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A culturally cultivated ignorance with regard to the care and presentation of tightly-curled hair pervades American society. This ignorance masquerades as a discourse of manageability, which supports institutional prohibitions of historically Black American hairstyles. In other words, rather than acknowledging our knowledge deficits, we attribute the medical and aesthetic consequences of our ignorance to the hair itself. The insidious implication is that the display of tightly curled hair is not a matter of taste but indicative of a lack of self-care. (...) I conclude that this trend is racially prejudicial and that laws and education are possible mechanisms of redress. (shrink)

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The whiteness of American philosophy must be appreciated as an epistemological and ontological achievement. Thus, I contend that the only way forward for American philosophy entails an Africana philosophical critique, which consists of two methodological ventures—one deconstructive and the other radical. I will briefly present six voices that exemplify this Africana philosophical critique. The deconstructive voices include (1) Sylvia Wynter's genealogy of “MAN,” (2) Leonard Harris's insurrectionist challenge to Pragmatism, and (3) Charles Mills's and Chandra Mohanty's rejection of Ideal Theory. (...) The radical voices include (1) Lewis Gordon's Africana-existential-phenomenology as a decolonial “antidote” to Eurocentrism, (2) Tommy Curry's culturalogical solution to the “derelictical” and “methodological” crises of African American philosophy, and (3) Africana literature as “new” philosophy. (shrink)

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In his 1985 lecture, Geschlecht III, Derrida sought to ‘situate Geschlecht within Heidegger’s path of thought’. Having identified a political disclosure of sorts in Heidegger’s discussion of the significance of Trakl’s poetic invocation of the polysemic, German word ‘Geschlecht’, Derrida intimates that Heidegger betrays ideas and presumptions concerning the ‘problematic of philosophical nationalism’. Given the contentious political context of Heideggerian thought, some scholars might hope that Derrida’s intervention here would bear upon the divisive scholarly concern referred to as the ‘Heidegger (...) Question’. While Geschlecht III does not provide a resolution, a close reading betrays productive political implications to his manner of engagement. In this brief study, I will survey the political stakes of various methodological approaches to reading Heidegger, with Derrida’s manner of reading Heidegger’s ‘Language in the Poem’ at the centre. Ultimately, I argue that Derrida and Heidegger both appeal to a particular sense of the political that must be respected, though not necessarily accepted. (shrink)

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Africana scholars often address their texts to a reader who is implicitly white. This tendency, which this article characterizes as the “discursive orientation toward whiteness,” has the pernicious effect of limiting the range and rigor of scholars’ research questions and proposal. This analysis examines the other discursive “face,” following J. Saunders Redding’s observation from almost eighty years ago, which remains unnervingly insightful: “Negro [sic] writers have been obliged to have two faces... to satisfy two different (and opposed when not entirely (...) opposite) audiences, the [B]lack and the white.” Scholars have described this second face in the text in a number of ways—variously as a temperament, a rhythm, or an “aesthetic.” Through an analysis of a few exemplary texts, the current study will describe a few of the most salient characteristics, ultimately in the service of equipping the “Black” scholar with a few effective, liberatory rhetorical strategies. (shrink)

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Heroism presumes “humanity.” Black candidates for heroism in the United States, however, must often overcompensate for the presumed sub-humanity imposed upon them by the American popular imaginary. By way of an illustration, consider the instructive case of the Rev. Dr. Martin Luther King Jr., who, arguably, attains the status of American Hero in spite of his Blackness. Through a unique account of the life of Dr. King, I will argue that King attains the requisite overcompensation necessary for American heroism by (...) becoming what João Costa Vargas and Joy James call a Baldwinian Cyborg, a “super human with unnatural capacities to suffer and love.” I will present, here, a literary narrative that weaves speculative fiction into the interstices of the historical record in order to contend that the Black Cyborg is necessary in a world where white Americans are “human” but Black citizens remain aspirations. (shrink)

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The CROWN Act is a recent piece of legislation adopted in 19 states and a handful of counties that prohibits race-based hair discrimination, which is the denial of employment and educational opportunities from individuals with kinky or curly hair textures or associated hairstyles. I contend, however, that in spite of the political and popular momentum, politician and activists need stronger and more compelling arguments in order to attain broader legislative support. I will provide some of these supporting arguments here, asserting (...) that the CROWN Act represents a profound legal, political, and moral advancement in our understanding of discrimination generally, and American racism in particular. Importantly, in amending the definition of “race” to include some mutable characteristics, the CROWN Act clarifies what counts as evidence of racial discrimination. (shrink)

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How should one write, what words should one select, what forms and structures and organization, if one is pursuing understanding? Sometimes this is taken to be trivial question. I shall claim that it is not.[T]here is nothing that so alters the material qualities of the voice as the presence of thought behind what is being said: the resonance of the diphthongs, the energy of the labials are profoundly affected—as is the diction.philosophy and literature are akin in rich and meaningful ways. (...) Like philosophy, novels make arguments and explicitly engage the range of philosophical questions; and like literature, essential elements of philosophy include... (shrink)

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Between 1957 and 1961, W. E. B. Du Bois wrote a lengthy work of historical fiction, a trilogy collectively titled The Black Flame. Through the lenses of four American families, the narrative offers an illuminating glimpse into the American, political drama of the late 19th and early 20th centuries, focusing on the degree to which “the negro problem” featured in important decisions and events. Reiterating ideas found in his other works—like Black Reconstruction —the narrative foregrounds the gravity of the “Negro (...) Problem” in the formation and constitution of American culture and political institutions.While this paper will examine a few of the specific arguments that emerge from The Black... (shrink)

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