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This is a report on a video-aided ethnographie investigation which targets expert knowledge in a hospital setting. Since such knowledge calls for gathering a qualitative sort of data, both intensive and situated, this paper offers an examination of the methodological implications of this investigation. Work environment digital video and computer-mediated observations with Transana® are adequate tools for the exploration of paramount concepts in the cognitive study of expertise, found in communicative sequences and embodied practices of situated agents.

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This article is the result of research on the occurrences of the terms suppositio, supponere and their linguistic derivations in the literature on fallacies of the second half of the thirteenth century. The authors analysed are Albert the Great, Giles of Rome, Simon of Faversham, the so-called Incerti Auctores, the Anonymous of Prague and John Duns Scotus. The central elements that emerge are the role played by the notion of suppositum and by the linguistic context to determine the denotation of (...) an expression, and the importance of the metaphysical problem of the unity and identity of suppositum in both the theory of predication and the theory of inference. Both subjects, obviously, are closely connected. (shrink)

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U sadržaju ovog elaborata autorica želi propitati pojam umjetnosti orijentirajući se na Gadamerovo shvaćanje umjetnosti kao »aktualnost lijepoga«, a kao polazišnu točku autorica uzima Gadamerovo krucijalno pitanje: »Je li umjetnost moderne ono što uistinu razumijevamo kao umjetnost?« Ono što autorica smatra pregnantnim pri određivanju polazišta ovog elaborata, čiji sadržaj tendira obrazložiti i pojasniti razumijevanje umjetnosti kao »aktualnost lijepoga«, na temelju fenomenološki impostiranog i hermeneutički oblikovanog mišljenja u djelu naslovljenom Ogledi o filozofiji umjetnosti, tiče se tumačenja Gadamerova stava spram vrednovanja kriterija (...) umjetnosti, odnosno umjetničkog djela. Odakle Gadamer preuzima te kriterije? On ih preuzima iz dvaju, može se reći, sadržajno dijametralno suprotnih, a formom identičnih kulturno povijesnih epohalnih razdoblja, od kojih prvo, ujedno i važnije, predstavlja izvor iz kojega ono drugo crpi svoje impulse, snagu, uzore i nadahnuća: antika i moderna. Međutim, prije nego li prijeđemo na bît problema, valja propitati razloge koji su naveli filozofiju, a time i sâmog Gadamera, da se počne zanimati/baviti pitanje umjetnosti. Imajući na umu prethodno izložene reference, u sadržaju ovog elaborata spomenuta će se tema obrazložiti slojevito, tj. u tri dijela: prvi dio elaborata baviti će se općim značajkama Gadamerova fundiranja problematike umjetnosti, tj. umjetničkog djela općenito i to s naglaskom na značaj, smisao, svrhu i ulogu moderne umjetnost. U drugom će se dijelu više pažnje posvetiti razumijevanju estetske dimenzije umjetnosti: iskustvo lijepoga. Treći dio elaborata orijentiran je na razumijevanje umjetnosti kao igre, simbola i svetkovine.The author’s intent in this paper consists into inquire Gadamer’s notion of art as »actuality of beauty«. As a starting point for it author takes Gadamer’s crucial question: »Is the art of modernity what we really understand as art?«. That what the author wants to explain from the phenomenological and hermeneutical view in defining stand point of this elaborate which tend to clarify understanding of art as »actuality of beauty« and what is considered as pregnant too, is Gadamer’s stand related to evaluation of criteria of art and work of art particularly presented in his philosophical work »Essays about Philosophy of Art«. Where does Gadamer find the criteria presents a question of fundamental significance for this essay. Namely, he finds them in two essentially different but formally very identical cultural and historical areas: in ancient Greek and in modernity. The first step we take in this paper goes toward an explanation of the motifs that stimulated philosophy in general and Gadamer in particular to examine the issue of art as a philosophical theme. The argument of this paper will be presented on several levels. In the first part of it we will argue about general meanings of Gadamer’s understanding and explaining the aim and the roll of the art of modernity. In the second part of it we will be oriented toward understanding of aesthetical dimension of the art, such as an experience of the beauty. In the last part of this paper we will discuss the art as a game, symbol and festival. (shrink)

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This article critically examines the domination exerted by big digital companies on the current social, economic, and political context of modern societies, with a particular focus on the implications for the proper functioning of democracy. The objective of this article is to introduce and develop the concept of datafeudalism, expose its emergence for the proper functioning of modern societies and democracy, and to propose courses of action to reverse this situation. To achieve this purpose, firstly, the evolution from surveillance capitalism (...) to datafeudalism will be discussed. Secondly, the structures and operating logic of data feudalism will be analyzed. Thirdly, the harmful impacts of datafeudalism on the proper functioning of the democratic systems of the European Union will be examined. Finally, an attempt will be made to outline courses of action that will make it possible to reverse the situation of economic, social and political tyranny exercised by big digital companies through datafeudalism. (shrink)

