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  1.  29
    Contemporary Kantian Metaphysics. New Essays on Space and Time. Ed. by Roxana Baiasu, Graham Bird, A. W. Moore.ÖzgeEkin Gün -2015 -Kant Studien 106 (4):717-721.
    Name der Zeitschrift: Kant-Studien Jahrgang: 106 Heft: 4 Seiten: 717-721.
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  2.  92
    (1 other version)Kant’s Metaphysics of the Self: The Self as a “Clear” Representation.Ekin Erkan -2022 -Philosophia 51 (1):1-47.
    This paper seeks to show how Kant’s epistemological conception of the transcendental faculties of cognition relates to his ontological conception of the transcendental distinction between mind-dependent, ideal appearances (viz., empirical objects) and mind-independent, transcendentally real things in themselves, as they relate to the self. I engage the metaphysical foundations of Kant’s account of self-consciousness and how this account relates to the self as an empirically perceivable and conceptualizable object of observation. This paper also connects Kant’s work in the Transcendental Deduction (...) on the transcendental unity of apperception with Kant’s work on “clear” and “obscure” representations. (shrink)
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  3.  121
    Speech and Gesture in Spatial Language and Cognition Among the Yucatec Mayas.Olivier Le Guen -2011 -Cognitive Science 35 (5):905-938.
    In previous analyses of the influence of language on cognition, speech has been the main channel examined. In studies conducted among Yucatec Mayas, efforts to determine the preferred frame of reference in use in this community have failed to reach an agreement (Bohnemeyer & Stolz, 2006; Levinson, 2003 vs. Le Guen, 2006, 2009). This paper argues for a multimodal analysis of language that encompasses gesture as well as speech, and shows that the preferred frame of reference in Yucatec Maya is (...) only detectable through the analysis of co-speech gesture and not through speech alone. A series of experiments compares knowledge of the semantics of spatial terms, performance on nonlinguistic tasks and gestures produced by men and women. The results show a striking gender difference in the knowledge of the semantics of spatial terms, but an equal preference for a geocentric frame of reference in nonverbal tasks. In a localization task, participants used a variety of strategies in their speech, but they all exhibited a systematic preference for a geocentric frame of reference in their gestures. (shrink)
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  4.  439
    Aleatory Aesthetics: Appraising the Aesthetics of “Chance” in Gerhard Richter’s Cage Paintings.Ekin Erkan -2021 -AEQAI.
    Review of Gerhard Richter's work on randomness in his recent abstract art paintings, compared with John Cage's work on randomness; the review asks about what randomness in representation qua art amounts to.
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  5.  43
    Art and Posthistory: Conversations on the End of Aesthetics.Ekin Erkan -2024 -British Journal of Aesthetics 64 (3):425-428.
    Art and Posthistory: Conversations on the End of Aesthetics is composed of four conversations between Arthur Danto and Demetrio Paparoni, conducted between 1992.
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  6.  157
    The Architecture of Relational Materialism: A Categorial Formation of Onto-Epistemological Premises.OzanEkin Derin &Bekir Baytaş -forthcoming -Foundations of Science 30:1-51.
    This study formulates the basic premises of materialism, which has largely lost its visibility despite being one of the fundamental philosophical approaches that have been effective in the development of modern scientific practice and the construction of philosophy of science, in an alternative way, and aims to develop a new materialist interpretation of it that is non-reductive, pluralistic and open to the use of more than one scientific discipline. This interpretation, expressed with the term relational materialism, first addresses matter with (...) the concept of signifier and foregrounds the concept of beable as the general philosophical category of matter. Secondly, it formulates the category of beable within the irreducible integrity of the categories of relationality, nonstaticity, and finitude; and positions knownability in terms of its correspondence to these general onto-epistemological categories. Thirdly, it clarifies the conditions of existence and knownability of particular entities under general categories based on specially corresponding onto-epistemological categories (interactability, structurability, contextuality, transformability, scale-dependency, actuality, contingency). In this respect, this study offers a pluralistic philosophical framework within which different methodological positions and scientific disciplines can be formulated and criticized based on combinations of different particular categories under general categories. In the conclusion of this article, the meaning and potential of relational materialism for the development of scientific research programs are evaluated. (shrink)
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  7.  465
    Charles Ray and the Uncanny at the Met.Ekin Erkan -2022 -White Hot.
    Review of Charles Ray's recent show, Figure Ground, at The Metropolitan Museum of Art.
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  8.  33
    Entrepreneurship and the emergence of industrial clusters.Özge Dilaver,Mercedes Bleda &Elvira Uyarra -2014 -Complexity 19 (6):14-29.
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  9.  30
    Associations of Artists and Hellenistic Rulers. The Case of the Guild Established in Ptolemaic Egypt and its Cypriot Subsidiary.Brigitte Le Guen -2016 -Frühmittelalterliche Studien 50 (1):231-254.
    Name der Zeitschrift: Frühmittelalterliche Studien Jahrgang: 50 Heft: 1 Seiten: 231-254.
