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The other way marries a designer's visual response to the details and textures of the land with poetic, descriptive and philosophical writing about the land and his relationship with it. There are 13 themed Chapters, each one of which is based on one trip thatDavid has made to a--usually--remote part of the world, often off the beaten track. But in Europe he also turns his eye to more domestic environments. As well as his own photographs, there are pencil (...) sketches and doodles from his diaries. The book itself is a beautiful designed object, printed and bound in New Zealand with the option for a limited edition carved wooden box. (shrink)

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On one possible view of practical reason, that capacity is subject to a standard of correctness determined by independently obtaining facts. This view has recently come under attack, notably in Jeremy Fix’s ‘Intellectual Isolation’. The relevant view, he claims, treats practical reason as a species of theoretical reason and is unable to account for the role that practical reason plays in rational agency. His case relies, however, on a certain conception of theoretical reason: a contemplative conception according to which theoretical (...) reason is practically inert. By embracing that conception, he is led to suppose that exercises of a capacity with an external standard of correctness could not, by themselves, move a subject to act. But the contemplative conception is hardly compulsory. A view according to which practical reason is subject to an external standard need not take the shape, nor involve the corollaries, that Fix, and others, assume it must. Or so I argue. (shrink)

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Au cœur du Tractatus logico-philosophicus est le projet de délimiter « la forme générale de la proposition ». Nous nous intéressons à un versant de ce projet : l’analyse de la notion de vérité. Nous examinons cette analyse et nous identifions quelques-unes de ses conséquences majeures. Puis, nous revenons sur les remarques que fait Wittgenstein sur cette analyse dans les Recherches philosophiques, où l’interrogation sur la possibilité d’une telle analyse sert à remettre en question le projet même du Tractatus.

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We extend prior research of deceitful behavior by studying the reactions of those who are targets of deception and how a specific attribute of communication media, cue multiplicity , influences such reactions. We report on a laboratory experiment involving dyads asked to engage in a stock share purchase exercise. We find that when a broker is perceived to act deceitfully by the buyer, the buyer reacts with negative affect (anger) which provokes subsequent acts of revenge against the broker. Importantly, we (...) find that media with higher cue multiplicity attenuate buyer anger as well as lessen the propensity for the buyer to seek retaliatory acts of revenge. We further find that moral anger mediates the effect of buyers’ perceived deception on revenge. (shrink)

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How compelling is radical normative pluralism, i.e. the view that contrary moral positions (deontological, consequentialist and so on) are all morally acceptable even in one given case? In ‘A Hostage Situation’ (2019), Saul Smilansky presents a thought experiment about moral decisions in life-and-death situations. According to Smilansky, the Hostage Situation (HS) reveals a rather puzzling and radical normative pluralistic picture, according to which even in life-and-death decisions, many moral choices that sometimes contradict each other are more or less equitable or (...) at least morally acceptable simultaneously. He argues that there is a paradigmatic difference between HS and Trolley-Problem-type cases (TP); according to him, the decision in TP is always single-valued, so one cannot be pluralistic in a plausible way—that is, one cannot rationally accept both options at the same time. TP, he claims, has been a misleading paradigmatic example; the radically pluralistic result of HS may be a better paradigm for much of morality. I argue that Smilansky should have gone further, and that a proper understanding of HS and TP reveals that, far from being in conflict, both thought experiments support a radical normative pluralism. Thus, building upon Smilansky’s work but offering a very different position, I present in this paper a radical, novel interpretation of Trolley-Problem-type cases, which, if convincing, should significantly affect the way we think about normative moral theory. (shrink)