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The scientific literature highlights the risk of the appearance of internalizing and externalizing symptoms, together with difficulties in the academic area, linked to diagnosis of Attention Deficit Hyperactivity Disorder. This is normally assessed by teachers and primary caregivers, disregarding the self-perception of the adolescents themselves, which limits detection of this disorder at an evolutionary stage. Our aim was to analyze the psychometric properties of a self-report for ADHD in adolescence and its relationship with psychopathology and academic performance. This study assessed (...) an incidental sample of 267 students from secondary schools in the Region of Murcia, Spain, using the EDAH questionnaire adapted for self-report, in order to analyze its psychometric properties in assessing ADHD. The Youth Self-Report and the Brief Self-Control Scale were also used to determine their association with psychopathological, self-control and academic performance variables. An ADHD prevalence of between 3.7 and 13.1% was observed depending on the established cut-off point. The adapted EDAH showed adequate reliability indices and explained a high variance percentage. Adolescents with anxiety/depression difficulties, dissocial behavior, aggressiveness, and poor performance in mathematics showed a higher amount of ADHD symptoms. Moreover, self-control, dissocial behavior, age, and performance in Social Sciences acted as predictors of the disorder. The good psychometric properties of this questionnaire and its adequate correspondence with other variables of interest suggest it is an appropriate self-report instrument to assess ADHD in adolescence. (shrink)

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The purpose of this article is to investigate human spatiality and perception in general, with the experience of adventure sports as its background. These activities highlight especially our strong relationship with the world when we consider the specific way in which the environment participates in the development of human potential. We first analyse the notions of risk and instability as important elements in adventure sports. Then we explore the notion of experience and spatiality, considering the way in which we establish (...) our relationship with the world. The theoretical background is found in the phenomenology of Merleau-Ponty and Bachelard’s phenomenology of imagination to investigate perspectives of space among adventurers. We hold that more than a different range of corporeal techniques, adventure sports can teach us a way of interrogating and looking at the world. They require a peculiar sensibility that allows our body to experience the environment in favour of a corporeal wisdom. Alternative sports indicate the possibility that we have to build up different ways of inhabiting the world and comprehending it. (shrink)

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From Traditional Sports and Games (TSG) we have not only learned different ways of living time as well as inhabit space and a particular mode of practicing sports and games from distinct cultures, but also promoting universal dialog among people. TSG presents sustainable and ecological references for living needed even before the advent of the COVID-19 pandemic. Nowadays, environmentally friendly policies and production methods must be taken more seriously. TSG may reveal a path to sustainable development, considering our corporeality and (...) cultural diversity. TSG are expressions of human groups that historically reproduce their way of life-based on modes of social cooperation and specific forms of relationship with nature, traditionally characterized by sustained environmental management. The purpose of this article is to discuss how TSG promotes intercultural dialog with a focus on sustainability, and how it empowers people and creates equality among its players. We understand that TSG can break socio-cultural barriers. For this study, we considered data from a Brazilian experience of TSG’s Festival held at a public school in the city of São Paulo (Brazil), organized in collaboration with our study group. Data consists of observations recorded in pictures and films during the processes of organization, preparation, implementation, and evaluation of a TSG Festival, held in a public school in São Paulo, Brazil from the years of 2017 and 2018, with the participation of 800 students from the first to the ninth grade of elementary school, aged between 7 and 17 years. The first step in our analysis is taken from a dynamic called “Talking Circles,” where researchers registered dialog about experiences and used specific literature about TSG, from a philosophical perspective. The team and students from our study group that organized these events were invited to participate in four different Talking Circles. Approximately 20 people participated in each one of these meetings. Recurrences that emerged from these Talking Circles are presented in the results and explored afterward. What does this experience–from bodies in movement, artistic or sporting, or both–teach about intercultural dialog and empowerment? Such gestures indicate a cultural heritage and corporeal wisdom that allows humans to face new encounters and understanding in peace, recognizing humanity common to all of us, regardless of our origins. Ethical and aesthetical results of such dialog reveal possibilities to be explored in our relationship with different cultures and the environment, providing points of sustainable development through TSG. (shrink)

