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Works by Bohdan Dziemidok

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  1.  121
    Artistic formalism: Its achievements and weaknesses.Bohdan Dziemidok -1993 -Journal of Aesthetics and Art Criticism 51 (2):185-193.
  2.  79
    Controversy about the aesthetic nature of art.Bohdan Dziemidok -1988 -British Journal of Aesthetics 28 (1):1-17.
  3.  10
    Problematyka wartościowania w amerykańskiej filozofii i estetyce XX wieku.Andrzej Ceynowa,Bohdan Dziemidok &Marek Janiak (eds.) -1995 - Gdańsk: Wydawnictwo Uniwersytetu Gdanskiego.
  4. Art, Cultural National Identity and Globalization.Bohdan Dziemidok -2003 -Dialogue and Universalism 13 (11-12):83-94.
     
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  5. Aesthetic Experience and Evaluation.Bohdan Dziemidok -1983 - In Monroe C. Beardsley & John Fisher,Essays on aesthetics: perspectives on the work of Monroe C. Beardsley. Philadelphia: Temple University Press. pp. 53--68.
     
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  6.  17
    Artistic Expression of National Cultural Identity.Bohdan Dziemidok -1999 -Filozofski Vestnik 20 (2).
    The turn of the 20th and the 21st century is a very interesting period. On the one hand, there is a growth of internationalist tendencies, which make us look for common values and universal culture, and on the other hand, the centrifugal tendencies lead to the revival of new forms of nationalism and national and religious conflicts. Integrative tendencies are an unquestioned fact of every aspect of societal life: economic, political, and in culture, which succumbs to a tendency to create (...) global and universal mass culture. It turns out, however, that neither international commerce, nor the blossoming systems of communication and transport, provide us with the common feeling of identity or belonging. At the same time the need for those does not cease to exist. As a result, “people rediscover or create new historical identity”, since they feel uprooted and “need new sources of identity and new forms of stable community, new systems of moral imperatives, which could give them a sense of meaningful and purpose life”. One of the most important forms of collective and cultural identity still turns out to be the national one. The prophecies of the end of the era of nations have not come true. “The strength of national sentiments – writes Jerzy Szacki – even if changeable in time and diverse in space, does not show any symptoms of clear decline, the era of nations keeps lasting and nothing predicts it will end soon.”. (shrink)
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  7.  34
    Aesthetization of Everyday Life and De-Aesthetization of Art.Bohdan Dziemidok -2003 -Philosophical Inquiry 25 (1-2):135-144.
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  8.  43
    Aksjologia Władysława Tatarkiewicza.Bohdan Dziemidok -2011 -Filo-Sofija 11 (13):459-472.
    Author: Dziemidok Bohdan Title: AXIOLOGY OF WŁADYSŁAW TATARKIEWICZ (Aksjologia Władysława Tatarkiewicza) Source: Filo-Sofija year: 2011, vol:.13/14, number: 2011/2-3, pages: 459-472 Keywords: AXIOLOGY, AESTHETIC THEORY, WŁADYSŁAW TATARKIEWICZ, OLD AGE Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:Władysław Tatarkiewicz was not only a co-creator of Polish aesthetics (aside Roman Ingarden, Stanisław Ossowski and Mieczysław Wallis) but also, aside Henryk Elzenberg, a co-creator of Polish axiology. Main issues of Tatarkiewicz’s axiological development were: value and validation (...) theory and happiness and perfection theory. His undebatable achievement in axiological discourse is justification of the need to acknowledge relationism as a middle ground position between objectivism and subjectivism and axiological pluralism as a position different from absolutism and axiological relativism. The article presents not only axiology explicite, contained in his theoretical works, but also tries to reconstruct Tatarkiewicz’s personal axiology, which guided him throughout his long life. The personal axiology of his, I tried to reconstruct based on his memoirs, interviews he gave, letters and my personal contacts with him. (shrink)
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  9.  40
    Controversy about Aesthetic Attitude: Does Aesthetic Attitude Condition Aesthetic Experience?Bohdan Dziemidok -1986 - In Michael H. Mitias,Possibility of the aesthetic experience. Norwell, MA, USA: Distributors for the U.S. and Canada, Kluwer Academic. pp. 139--158.
  10. Czy sens i znaczenie współczesnej sztuki popularnej sprowadza się do jej wartości rozrywkowych?Bohdan Dziemidok -2011 -Estetyka I Krytyka 20:47-64.
     