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The special and general relativity theories are used to demonstrate that the velocity of an unradiative particle in a Schwarzschild metric background, and in an electrostatic field, is the group velocity of a wave that we call a “particle wave,” which is a monochromatic solution of a standard equation of wave motion and possesses the following properties. It generalizes the de Broglie wave. The rays of a particle wave are the possible particle trajectories, and the motion equation of a particle (...) can be obtained from the ray equation. The standing particle wave equation generalizes the Schrödinger equation of wave amplitudes. The particle wave motion equation generalizes the Klein–Gordon equation; this result enables us to analyze the essence of the particle wave frequency. The equation of the eikonal of a particle wave generalizes the Hamilton–Jacobi equation; this result enables us to deduce the general expression for the linear momentum. The Heisenberg uncertainty relation expresses the diffraction of the particle wave, and the uncertainty relation connecting the particle instant of presence and energy results from the fact that the group velocity of the particle wave is the particle velocity. A single classical particle may be considered as constituted of geometrical particle wave; reciprocally, a geometrical particle wave may be considered as constituted of classical particles. The expression for a particle wave and the motion equation of the particle wave remain valid when the particle mass is zero. In that case, the particle is a photon, the particle wave is a component a classical electromagnetic wave that is embedded in a Schwarzschild metric background, and the motion equation of the wave particle is the motion equation of an electromagnetic wave in a Schwarzschild metric background. It follows that a particle wave possesses the same physical reality as a classical electromagnetic wave. This last result and the fact that the particle velocity is the group velocity of its wave are in accordance with the opinions of de Broglie and of Schrödinger. We extend these results to the particle subjected to any static field of forces in any gravitational metric background. Therefore we have achieved a synthesis of undulatory mechanics, classical electromagnetism, and gravitation for the case where the field of forces and the gravitational metric background are static, and this synthesis is based only on special and general relativity. (shrink)

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In this essay I want to take some metaphors seriously. I want to push at their limits and ask whether this exercise can help us think differently about photographs and their relationship to what they depict. (Should it be ‘what they depict’ or ‘what they are seen as depicting’? The choice of phrasing depends on theoretical position: is depiction inherent in the image, or is it seen by the viewer?). The moel of citationality based on Cadava’s work is developed by (...) exploring in more detail the variety of bibliographic ciataions. (shrink)

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Dilthey’s moral writings have received scant attention over the years, perhaps due to his apparent tendency toward relativism. This essay offers a unified look at Dilthey’s moral writings in the context of his Kantian-styled “Critique of Historical Reason.” I present the Dilthey of the moral writings as an observer of reason in the spirit of Kant, watching practical reason devolve into error when it applies itself beyond the bounds of possible experience. Drawing on moral writings from across Dilthey’s corpus, I (...) retrace Dilthey’s argument that moral theories from Kantianism and utilitarianism to natural law theory suffer significant motivational problems because of the way they transcend the “synthesis” of moral perception. Dilthey’s argument suggests that abstract moral theory is always bound to seem unmotivating and unreal from the standpoint of lived experience, and perhaps that, to avoid this, moral philosophy should confine itself to more situated, case-specific judgments. (shrink)

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Jesus changed our world forever. But who was he and what do we know about him?David Wenham's accessible volume is a concise and wide-ranging engagement with that enduring and elusive subject. Exploring the sources for Jesus and his scholarly reception, he surveys information from Roman, Jewish, and Christian texts, and also examines the origins of the gospels, as well as the evidence of Paul, who had access to the earliest oral traditions about Jesus. Wenham demonstrates that the Jesus (...) of the New Testament makes sense within the first century CE context in which he lived and preached. He offers a contextualized portrait of Jesus and his teaching; his relationship with John the Baptist and the Qumran community ; his ethics and the Sermon on the Mount, his successes and disappointments. Wenham also brings insights into Jesus' vision of the future and his understanding of his own death and calling. (shrink)

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A reissue of a classic text, Norms and Nobility is a provocative reappraisal of classical education that offers a workable program for contemporary school reform.David Hicks contends that the classical tradition promotes a spirit of inquiry that is concerned with the development of style and conscience, which makes it an effective and meaningful form of education. Dismissing notions that classical education is elitist and irrelevant, Hicks argues that the classical tradition can meet the needs of our increasingly technological (...) society as well as serve as a feasible model for mass education. (shrink)