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In “Datafeudalism: The Domination of Modern Societies by Big Tech Companies” (Saura García in Phil Technol 37(3):1–18, 2024a) I analysed the concept of datafeudalism and its implications for the proper functioning of democracy. In this article, I put forward the hypothesis that big digital companies are exercising domination over the current social context and its different functional spheres, such as politics and democracy, and critique the negative implications that datafeudalism is having for the proper functioning of modern democratic systems. (...) In this regard, Wörsdörfer (Phil Technol 37(3):1–5, 2024) has offered a critical commentary on the content in question. In particular, he focuses his discourse on the concept of the digital panopticon and its link with datafeudalism. The following replay present a reasoned response to these questions. (shrink)

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The objective of this work is to analyse the phenomena and the implications of hyperglobalization on current companies. To introduce this purpose, we are going to review the different processes of global economic cohesion produced throughout history. We will focus on the hyperglobalization stage and on the effect that hyperconnectivity has had for companies and their operation. We will analyze the phenomenon of big data, his new technological innovations and how they have affected the companies act and the global society. (...) Finally, we will present an ethical analysis of these new technological phenomena and their implications for society. (shrink)

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Este artículo se centra en el análisis del uso de la industria del big data en la política. Se examina de forma pormenorizada el caso de la empresa Cambridge Analytica y se profundiza en los efectos del uso de la tecnología del big data en el referéndum de permanencia de Reino Unido en la Unión Europea y en las elecciones presidenciales estadounidenses de 2016. El objetivo es exponer los efectos nocivos que tiene el uso de la tecnología del big data (...) en los procesos electorales y los daños que esta tecnología puede producir en los sistemas democráticos. (shrink)

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Resumen: El rápido avance de la digitalización y la hiperconectividad de las sociedades modernas en los últimos años ha dado lugar a la dataficación de la vida de las personas y a la revolución del big data. Estos dos fenómenos presentan un gran potencial que puede originar múltiples beneficios en multitud de aspectos de la vida de los ciudadanos, pero también hay que tener en cuenta las implicaciones y los peligros de estos. Este artículo se centra en los peligros provocados (...) por las grandes corporaciones tecnológicas del planeta, las denominadas GAFAM (Google, Amazon, Facebook, Apple y Microsoft). Los procesos de extracción, almacenamiento y análisis de datos de la vida de las personas llevados a cabo por las GAFAM presentan diversas implicaciones peligrosas para los propios ciudadanos entre las que destacan la monopolización de sus datos y la perdida de privacidad. En este artículo se profundizará en estas dos amenazas. Utilizando una metodología hermenéutico-crítica basada en el análisis de fuentes bibliográficas, el objetivo de este artículo es examinar los principales riesgos de las GAFAM para la ciudadanía y proponer soluciones a estos. Abstract: The rapid advance of digitization and hyperconnectivity of modern societies has led to the datafication of people's lives and the big data revolution. These two phenomena have great potential that can cause multiple benefits in many aspects of citizens' lives, but their implications and dangers must also be considered. This article focuses on the dangers caused by the large technology corporations on the planet, the so-called GAFAM (Google, Amazon, Facebook, Apple, and Microsoft). The processes of extraction, storage, and analysis of data from people's lives carried out by the GAFAM have various dangerous implications for the citizens themselves, among which stand out the monopolization of their data and the loss of privacy. This article will delve into these two threats. Using a hermeneutical-critical methodology based on the analysis of bibliographic sources, the objective of this article is to examine the main risks of GAFAM for citizens and propose solutions to them. (shrink)

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Se realizó una investigación cualitativa para explorar los factores que generan y sostienen el abuso en la Iglesia peruana. Se identificaron factores culturales (abuso de poder, normalización de la violencia y masculinidad hegemónica), eclesiales (clericalismo, diferencias jerárquicas rígidas en las relaciones y en la forma de comprender cómo ser Iglesia, y factores estructurales de la Iglesia que se manifiestan en el contexto peruano), así como aspectos relacionados con la formación. Aunque los hallazgos suponen retos importantes para la Iglesia peruana, se (...) reconocen avances en cuanto al interés por la formación, el trabajo en prevención y la apertura a reflexionar sobre el poder y las relaciones en algunos sectores de la institución. (shrink)

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A person’s epistemic goals sometimes clash with pragmatic ones. At times, rational agents will degrade the quality of their epistemic process in order to satisfy a goal that is knowledge-independent (for example, to gain status or at least keep the peace with friends.) This is particularly so when the epistemic quest concerns an abstract political or economic theory, where evidence is likely to be softer and open to interpretation. Before wide-scale adoption of the Internet, people sought out or stumbled upon (...) evidence related to a proposition in a more random way. And it was difficult to aggregate the evidence of friends and other similar people to the exclusion of others, even if one had wanted to. Today, by contrast, the searchable Internet allows people to simultaneously pursue social and epistemic goals.This essay shows that the selection effect caused by a merging of social and epistemic activities will cause both polarization in beliefs and devaluation of expert testimony. This will occur even if agents are rational Bayesians and have moderate credences before talking to their peers. What appears to be rampant dogmatism could be just as well explained by the nonrandom walk in evidence-gathering. This explanation better matches the empirical evidence on how people behave on social media platforms. It also helps clarify why media outlets (not just the Internet platforms) might have their own pragmatic reasons to compromise their epistemic goals in today’s competitive and polarized information market. Yet, it also makes policy intervention much more difficult, since we are unlikely to neatly separate individuals’ epistemic goals from their social ones. (shrink)

