvisação musical pode adquirir no filosofar nietzschiano, e, em especial, no assim chamado período de maturidade de seu itinerário intelectual. Tenciona-se indicar que tal ideia assume uma função reguladora em seu pensamento, possibilitando lançar uma intensiva luz sobre o seu legado e enfatizar, sobretudo, o caráter pluralista e dinâmico deste último.: The present text aims at introducing the meaning and the scope that (...) the notion of musical improvisation may acquire within Nietzsche’s thought - especially in the light of thehis latter writings. It also intends to show that such idea performs a regulatory function within his thought and allows us, at the same time, to shed a bright light on his legacy, serving first and foremost to emphasize its pluralistic and dynamic character. (shrink)
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Transvaloração amazônica: sobre a tese A recepção do pensamento de Nietzsche na obra literária de Dalcídio Jurandir, de Oclécio das Chagas Lacerda.Fernando R. De Moraes Barros -2024 -Cadernos Nietzsche 45 (3):45-3.detailsThe present text aims at commenting the doctoral thesis A recepção do pensamento de Nietzsche na obra literária de Dalcídio Jurandir - submitted by Oclécio das Chagas Lacerda at the School of Philosophy, Arts and Human Sciences of the Federal University of São Paulo (Unifesp) in 2022 - in light of two main themes developed by it: the “anthropophagic” interpretation of Nietzsche’s critique on Christian nihilism and the Amazon meaning derived from it.
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