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Assorted fruit from forty years' writing, these essays byDavid Braybrooke discuss (in Part One of the book) a variety of concrete, practical topics that ethical concerns bring into politics: people's interests; their needs as well as their preferences; their work and their commitment to work; their participation in politics and in other group activities. Essays follow on the justice with which theme matters are arranged for and on the common good in which they are consolidated. Justice here inspires (...) a 'departures' approach, which moves from agreement on departures from commutative justice to agreement on measures of distributive justice needed to forestall such departures. Another essay (first published here) radically undermines the odd but entrenched belief that utilitarianism classically licenced, even prescribed, systematically sacrificing the happiness of some people to give others greater pleasure. Part II and Part III of the book concentrate upon the subject of settled social rules, which are devices for securing the objectives treated in Part I. Part II shows that rules are ubiquitous in ethics, since there are no virtues without rules, just as there are no (justified) rules; without virtues. Part Two also shows that rules are as ubiquitous in social phenomena as the causal regularities sought by one school of social science. Part III captures the dialectic of history at least in part by a logical analysis of changes in rules following the onset of quandaries. It then considers how political choices can be both prudent, by keeping within duly considered incremental limits, and yet imaginative enough to escape the recent embarrassments generated by social choice theory. Characteristically versatile in topic and style, Braybrooke offers original light on all theme subjects. One reader has commented, ' His] prose is elegant and always a pleasure to read. Some of the pieces are nothing short of brilliant.' Which did the reader have in mind? Readers may differ (they already have) on just which pieces they would rank highest. (shrink)

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David E Cooper; Understanding as Philosophy, Journal of Philosophy of Education, Volume 17, Issue 2, 30 May 2006, Pages 145–153, https://doi.org/10.1111/j.1467-.

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In lieu of an abstract, here is a brief excerpt of the content:"ALL EXISTING IS THE ACTION OF GOD": THE PHILOSOPHICAL THEOLOGY OFDAVID BRAINEDAVID BRADSHAW University ofTexas at Austin Austin, Texas Thou lovest all the things that are, and abhorrest nothing which thou hast made: for never wouldest thou have made any thing, if thou hadst hated il And how could any thing have endured, if it had not been thy will? or been preserved, if not (...) called by thee? But thou sparest all: for they are thine, 0 Lord, thou lover of souls. Wisdom 11:24-26 He is not far from every one of us; for in Him we live, and move, and have our being. Acts 17:27-28 I T HAS long been traditional to regard God as upholding all things in existence. This belief is known as the doctrine of continuous creation; it is a doctrine widely shared by Jews, Christians, and Moslems, and was first clearly articulated by St. Augustine.1 The phrase "continuous creation" can be misleading, for there is more to the doctrine than simply the extension of God's creative act through time. If that were all that is at stake, we would not need to revise our ordinary notion of the creator as craftsman or artist; we might think of God as like a painter who 1 Augustine, De Genesi ad Litteram iv.12. The history of the development of this doctrine has yet to be written, but important sources include Timaeus 4lab; Philo of Alexandria, De Providentia i.7; Colossians 1:17, Hebrews 1:3; John of Damascus, De Fide Orthodoxa i.3; Aquinas, Summa theologiae I, q. 104, a. 1. See alsoDavid Winston, Philo of Alexandria (New York: Paulist Press, 1981), 14-17; G. L. Prestige, God in Patristic Thought (London: S.P.C.K., 1964), 31-36; Richard Sorabji, Time, Creation,-and the Continuum (Ithaca: Cornell, 1983), 303-304. 379 380DAVID BRADSHAW never stops adding new scenes, or a writer continually elaborating his story. That picture will not do. Ifthe painter were to cease painting, what he has made up to that point would remain in existence, whereas it is precisely the ability to stand on its own that the doctrine of continuous creation seeks to deny of what is made. Nor does anything in the relation of artisan to artifact properly convey the special intimacy and presence that the act of continuous creation is supposed to establish between God and creatures. A painting or a story does not "live and move and have its being" in the one who fashions it-nor would even a living and thinking creature, if the manner of its making were solely that of an artisan. These shortcomings raise the question of whether we should seek to replace the image of artisan and artifact with one that is more dynamic. We might think of God as like a singer and of what is made as His song, or of God as like a dancer and of what is made as His dance. By envisioning the act of creation as a "doing" rather than a "making," analogies of this type more adequately indicate the continuing ontological dependence ofcreation on Creator. They also draw our attention to a mode of presence radically different from that of one body to another, the presence of an agent "within" his own actions. They may thus bring us closer to what St. Paul presumably has in mind in the passage quoted from Acts. On the other hand, they have faults of their own, for they are hard to reconcile with creaturely freedom and the reality of secondary causation. How could any kind of "doing" act contrary to the will of its doer? Indeed, how could it act at all? Actions are not causal agents; a song does not act in its own right, but is at best an instrument of the one who sings it. So it would seem that, taken to their logical conclusion, analogies such as that of the singer and his song lead to the denial of both creatures' freedom and their causal efficacy. There have been thinkers in each of the religious traditions mentioned who have been willing to accept these... (shrink)