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  11. Czy sztuka ma estetyczną naturę?Bohdan Dziemidok -1987 -Colloquia Communia 34 (5):11-24.
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  12.  13
    Główne kontrowersje estetyki współczesnej.Bohdan Dziemidok -2002 - Warszawa: Wydawn. Nauk. PWN.
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  13. Globalization Versus National Culture.Bohdan Dziemidok -2002 -Art Inquiry. Recherches Sur les Arts 4:107-122.
  14.  64
    Institutional Definition of a Work of Art.Bohdan Dziemidok -1980 -Philosophical Inquiry 2 (4):555-564.
  15.  10
    Main Problems in the Theory of the Aesthetic Attitude.Bohdan Dziemidok -1974 -Proceedings of the XVth World Congress of Philosophy 4:181-184.
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  16. O komicheskom.Bohdan Dziemidok -1974 - Moskva: Progress.
     
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  17.  27
    O Komizmie [On the Comic].Bohdan Dziemidok -1968 -Journal of Aesthetics and Art Criticism 27 (2):233-235.
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  18.  59
    Roman Ingarden's Theory of Value of the Work of Art in the light of Marxist Aesthetics.Bohdan Dziemidok &Edmund Gussman -1975 -Dialectics and Humanism 2 (2):123-132.
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  19.  9
    Spor o normativnih temeljih estetike.Bohdan Dziemidok & Fj -1995 -Filozofski Vestnik 16 (1).
    Eden glavnih grehov, pripisanih tradicionalni filozofski estetiki, je normativizem, ki naj bi predstavljal grožnjo umetniški svobodi. Če naj bo normativizem eden glavnih grehov tradicionalne estetike, potem ni nič čudnega, da naj bi po mnenju nekaterih predstavnikov analitične estetike odrešitev našli v begu v čisti deskriptivizem. Ta naj bi bil ne le osvobojen vseh normativističnih teženj, pač pa tudi vsakršnega vrednotenja. Kot rezultat tega smo dobili več klasifikatoričnih ter aksiološko nevtralnih definicij umetnosti. Narejeni so bili poskusi ustvariti nekatere čisto deskriptivne koncepcije (...) umetnosti, ki naj bi po mnenju njihovih avtorjev nudile vsestranske značilnosti umetniške praxis in ki istočasno ne bi vsebovale nobenih vrednostnih sestavin ter nobenega normativizma. Institucionalna teorija umetnosti Georga Dickieja je klasičen primer tega pristopa. Vendar pa niti institucionalna teorija umetnosti niti katerikoli drugi poskusi ustvariti čisto deskriptivne in klasifikatorične teorije umetnosti niso izpolnili pričakovanj in niso postali izčrpne ter uspešne teorije umetnosti. Zdi se, da to ni bilo naključno ter da ni moglo biti drugače. Morali bi pričakovati, daje, kot je poudaril Theodor Adorno, »zamisel o vrednostno nevtralni estetiki nesmisel«. Mislim, daje obča teza, po kateri ima estetika vedno neke normativne temelje, preveč radikalna in premočna. Osebno bi raje govoril o normativnih vidikih estetike. Kot lahko vidimo, stopnja normativnosti različnih teorij ni vedno enaka. Vendar pa sam ne dvomim, da je estetika aksiološka disciplina ter da nobena čisto deskriptivna teorija ne more ponuditi vseobsežne označbe umetnosti. (shrink)
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  20.  38
    Tatarkiewicz and the history of aesthetics.Bohdan Dziemidok &Jean G. Harrell -1976 -Journal of the History of Philosophy 14 (2):222-226.
  21.  21
    Teoria przezyc i wartosci estetycznych w polskiej estetyce dwudziestolecia miedzywojennego.Bohdan Dziemidok -1983 -Journal of Aesthetics and Art Criticism 42 (2):225-227.
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  22.  11
    Teoria przeżyć i wartości estetycznych w polskiej estetyce dwudziestolecia międzywojennego.Bohdan Dziemidok -1980 - Warszawa: Państ. Wydaw. Naukowe.
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  23.  11
    Umetniške in estetske vrednosti umetnosti.Bohdan Dziemidok -1988 -Filozofski Vestnik 9 (2).
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  24.  141
    Appearance in this list does not preclude a future review of the book. Where they are known prices are either given in $ US or in£ UK. Alcoff, Linda and Potter, Elizabeth (eds.), Feminist Epistemologies, London, UK, Rout-ledge, 1993, pp. 312,£ 35.00,£ 12.99. [REVIEW]Ian Angus,Lenore Langsdorf,S. Atran,Robert M. Baird,Stuart E. Rosembaum,C. Bonelli Munegato,Scott M. Christensen,Dale R. Turner,Bohdan Dziemidok &Peter Engelmann -1993 -Mind 102:406.
  25. Stanley J. Scott, "Frontiers of Consciousness: Interdisciplinary Studies in American Philosophy and Poetry". [REVIEW]Bohdan Dziemidok -1992 -Transactions of the Charles S. Peirce Society 28 (3):602.
     
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