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Up until today, the term linguistics has never figured in the title of any chair in the Collège de France. However, those having a rapport with language have not been lacking, among them those of “language and literature,” “history and philology” of various cultures, philology, although it does not study language itself, having recourse to it. There are four personalities to be kept in mind in the twentieth century: Abbé Rousselot, whose teaching of phonetics, although briefly, left a permanent mark (...) on his listeners; Mario Roques, who gave a course in the “Histoire du vocabulaire français” from 1937 to 1946; Roland Barthes, who rendered “Sémiologie littéraire” illustrious from 1976 to 1980; and M. Zemb, who two years ago was the first linguist in the modern sense to enter the Collège, with a chair of “Grammaire et pensée allemandes.”. (shrink)

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Translating is often discussed in scholarly circles. Writers talk about it as, obviously, professional translators also do. Even linguists have something to say about this activity, as old as the oldest civilizations. We should like to offer some ideas here on a subject that is so frequently considered. While the ideas are not entirely new, they are results drawn from a lengthy reflection and from the no less lengthy experience of translators. We hope they will indicate some directions that would (...) be fruitful for a continuation of the discussion. (shrink)

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Peut-on vivre sans musique? Ce livre donne toutes les raisons pour lesquelles c'est impossible. De láa son titre. Il montre que la musique est une partie intâegrante et indispensable de notre vie quotidienne. Le timbre, la durâee, la hauteur, l'intensitâe du son musical dâeroulent, au long du temps humain, des ondes áa la vibration desquelles nos oreilles ne peuvent et ne veulent pas se soustraire. Les hommes sont si fortement attachâes áa la puissance de la musique, qu'ils ont inventâe, pour (...) la produire, une admirable diversitâe d'instruments, dont l'ingâeniositâe, le raffinement et les effets sonores dâefient l'imagination. C'est áa travers cet univers, extraordinaire autant que quotidien, que voyage le prâesent livre, en citant et expliquant d'innombrables oeuvres musicales, symphonies, concertos, sonates, quatuors, opâeras, plus fascinantes les unes que les autres, qui jalonnent l'histoire de l'effort opiniãatre des communautâes humaines pour s'enchanter elles-mãemes par cet âetincelant miracle : la musique"--Page 4 of cover. (shrink)

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