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ProfessorDavid Stewart called upon his 30 years of teaching experience to introduce readers to the important study of faith and reason. Beginning students often find primary sources alone too difficult so this text offers primary source materials by a variety of significant philosophers–including a balanced blend of classical and contemporary authors–but the materials are supported by clearly written introductions, which better prepare readers to understand the subject matter.

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What is the nature of romantic love and erotic desire in Shakespeare's work? In this erudite and yet accessible study,David Schalkwyk addresses this question by exploring the historical contexts, theory and philosophy of love. Close readings of Shakespeare's plays and poems are delivered through the lens of historical texts from Plato to Montaigne, and modern writers including Jacques Lacan, Jean-Luc Marion, Ludwig Wittgenstein, Jacques Derrida, Alain Badiou and Stanley Cavell. Through these studies, it is argued that Shakespeare has (...) no single or overarching concept of love, and that in Shakespeare's work, love is not an emotion. Rather, it is a form of action and disposition, to be expressed and negotiated linguistically. (shrink)

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© The Author. Published by Oxford University Press on behalf of the Oxford Centre for Islamic Studies. All rights reserved. For Permissions, please email:[email protected] Fromherz has already written a very useful book on the Almohads, and he now attempts to set his work on their remarkable empire within a much wider setting, from the seventh century, when Islam reached the Maghreb, all the way to the fifteenth century, and in the entire western Mediterranean. His thesis is that we should (...) think of western Mediterranean civilization in the Middle Ages as a shared culture and experience, embracing the much-ignored history of what are now Morocco, Algeria and Tunisia alongside the study of Spanish, Italian and other histories, predominantly Christian. Close attention to the Christian shores of the western Mediterranean has, he avers, created a narrative of worlds apart: Christians on the northern flanks who had little in common... (shrink)

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Collected in the course of research on the religious development of the young, these letters were written by children ranging in age from six to twelve and from a variety of religious backgrounds.

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In Losing Our Virtue: Why the Church Must Recover Its Moral Vision, theologianDavid Wells argues that the Church is in danger of losing its moral authority to speak to a culture whose moral fabric is torn. Although much of the Church has enjoyed success and growth over the past years, Wells laments a "hollowing out of evangelical conviction, a loss of the biblical word in its authoritative function, and an erosion of character to the point that today, no (...) discernible ethical differences are evident in behavior when those claiming to have been reborn and secularists are compared." The assurance of the Good News of the gospel has been traded for mere good feelings, truth has given way to perception, and morality has slid into personal preference. Losing Our Virtue is about the disintegrating moral culture that is contemporary society and what this disturbing loss means for the church. Wells covers the following in this bold critique: how the theologically emptied spirituality of the church is causing it to lose its moral bearings; an exploration of the wider dynamic at work in contemporary society between license and law; an exposition of the secular notion of salvation as heralded by our most trusted gurus -- advertisers and psychotherapists; a discussion of the contemporary view of the self; how guilt and sin have been replaced by empty psychological shame; an examination of the contradiction between the way we view ourselves in the midst of our own culture and the biblical view of persons as created, moral beings. Can the church still speak effectively to a culture that has become morally unraveled? Wells believes it can. In fact, says Wells, no time in this century has been more opportune for the Christian faith -- if the church can muster the courage to regain its moral weight and become a missionary of truth once more to a foundering world. - Publisher. (shrink)