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Se constructions designate a set of polysemous constructions along a transitivity continuum marked by the clitic se that perform various functions: reflexive/reciprocal, middle, anticausative, passive, and impersonal. A counterpart of these constructions without the clitic – the null se construction – is also attested. Based on an extensive usage-feature and profile-based analysis, and using multivariate statistical methods, we analyze, considering Cognitive Grammar, the conceptual, structural, and lectal factors that determine the choice between overt and null se constructions. The results of (...) the study show that the null constructions are far more frequent in Brazilian (BP) than in European Portuguese (EP). In BP, the focus on the moment of change is a crucial factor for the overt/null variation in reflexive/reciprocal, middle, anticausative, and impersonal constructions. If the moment of the change of state is profiled, the overt se construction is usually produced. If the moment of change is not profiled, the null se construction is preferred. External factors also play a role in the variation. Register is an important predictor for the observed variation of the anticausative construction, and the only predictor for the overt/null variation in the case of the passive construction. In EP, the null se variant is mainly limited to anticausative constructions. In all cases of null constructions, there is a shift to an absolute construal, which has an impact on the way that the transitivity continuum is conceptualized. (shrink)

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This article focuses on the dangers to democratic processes of one of the main instruments of political propaganda, the so-called political microtargeting. This type of microtargeting allows you to direct specific content, towards specific people, at specific times and link them directly to their individual characteristics, biases, and vulnerabilities. The objective of this article is to expose the operation and the various types of political microtargeting, show the harmful consequences of this technique on democratic processes and propose solutions to address (...) these negative consequences. To achieve this objective, on the one hand, the extraction, exploitation, and use of large data sets for the creation of various types of personalized political propaganda will be detailed and, on the other hand, the various existing proposals will be analyzed to limit the negative effects that can cause political microtargeting and to enhance the functioning of Western democracies. Este artículo se centra en los peligros para los procesos democráticos de uno de los principales instrumentos de propaganda política, el llamado microtargeting político. Este tipo de microtargeting permite dirigir contenidos específicos, hacia votantes específicos, en momentos específicos y vincularlos directamente con sus características, sesgos y vulnerabilidades individuales. El objetivo de este artículo es exponer el funcionamiento y los diversos tipos de microtargeting político y mostrar las posibles consecuencias nocivas de esta técnica en los procesos democráticos. Para lograr este objetivo, por una parte, se detallará la extracción, explotación y utilización de grandes conjuntos de datos para la creación de diversos tipos de propaganda política personalizada y, por otra parte, se analizarán las diversas propuestas existentes para limitar los efectos negativos que puede causar el microtargeting político y para mejorar el funcionamiento de las democráticas occidentales. (shrink)

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Innovation and sustainability are postulated as key variables for the future of large commercial distribution. In addition, the development of Information and Communication Technologies solutions, and especially those related to Artificial Intelligence and digitization, are particularly relevant factors in the current pandemic scenario in which retail companies operate. These tools are essential to face the derived changes in commercial relations, especially between companies and consumers. For all these reasons, this work aims to examine the effect of ICT, as a driving (...) factor for innovation and its direct and indirect impact on sustainability in retailing. Furthermore, this study takes into account the eventual differences in these relationships according to the types of store formats. To achieve the aforementioned objective, a theoretical model is proposed that is tested through an empirical study carried out on a sample of 510 consumers of three store formats of grocery retail formats in Spain. For the analysis of the data obtained, the partial least squares regression technique and the Multigroup Analysis were used. The results obtained confirm the direct and indirect effect of ICT on innovation and sustainability in grocery retailing. In addition, the results indicate that consumers unequally perceive the technological progress of companies. These differences are greater between discount stores versus hypermarkets and supermarkets. The larger the size of the store format, the higher the incidence of ICT in relation to innovation. Therefore, it is vital to take ICT into consideration, where Artificial Intelligence is imperative for the growth and development of sustainable competitive advantages in retail companies. (shrink)

