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    A Womanist Consideration of Architecture and the Common Good.Elise M. Edwards -2020 -Journal of the Society of Christian Ethics 40 (2):255-272.
    Womanist religious thought centers the experiences of black women but addresses the holistic liberation of communities from multiple and hybridized religious, spiritual, and cultural identities, offering valuable insight for examining the moral aims of the common good and identifying challenges to the good of particular communities. This paper offers a womanist analysis of prevailing conceptions of the common good and accounts of architecture and urban planning’s relation to the common good and civic virtue within the work of Christian theologians. It (...) explores the architectural implications of the common good from a womanist lens and articulates a liberatory vision of the common good and its relation to architectural design and construction. Womanist critiques and insights suggest that the spirituality and participation of common people are vital for shaping architecture for the common good, especially as it addresses whose interests are to be served and how common ground is pursued. (shrink)
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    When the Law Does Not Secure Justice or Peace: Requiem as Aesthetic Response.Elise M. Edwards -2015 -Journal of the Society of Christian Ethics 35 (2):63-81.
    This essay assesses the possibilities for poetic-liturgical compositions, such as requiems, to promote Christian public engagement when legal frameworks are perceived to be inadequate for securing justice. This essay addresses the perception that legal statutes and procedures failed to honor the personhood of two particular African American males and discusses how aesthetic responses have been used to counter the devaluing of their lives. One such response, Marilyn Nelson's poem Fortune's Bones: The Manumission Requiem, questions the law's failure to protect an (...) eighteenth-century enslaved man. Another requiem memorializes Michael Brown after the teen's killing by a police officer in 2014. This essay discusses these particular aesthetic responses and then evaluates the possibilities for the requiem as a Christian practice of civic engagement by appropriating Charles Mathewes's articulation of hopeful citizenship. In cases when the law is perceived to be complicit in devaluing African American personhood, liturgy can be a meaningful Christian response. (shrink)
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