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  10. Inquiry into Australia's future oil supply and alternative transport fuels Submission by Western Australian Cycling Committee.Roxane le Guen &Parliament House -forthcoming -Inquiry: An Interdisciplinary Journal of Philosophy.
     
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  11.  36
    Sosyal Bilgiler Öğretmen Adaylarının Siyaset Kavramına İlişkin Algılarının Metaf.Özge Tarhan -2016 -Journal of Turkish Studies 11 (Volume 11 Issue 19):873-873.
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  12.  48
    Why wait for the verb? Turkish speaking children use case markers for incremental language comprehension.DuyguÖzge,Aylin Küntay &Jesse Snedeker -2019 -Cognition 183 (C):152-180.
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  13.  30
    Mental Simulation of Facial Expressions: Mu Suppression to the Viewing of Dynamic Neutral Face Videos.Ozge Karakale,Matthew R. Moore &Ian J. Kirk -2019 -Frontiers in Human Neuroscience 13.
  14.  61
    RETRACTED ARTICLE: Categorial Inference and Convert Realism: Structuring Ontology Via Nomological Axiomatics.Ekin Erkan -2022 -Axiomathes 32 (6):1189-1189.
  15.  613
    The Post-Cinematic Gesture: Redhack.Ekin Erkan -2020 -Zapruder World 6.
    Over the last thirty years, once staunchly film history scholars such as Thomas Elsaesser, Jane Gaines, Siegfried Zielinski, André Gaudreault and Benoît Turquety (to name just a few) have abandoned history for historiography and film studies for media archaeology. Considering the heightened attention given to kulturtechnik (Siegert), the database as a dominant symbolic metaphor,1 and the decentered networked tenants of the postmodern global present, cinema is taking on the characteristics of new media, existing in increasingly intertextual space. Thus, the term (...) “post-cinema” has been co-opted as a viable intermediary that accounts for new media conditions, as cinema is no longer emblematic of our cultural climate. It was once presaged in 1992 that “[t]he end of the cinema truly sounds the death knell of the ultimate metaphysical adventure of Dasein. In the twilight of post-cinema, of which we are seeing the beginning, human quasi-existence, now stripped of any metaphysical hypostasis and deprived of any theological model, will have to seek its proper generic consistency elsewhere.” Accordingly, we are no longer “moviegoing animals” who seek images of ourselves among a collective in the dark but, rather, users interfacing within a network of moving images. By locating post-cinema within the semblance of social media, we are allocated a newfound series of theoretical interventions, the most marked of which is that of media archeology vis-à-vis dialectical materialism. This is a lens through which Brian Winston has recently deftly decried Virtual Reality’s “empathy machine” utopic illusionism, bolstered by Chris Milk and a slew of neurohumanities researchers, steadily maintaining that the fundamental myth of “technologies of seeing” is in disguising “their artifice, their cultural formation and their ideological import.” However, this approach, which illuminates the bifurcation between Max Horkheimer/Theodor Adorno and Walter Benjamin, neglects what Benjamin identified as occurring to the work of art in the age of its technological reproducibility—a shift from a technology’s “cult value,” associated with the unique work, to its “exhibition value,” associated with the social act of viewing as part of a mass. Speaking to this divarication, Benjamin Barber, in Strong Democracy, foresaw new media’s two-fold potential—as they are organized and networked, new media and communications technologies possess the possibility to both energize citizen information and political participation but, simultaneously, to supplement the deterioration of public debate. As evinced by Mark Adrejevic’s concept of Infoglut, this two-pronged possibility has only been exacerbated by the interlocking relationship between the advent of a “glut” of information, post-truth politics, the demise of symbolic efficiency, and a renewed focus on the role of affect and emotion as “alternative modalities for thinking about the role of communication in a post-referential era.” Manuel Castells qualifies Barber’s pessimism, noting that the Internet can “be an appropriate platform for informed, interactive politics, stimulating political participation.. […] beyond the closed doors of political institutions,” but that the Internet, like any technology, “is shaped by its uses and users.” Thus, if there exists a positive correlation between exposure to post-cinema media artifacts and political participation, then I seek to explore the revelatory political possibilities of “exhibition value” by way of a particular “post-cinema” case study: the Marxist-Leninist Turkish hacktivist group Redhack’s YouTube-circulated documentary RED! (2013), a project that demanded—by way of the moving-image—to galvanize cyberprotest and democratize a “hacktivist commons. (shrink)
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  16.  32
    Movement related slow cortical potentials in severely paralyzed chronic stroke patients.Ozge Yilmaz,Niels Birbaumer &Ander Ramos-Murguialday -2014 -Frontiers in Human Neuroscience 8.
  17.  81
    Making sense of causal relations. A cross-cultural and cross-linguistic study.Olivier Le Guen,Jana Samland,Thomas Friedrich,Daniel Hanus &Penelope Brown -2015 -Frontiers in Psychology 6.
  18.  923
    Béatrice Longuenesse and Ned Block Vide Kant.Ekin Erkan -2021 -Cosmos and History 17 (1):405-452.