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The nautical environment has been challenging for women. However, interviewing experienced female sailors, we noticed that despite the adversity they face, they consider the experience of sailing as something profoundly impactful and powerful in their lives. This research discusses the power of the aesthetic experience of sailing for women, thus adding to the gender discussion. In order to do so, we make use of a theoretical framework that addresses the relationship between being and the materiality of the world. In describing (...) these aesthetic experiences lived in the body, Bachelard’s phenomenology of the image stands out. By productive imagination and poetic images found in the field research and characterized as powerful by the sailors, the social construction of gender and the images between adventure and delicacy appears. (shrink)

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El tema del hombre convertido en presa recorre los discursos y artes de la civilización humana desde la Prehistoria. Las fábulas y representaciones en torno a “la caza humana” poseen una significación que refleja su valor contextual y, a la vez, su capacidad para cristalizar obsesiones universales. El sincretismo primitivo y el poder alucinatorio que algunos teóricos han atribuido a la imagen fílmica no podían permanecer ajenos a un motivo intemporal que está en la base de mitos con múltiples ramificaciones (...) literarias. La película La caza, de CarlosSaura, da pie a una tentativa de interpretación de los recursos que utiliza el lenguaje cinematográfico, con su fuerza analógica y simbólica, para absorber y vivificar lenguajes artísticos “tradicionales”, verbales en su mayor parte, pero también plásticos, mediante el “montaje polifónico” que evocaba Eisenstein y la lectura oblicua de una historia que fecunda una parcela del imaginario humano de todas las épocas. (shrink)

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This book offers an Arabic edition, English translation, study and glossaries of ʿUbaidallāh Ibn Buḫtīšūʿ’s important work on apparent death; an appendix moreover provides the Arabic and Hebrew recensions of ʿUbaidallāh’s lost Greek _Vorlage_.

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Tu ne sauras jamais, vous non plus, toutes les histoires que j'ai pu encore me raconter en regardant ces images.

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Les philosophies de l'histoire se nourrissaient de miettes tombées de la table du théologien. L'effondrement de leurs projets onto-théologiques permettrait-il de penser enfin l'histoire en fidélité au logos de la philosophie? Mettre toute métaphysique de l'histoire entre parenthèses ne consacre pas l'éternel retour du même, ou plutôt du pareil, mais libère le champ d'une temporalité plénière. Et parce que la temporalité - le temps tel que je le vis et que nous le vivons - se déploie comme ce que l'on (...) peut nommer une histoire, celle que je suis et celle que nous sommes, alors la question philosophique de l'histoire peut être logée sans reste dans une quaestio de tempore formulée après Husserl et Heidegger, et certains autres : sans préjuger d'une eschatologie que seule la théologie peut organiser, mais en s'autorisant à en précomprendre les raisons. L'existence est le mode d'être de l'étant que nous sommes, et l'existence est être en/comme histoire, historialité. L'historialité est une dimension de la temporalité. Qui le saitsaura éviter les ornières de la philosophie de l'histoire. Non pas pour décrire une existence sans histoire, mais pour rendre raison du phénomène de l'histoire. En première instance seulement, certes, mais en rigueur, parce que sans prétention apocalyptique indue. L'histoire dont nous parlons est une réalité avant-dernière."--Page 4 of cover. (shrink)

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Résumé La théorie classique de l’art subordonnerait le beau au respect des règles et des exactes proportions. Mais chez Félibien, au-dessus de la beauté, vient se placer la grâce, qui advient sans règle, par un génie du peintre qui ne s’enseigne pas. Félibien cherche de fixer l’instable nature de la grâce en sollicitant l’union de l’âme et du corps : une figure, un tableau pleins de grâce rendent, pour leur spectateur, l’âme présente au corps. L’excellent peintresaura donc, dans (...) sa pratique et non par son savoir, animer les choses étendues. (shrink)