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This study takes a Christian perspective on the entire Bible, rather than simply the New Testament.David Wenkel asks: Why did Jesus have to be beaten before his death on the cross? Christian theology has largely focused on Jesus' death but has given relatively little attention to his sufferings. Wenkel's answer contextualizes Jesus' crucifixion sufferings as informed by the language of Proverbs. He explains that Jesus' sufferings demonstrate the wisdom of God's plan to provide a substitute for foolish sinners. (...) Jesus was beaten as a fool - even though he was no fool, in order to fulfill God's loving plan of salvation. This analysis is then placed within the larger storyline of the whole bible - from the Garden of Eden to the story of Israel and beyond. (shrink)

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A radical concept of power identifies social processes which (whether as ?ideology?, ?false consciousness?, or ?the spectacle') influence people's actions by moulding their beliefs or desires. However, seeing people as deluded is to risk treating them as less than fully autonomous beings. Despite his libertarian intentions, Lukes fails to guard against this paternalistic implication. His view still implies that it is the social critic who is in the best position to identify the real interests of an oppressed group. Here it (...) is argued that power should be conceived as an intrusion on the ?formative practices? of people. It is possible to identify power as an unwanted influence on the processes in which people ?form and discover? interests, while maintaining that interests can only be self?ascribed. This solution requires a concept of formation as both irreducibly social and yet potentially free. Neither Foucault nor Habermas can provide such a solution, despite some valuable insights. In the end, we must look at the influences of power on formative practices which are actual rather than idealized, productive rather than reflective, and which involve the whole person rather than merely the intellect. (shrink)

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This essay provides a sketch of religion as a set of biologically and culturally evolved adaptations that enable human groups to function as adaptive units. Recent developments in evolutionary biology make such a group-level interpretation of religion more plausible than in the past. A brief survey of relevant concepts is followed by a relatively detailed interpretation of Calvinism as a religious system in which explicit behavioral prescriptions, beliefs about God and his relationship with people, and numerous social control mechanisms combined (...) to change the city of Geneva from a collection of warring factions to a unified population. (shrink)

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Lincoln's First Inaugural Address was not designed to coax the seceded states back into the Union, because he never conceded that they had left. Rather, he sought to define the situation so that, if war broke out, the seceders would be cast as the aggressors and the federal government as acting in self-defense. To this end, he presented a principled case against the legitimacy or even possibility of secession while applying the arguments to the exigence at hand. He identifies the (...) cause of the trouble as “unwarranted apprehension” among the southern states, announces his policy as a minimalist assertion of national sovereignty, and urges that disaffected southerners not act in haste to threaten that sovereignty further. Not only does he explicitly call for slowing down the push to war but the speech itself enacts a slowing of time. In sum, the First Inaugural illustrates both Lincoln's philosophical grounding and his rhetorical dexterity. (shrink)

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Der Raum ist ein eminent philosophisches Thema. Denn so selbstverstandlich es ist, dass wir in Raumen und im Raum leben, so unklar ist, was das bedeutet. Wie verhalten sich lebensweltliche Raume zu `dem Raum` uberhaupt? Gibt es bevorzugte Formen der Raumerfahrung? Wie verhalten sich Raum und Zeit zueinander? Was unterscheidet Nahe und Distanz, Bewegung und Aufenthalt?Die Beitrage des vorliegenden Bandes nahern sich der Philosophie des Raumes aus Richtung der Epistemologie, praktischen Philosophie und Asthetik. Dahinter steht die Uberzeugung, dass der Raum (...) nicht allein ein Thema der theoretischen Philosophie sein sollte, sondern Raumphanomene in allen Bereichen der Philosophie relevant sind. Im Zusammenspiel von klassischen und gegenwartigen Positionen ergibt sich ein Uberblick uber die Moglichkeit, eines der unscheinbarsten Phanomene uberhaupt zu thematisieren. Mit Beitragen von: Diego D'Angelo, Jocelyn Benoist, Christian Bermes, Georg Bertram, Steven G. Crowell,David Espinet, Michael N. Forster, Markus Gabriel, Volker Gerhardt, Tobias Keiling, Ole Meinefeld, Nikola Mirkovi'c, Inga Romer, John Sallis, Alexander Schnel. (shrink)

