Reflections of an Existential Crisis in Søren Kierkegaard’s Aesthetic Conception.AntanasAndrijauskas -2019 -Dialogue and Universalism 29 (2):29-41.detailsThis article considers the principles of philosophical thinking in Søren Kierkegaard’s nonclassical aesthetics. Special attention is given to his radical critique of “false” and “impersonal” rationalism. This does not only mean the rejection of the traditional principles of classical metaphysics which claims “universality” and “universal meaning.” Kierkegaard also bases his philosophy on individual human life, or, in other words, personal existence with its unique inner world. His critique is more profound than that by Arthur Schopenhauer. Kierkegaard develops his own philosophy (...) of “existential crisis,” opposing subjective will and internal changes to abstract thinking and external influences. Kierkegaard’s works initiate the critical or nonclassical stage in Western aesthetics. The main place in it is occupied by the idea of the disharmony of the world: its subjective reflection is “split” consciousness that has lost contact with the traditional concepts of harmony, humanism, goodness, beauty and philosophy of art. (shrink)
The Aesthetics of the Intellectual (Wenrenhua) School in the Milieu of Chinese Renaissance Ideas.AntanasAndrijauskas -2020 -Dialogue and Universalism 30 (3):245-261.detailsThis article mainly focuses on one of the most refined movements in world aesthetics and fine art—one that spread when Chinese Renaissance ideas arose during the Song Epoch and that was called the Intellectual Movement. The ideological sources of intellectual aesthetics are discussed—as well as the distinctive nature of its fundamental theoretical views and of its creative principles in relation to a changing historical, cultural, and ideological contexts. The greatest attention is devoted to a complex analysis of the attitudes toward (...) the artistic creation of the most typical intellectuals, Su Shi and Mi Fu; the close interaction between the principles of painting, calligraphy, and poetry is emphasized; a special attention is paid to the landscape genre and to conveying the beauty of nature. This article discusses in detail the most important components of artist’s creative potential, the opportunities to employ them during the creative act, and the influence of Confucian, Daoist, and Chan aesthetic ideas. The various external and internal factors influencing the intellectual creative process are analyzed; artist’s psychological preparation before creating is discussed along with the characteristics of his entrance into the creative process. This article highlights the meditational nature of artistic creation typical of representatives of this movement, the freedom of the spontaneous creative act, and the quest for the inner harmony of the artist’s soul with expressions of beauty in the natural world. (shrink)
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(1 other version)Raštai.Antanas Maceina -1990 - Vilnius: Mintis. Edited by Antanas Rybelis.details1. [without special title] -- 2. Socialinė filosofija -- 3. Trilogija "Cor inquietum" -- 4. Teologinės-filosofinės studijos -- 5. Religija dabarties pasaulyje -- 6. Bendrieji filosofijos klausimai -- 7. Religijos filosofija -- 8. Pedagogikos filosofija -- 9. Filosofija ir kultūra ; Kalbos filosofija ; Literatūrinės interpretacijos -- 10. Religijos filosofija -- 11. Moterystės filosofija -- 12. Socialinė ir politinė filosofija --13. Religinė ir politinė publicistika : papildymai.
Private Copying Exception in Lithuanian Copyright Law: Compatibility with the European Union Law after Preliminary Ruling in Padawan Case.Antanas Rudzinskas &Ąžuolas Čekanavičius -2011 -Jurisprudencija: Mokslo darbu žurnalas 18 (1):125-141.detailsPrivate copying exception is an exception to copyright which is present both in Lithuanian national law and law of the European Union. Recent jurisprudence of Court of Justice of the European Union interpreted legal regulation of private copying exception in the laws of the European Union. The mentioned jurisprudence raised concern whether Lithuanian copyright laws on private copying exception and their interpretation in case law of Supreme Court of Lithuania are compatible with the European Union law. This paper analyses the (...) nature and intention of private copying exception, its reflection in Lithuanian and European copyright law and evaluates Lithuanian laws and case law in the light of recent jurisprudence of the Court of Justice of the European Union. The authors conclude that recent jurisprudence of the Court of Justice of the European Union on private copying exception shall not lead to any dramatic or substantial changes of Lithuanian national copyright laws. (shrink)
Dvi Nietzschės prigimties sąvokos interpretacijos: C. Alamariu ir V. Lemm.JokūbasAndrijauskas -2024 -Problemos 106:135-146.detailsNietzsche kritikuoja religines gamtos (Natur) interpretacijas ir pasisako už „žmonijos natūralizaciją“. Sąvokos „gamta“ ar „prigimtis“ (Natur) Nietzschės darbuose neturi aiškaus, sisteminio apibrėžimo, todėl jų interpretacijos šio filosofo tyrimuose yra prieštaringos. Išryškėja dvi priešingos perspektyvos: Vanessa Lemm gamtą interpretuoja kaip dionisišką chaosą, skatinantį emancipacinį vyraujančių idėjų atmetimą, o Costinas Alamariu – kaip aristokratišką phusis, ugdančią aukštesnius žmogiškuosius tipus. Šiame straipsnyje teigiama, kad šie iš pirmo žvilgsnio prieštaringi požiūriai yra suderinami. Nietzsche pasitelkia gamtos kaip chaoso sampratą kritikuoti antropocentristines pažiūras, pristatydamas gamtos supratimo, (...) atsieto nuo žmogiškos perspektyvos, galimybę. Darbe analizuojama ir kritikuojama Lemm šios koncepcijos iliustracija pasitelkiant lyčių skirtumus. Galiausiai, teigiama, jog Alamariu interpretacija atitinka vėlesnius, Nietzschės tyrinėjimuose dažnai ignoruojamus, pozityvius šio filosofo etinius-politinius siekius, susijusius su aukštesnių žmogiškųjų tipų ugdymu. (shrink)
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