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In lieu of an abstract, here is a brief excerpt of the content:Notes and Discussions NOTE SUR G. SEBBA,"A 'NEw' DESCARTESEDITION?"* Puisque le titre du tr~s int~ressant article: "A 'New' Descartes Edition?" contient un point d'interrogation, donnons imm~diatement la r6ponse: non, il ne s'agit pas d'une 6dition vraiment "nouvelle." Le professeur Gregor Sebba a tr~s exactement expos6 les raisons qui justifieraient une "nouvelle ~dition": le projet de la Librairie Vrin pretend simplement ~tre une solution empirique et provisoire. Des professeurs et (...) des chercheurs ont actuellement besoin de l'6dition Adam et Tannery pour pr6parer des cours ou des theses ou des articles: on va leur procurer les onze 1 volumes sous un format plus commode, certains ~tant divis~s en deux tomes; avec le concours de Centre National de la Recherche Scientifique, nous esp6rons que le prix de vente de chaque tome ne sera pas trop 61ev6; enfin, si minutieuse que soit la r6vision, rien n'empdchera une publication rapide. IIne peut &re question de commentaires. Mais, par des cahiers suppl6mentaires ajout6s ~t chaque volume et particuli~rement importants pour les tomes de la Correspondance, le lecteursaura tout ce que l'6rudition contemporaine ajoute, depuis 1913, ~ notre connaissance des textes cartesiens. Bien entendu, on reprendra ce que L6on Roth a apport6 sur la correspondance de Descartes avec Huygens. M. Bernard Rochot fera entrer darts les appendices tousles 616merits actuellement connus de la future 6dition critique que souhaite M. Gregor Sebba. Quant,h cette 6dition critique, elle est une oeuvre de longue haleine. I1 conviendrait, en particulier, de reviser les notices qui pr6sentent chaque lettre, d'op6rer un s6rieux contr61e des dates propos6es, de reprendre l'6dition des textes du t. X comme le demande M. Gregor Sebba. Tousles historiens de Descartes souhaitent qu'un nouvel Adam et un nouveau Tannery se chargent d'un travail aussi utile. Mais ceux que la Librairie Vrin a consuh~s ont pens6 que, en attendant, une r6-6dition de l'"Adam et Tannery," mis "hjour, si l'on peut dire, ~3tait devenue indispensable. HENRI GOUHIER Paris, France 9 Journal o[ the tlistory o[ Philosophy, Vol. I, No. 2 (1963), pp. 231-236. xII n'est pas question de r6-6diter let. XII, c'est.h-dire la Fie de Descartes par Ch. Adam. [71]... (shrink)

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Comment la Francophonie est-elle perçue dans l'Algérie d'aujourd'hui ? Certes, comme ailleurs, Francophonie n'y est pas francophilie, car l'Algérie a développé depuis longtemps, et encore plus depuis 1830, des racines du côté d'une identité arabo-islamique. Toutefois le français, langue d'oppression coloniale, y est aussi langue d'ouverture à la modernité, de libération des tabous traditionnels. Le pouvoir politique a utilisé cette quête légitime d'une identité autre que française pour tenter d'imposer un monolinguisme arabe. La tendance actuelle de retour au français, dans (...) l'écrit et dans l'oral, se fait dans une perspective multilingue, qui rend sa place au français, mais aussi aux langues maternelles berbère et arabe parlé. Toutefois la francophonie sera d'autant mieux acceptée qu'ellesaura laisser sa place à la langue arabe internationaleHow is Francophony perceived in the Algeria of today? Admittedly, like in other parts of the world, Francophony is not a kind of “francophilia” because Algeria has long developed the roots of its Arabo-Islamic identity and to an even greater extent since 1830. However for Algerians, while French is the language of colonial oppression, it is also the language of modernity and of a liberation from traditional taboos. The political authorities have used this legitimate search for a non-French identity to try to impose an Arabic monolingualism. The current tendency to return to French, both written and spoken, is carried out from a multilingual standpoint which gives French is its place back alongside the country’s native languages, Berber and spoken Arabic. However Francophony will be accepted more favourably if it is able to leave its place to the international Arabic language. (shrink)