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I århundreder har filosofien haft indflydelse på alverdens civilisationer, og ikke mindst har den europæiske kultur draget megen nytte af filosofien.David Favrholdts bog giver en kort og præcis introduktion til en række filosofiske problemstillinger og forklarer den mindre velbevandrede læser, hvorfor filosofi er vigtig, og hvad den har af betydning for den verden, vi lever i. Bogen henvender sig til alle, der har lyst til at snuse til filosofien, og den lægger op til videre selvstudium, hvis man finder (...) nogle af emnerne særligt interessante. (shrink)

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One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lázló Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution (...) and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography. Contributors include: Keith Davis, Lloyd Engelbrecht, John Grimes, Nathan Lyons, Hattula Moholy-Nagy, Elizabeth Siegel,David Travis, Larry Viskochil, James N. Wood. (shrink)

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According to Thomas Aquinas, the Eucharist is meant to build up the unity of the church. This desired ecclesial unity is, however, not often given adequate treatment. In Speaking with Aquinas,David Farina Turnbloom seeks to describe the relationship between the celebration of the Eucharist and the unity of the church. By examining Aquinas's treatment of grace and virtues, this book allows the reader to understand Aquinas's eucharistic theology within the context of the spiritual life of the church. In (...) the end, Turnbloom retrieves a Thomistic theology of the Eucharist that arises from Aquinas's concern for the virtuous life of the church, rather than a eucharistic theology that too narrowly focuses on theories of transubstantiation. (shrink)

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Most people do not think to observe geology from the sidewalks of a major city, but allDavid B. Williams has to do is look at building stone in any urban center to find a range of rocks equal to any assembled by plate tectonics. In Stories in Stone, he takes you on explorations to find 3.5-billion-year-old rock that looks like swirled pink-and-black taffy, a gas station made of petrified wood, and a Florida fort that has withstood three hundred (...) years of attacks and hurricanes, despite being made of a stone that has the consistency of a granola bar. Williams also weaves in the cultural history of stone, explaining why a white fossil-rich limestone from Indiana became the only building stone used in all fifty states; how in 1825, the construction of the Bunker Hill Monument led to America’s first commercial railroad; and why when the same kind of marble used by Michelangelo clad a Chicago skyscraper it warped so much after nineteen years that all 44,000 panels of it had to be replaced. This love letter to building stone brings to life the geology you can see in the structures of every city. (shrink)

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Rudolf Steiner. The Riddles of Philosophy, Presented in an Outline of Their History. Two Volumes, 645 pp. Originally translated by Fritz C. Koelln in 1973; translation substantially revised and corrected byDavid W. Wood (Great Barrington MA: Chadwick Library Edition, 2018).

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This article examines and analyzes Semco, a company that changed the way it viewed and treated its workers for the better. It is the contention of Semco’s CEO, that at most large corporations “everyone is part of a gigantic, impersonal machine, and it is impossible to feel motivated when you feel you are just another cog. Human nature demands recognition. Without it, people lose their sense of purpose and become dissatisfied, restless, and unproductive” (Semler, 1993, p. 109). At Semco, employees (...) were no longer just faceless drones acting as machines would. By putting more power and decision making in the hands of their employees, the company became very successful, as it was more efficient and flexible. Workers also reaped the rewards of significantly increased control and decision-making power. This improved their lives financially and personally, as they were better able to deal with stress. (shrink)

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