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In lieu of an abstract, here is a brief excerpt of the content:Big Women:Mark Adamo's Lysistrata, or the Nude Goddess Between Monteverdi and Musical ComedyRalph HexterWe live in an age when opera companies across America are regularly presenting new operas, and some of them are even making hesitant first steps into repertory status, though it is too soon to tell how long- or short-lived their performance history will be. Opera itself began—Peri'sDafne (1597) is commonly regarded as the starting (...) point—as an attempt to recreate Greek tragedy on the stage, and for at least its first two hundred years, plots drawing on classical material, if not always classical literary texts, were staples. Nineteenth-century opera composers were relatively less inclined to turn to the classics for plots and characters, but the twentieth century witnessed renewed activity in classically based operas, from Strauss' Elektra (1909) and Stravinsky's Oedipus Rex (1927) to Hans Werner Henze's Venus und Adonis (1997) and Randolph Peters' The Golden Ass (1999), to name but a few significant examples. Mark Adamo's Lysistrata, or the Nude Goddess, which premiered in Houston in 2005, is among the first operas in our new century to continue the tradition.Accompanied by a trio of distinguished distaff classicists, I attended the 2006 revival of Lysistrata, or the Nude Goddess at the New York City Opera. Some months later, as word of the outing—any resemblance to this or any other Aristophanic comedy is purely accidental—trickled out, AJP's editor asked me to write this "Brief Mention." The reader will infer, then, that I neither watched nor listened with the idea of writing such a notice. What follows are reflections based partially on recollection of my immediate impressions (especially of the music) but also on subsequent study of the published libretto,1 Adamo's earlier and quite popular Little Women (1998), and stray remarks of the composer in published or online [End Page 119] interviews. In no sense is it a review of the particular April 2nd matinee performance that I saw. Of that let me say that my impression was almost uniformly positive. The principals, who have very demanding parts (and not only vocally), were strong; several were reprising roles they had taken in the Houston world premiere.Adamo states on the title page of the libretto that the opera is "[f]reely adapted from the play by Aristophanes," and this is both true and to the good. Before I turn to the adaptation itself, it might be worth observing that within the reception history of ancient stageworks in opera, the tradition of classical comedies turned into operas is relatively slight. I put it that way because, of course, one might well argue that New Comedy in its Roman form is the ultimate source of all opera buffa. I say nothing new when I place Figaro directly in the line of servi callidi.2Greek Old Comedy (i.e., given the state of preservation, Aristophanes) has only infrequently provided fodder for opera. One of the most interesting cases is Walter Braunfels' setting of Aristophanes Birds—Die Vögel—premiered in 1920. Braunfels (1882–1954) was fired from his teaching post by the Nazis in 1933—he was half Jewish—and his works were banished from the repertory. Die Vögel, his most successful stagework, has been recently revived, and a recording is available in Decca's "Entartete ["degenerate"] Musik" series. One must also recall the famous Frogs performed in the pool of Yale's Payne Whitney Gymnasium in 1941, since, a generation later, in 1975, the piece was revived, provided with music and lyrics by Stephen Sondheim and, like so many other shows, transferred from New Haven (if not the Shubert) to Broadway.3Aristophanes is more at home, I would argue, in American musical comedy than in opera, at least opera as it has come to be received by modern audiences treated almost without exception to post-Gluckian opera, with major houses, until recently, shunning the more interesting hybrids. (Think even of Carmen and how long it took for it to lose the recitatives by Guiraud that replaced the original opéra comique spoken dialogue.) To modern spectators or readers, Aristophanes, with... (shrink)

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Le débat engagé dans le Phèdre à la suite des trois discours, constitue une enquête dialectique qui ne se limite pas, comme dans le Gorgias, aux seuls genres étudiés par les rhéteurs et sophistes, à savoir l'éloquence du barreau et de la tribune politique. Il examine toute la rhétorique en tant qu'art de conduire ou de provoquer l'âme. Tout discours, à quelque genre qu'il appartienne, est sujet à contradiction : en rhétorique comme en dialectique celui-là est le meilleur qui voit (...) la vérité, parce que, connaissant le pour et le contre, le vrai et le semblant de vérité, ilsaura défendre l'une et l'autre thèse. C'est là une doctrine reçue dans l'Académie. Pour la mettre en évidence Platon a recours à l'exemple des trois discours. Celui de Lysias, faute d'avoir établi une définition qui en soit le principe ou commencement, manque de suite et „nage à rebours". Les deux discours de Socrate posent un principe. Dans le premier une définition conventionnelle de l'amour le conduit à blâmer celui-ci, à juste titre. Vrai en lui-même, ce discours devient faux du moment qu'on lève la convention : or, dans le cas présent, il faut la lever, parce qu'elle méconnaît le divin. Sur l'intervention du „ signe" avertisseur, Socrate le corrige et le complète par le second discours, dont le principe n'est plus conventionnel et hypothétique, mais absolu : l'âme, principe moteur de tout. Nous avons ici l'antilogie parfaite qui repose sur l'unité de formes opposées, „l'un qui s'épand en multiplicité". Platon a choisi comme sujet l'amour parce que c'est lui qui, en tant qu'intermédiaire, unissant l'humain et le divin, réalise éminemment cette unité-multiplicité. L'exposé de la méthode diérétique contient bien des éléments que nous retrouverons dans les dialogues métaphysiques, mais nous aurions tort de la confondre avec celle du Sophiste, qui opère sur des notions „humaines" et a comme but de définir la forme indivisible en la cernant par une chaîne de divisions dichotomiques. Ici, grâce au mythe, il opère la jonction avec le trancendant, et il prouve que, par son caractère antilogique, le discours complet correspond à la structure de l'être un et multiple en affirmant l'unité et la contrariété des formes non-homonymes qui la constituent. Ce ne sont donc pas des exercices de dialectique formelle opérant sur de purs concepts. L'unité en question est réalisée dans l'ordre transcendant des Idées et c'est la réminiscence qui nous permet de la saisir et de reconnaître ainsi les rapports logiques et ontologiques à la fois entre les choses perçues. Cette méthode, nous devons la suivre „ pour être à même de parler et de penser". En fondant la rhétorique sur la dialectique, Platon entend reléguer au second plan les facteurs émotionnels que, sous l'influence du théâtre, la rhétorique attique d'inspiration Gorgienne avait mis en évidence comme constituant l'essence de la rhétorique. Après avoir, ici, revendiqué pour la dialectique la place qui lui revient, Socrate nous dira dans la suite ce que valent ces moyens et quel parti on peut en tirer. Il importe de bien distinguer ces deux thèses, comme Platon a eu soin de le faire. La première nous renvoie à la dialectique, la seconde à la philosophie de la nature. (shrink)

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C'est un ouvrage remarquable à bien des égards que Claude Ménard, qui est né au Québec en 1944 et a étudié en France l'histoire des sciences et l'économie avant d'enseigner l'histoire aux Pays-Bas, a récemment publié chez Flammarion sous le titre La formation d'une rationalité économique: A. A. Cournot. L'épistémologue des sciences sociales y trouvera une analyse intelligente et documentée d'une contribution qui occupe, par rapport à la formation de l'économie moderne, une place qui n'a probablement d'équivalent dans aucune autre (...) discipline. L'historien de la philosophie, tout autant que celui de l'économie, y appréciera l'éclairage neuf jeté sur l'œuvre d'un penseur dont l'importance a toujours été méconnue malgré le fait – ou peut-être plutôt à cause du fait – qu'au milieu du XIXe siècle, il se consacrait à des questions théoriques qui souvent n'allaient devenir importantes que pour les hommes du XXe siècle. L'historien des idéessaura gré à l'auteur d'avoir su situer son analyse de la contribution de Cournot dans le contexte plus large des institutions et des idées qui ont fait du XIXe siècle le moment décisif de la reformulation moderne des idéologies. L'analyste des idéologies y trouvera donc aussi matière à réflexion puisque le rapport des sciences sociales et des idéologies y est abondamment discuté encore que, comme je chercherai à le montrer, le traitement proposé risque davantage, sur ce point, de laisser le lecteur sur sa faim. (shrink)

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Après avoir rappelé les catégories qui dans la Science de la logique et la Philosophie de la nature aident à penser de façon hégélienne la notion de matière , nous indiquons ici à quel point Hegel peut sembler un précurseur de la science du XXe siècle. Est alors analysé en quoi ce genre d’affirmation peut être soutenu mais aussi relativisé. Il apparaît en tout cas que la position de Hegel par rapport à la matière n’est, à bien des égards, pas (...) plus « idéaliste » que la position des physiciens d’aujourd’hui. La matière est pensée par le philosophe allemand comme la trace passagère du processus infini de la réalité – processus qui nesaura s’épuiser dans les diverses constructions des sciences positives.Having considered the categories which, in Science of Logic and Philosophy of Nature, enable us to adopt a Hegelian approach to considering the notion of matter , we here indicate the extent to which Hegel can be considered a forerunner of 20th century science. We then analyse how this type of assertion can be defended but also relativised. It would in any case seem that Hegel’s approach to « matter » is in many respects no more « idealistic » than that adopted by physicists today. Matter is considered by the German philosopher to be a fleeting trace of the infinite process of reality – a process which can never be exhausted in the various constructions of the positive sciences. (shrink)

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La 4è de couv. indique : "Dans ce texte, l'auteur cherche à redéfinir le droit. Partant du positivisme juridique et tenant compte des critiques effectuées à l'égard de celui-ci, il propose de construire une pensée post-positiviste. Ce post-positivisme juridique et philosophique admet l'idée de hiérarchie des normes. Cependant, pour l'auteur, le droit ne peut être considéré de la sorte, s'il n'est pas juste. Or, selon lui un droit digne de ce nom ne peut qu'être celui qui laisse effectivement la place (...) qui convient à l'un et l'autre. Pour y parvenir, il faut savoir écouter chacun mais une telle mise en oeuvre ne saurait se réaliser que par le truchement de magistrats désignés, non pas seulement sur des critères formels mais aussi à partir de leur valeur effective. Le magistrat chargé d'appliquer le droit ayant ainsi pour mission de laisser une place effective à l'un et à l'autre, il aura d'autant plus de valeurs qu'ilsaura laisser cette place juste à ce tout qui ne saurait être confusément pensé. Droit et éthique ont trop souvent été séparés alors, qu'il est patent qu'aucun droit ne peut avoir de légitimité si d'une part, il ne se fonde pas sur une éthique et d'autre part, s'il n'est pas appliqué par des magistrats qui se nourriraient au quotidien de celle-ci, sans en être les dupes pour autant..". (shrink)

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