    Understanding, for Kant, does not intuit, and intuition—which involves empirical information, i.e., sense-data—does not entail thinking. What is crucial to Kant’s famous claim that intuitions without concepts are blind and concepts without intuitions are empty is the idea that we have no knowledge unless we combine concepts with intuition. Although concepts and intuition are radically separated mental powers, without a way of bringing them together (i.e., synthesis) there is no knowledge for Kant. Thus Kant’s metaphysical-scientific dualism: (scientific) knowledge is limited (...) to the world of phenomena—the world of appearance—while the thing-in-itself is unknowable because there is no intuition that can correspond to the it. This paper sets to cull Béatrice Longuenesse’s recent work on the first-person ‘I’ and put forth a novel Kantian approach to the first-person reference of mental states, working in the tradition of P.F. Strawson, Rudolf Carnap, and Wilfrid Sellars, while offering an empirical study of deafferentation to ground the thesis that the binding of representations is separate from phenomenal consciousness. Accordingly, we stake a kind of self-consciousness vis-à-vis the Fundamental Reference-Rule qua apperception that, while intimately connected to consciousness of one’s own body, apperception is nevertheless distinct from it and is, moreover, the condition for any use of ‘I’. We compliment neuroscientist Oliver Sacks’ research with Ned Block’s recent work on “no-post‐perceptual cognition” and attentional variation to couch Kant’s schema in perceptual psychology. We navigate Kant’s work on intuitions (viz. sensation, perception, and the empirical side of the cognitive faculties) and indirect realism/weak representationism first via Sellars’ naturalization of Kant’s inaccessible thing-in-itself, before challenging Sellars’ functionalist and inferentialist conception of perception and discursive intentionality. We ultimately endeavor to conceptualize the limit-conditions regarding our having reportable knowledge about our access to percepts and concepts. (shrink)
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  19.  40
    Rodosçuk Halkının Beslenme Kültürü Üzerine Bazı Gözlemler (1638-1730).ÜmitEkin -2017 -Akademik İncelemeler Dergisi 12 (1):37-58.
    Bu makalede Marmara Denizi’nin Kuzeybatısında yer alan Rodosçuk/Tekirdağ kazasında yaşayan halkın beslenme kültürü ele alınmıştır. Hangi ürünlerin yaygın olarak tüketildiğini belirlemek için başvurulan temel kaynak narh defterleridir. Bilindiği üzere narh, mal ve hizmet fiyatlarının esnaf örgütlerinin görüşü alınarak devlet tarafından belirlenen üst sınırını ifade etmektedir. Piyasada bulunan malların listelerini barındırdığı için ayrı bir önem taşıyan narh defterleri ilgili kazaya ait şer’iyye sicillerinde yer almaktadır. 1638-1730 yıllarına ait narh listelerinde bulunan ürünler türlerine göre sınıflandırılarak başlıklar halinde değerlendirilmiştir. Bu araştırmada ayrıca narh (...) defterlerine yansıdığı kadarıyla Rodosçuk piyasasında bulunan yiyecek maddelerinin çeşitliliği, yakınlığı nedeniyle özellikle İstanbul’da ve Saray’da tüketilen ürünlerle karşılaştırılarak zaman içinde meydan gelen değişimler belirlenmiş ve incelenen dönemin başından sonuna kadar önemli bir dönüşümün yaşanmadığı ortaya çıkmıştır. Varılan sonuçlardan bir diğeri de Amerikan menşeli yiyeceklerin henüz Rodosçuk’ta sahneye çıkmamış olmasıdır. (shrink)
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  20.  647
    A Critique of Representationalism In Heidegger and Sellars.Ekin Erkan -2021 -Cosmos and History 17 (1):365-404.
    In this paper, we compare Heidegger and Sellars’ respective responses to Kant’s Schematism section of the Transcendental Analytic, taking heed of how both philosophers motivate a criticism of representationalism in their respective renderings while also prodding their Kantian insights towards a holist conception of normativity. We begin with an overview and analysis of Heidegger and Sellars’ holism, comparing both thinkers’ systematic thought. We then turn to how both appraise Kant' Schematism section, first working through Heidegger’s analysis of Kant’s understanding and (...) imagination. We follow this up with Sellars’ naturalized Kantianism, taking particular interest in how Sellars emphasizes the basic foundational units, i.e., ‘this-suches’, grounding Kant’s theory of perception. We appraise both approaches, making the case that they offer a compatible productive misreading. (shrink)
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  21.  48
    Dependence, Addiction and Arrest: A Eulogy to Stiegler.Ekin Erkan -2020 -Media Theory 2020:1-5.
    A eulogy on the late Bernard Stiegler, reflecting onEkin Erkan's friendship with Stiegler and Stiegler's influence on the philosophical study of technology, stoking a comparative review between Stiegler and other thinkers in analytic and continental traditions.
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  22.  465
    On Levi R. Bryant’s “Dim Media” byEkin Erkan.Ekin Erkan -2019 -MediaCommons 5:1-20.
    A commissioned article about philosopher of ecology Levi Bryant, and his theory of urban space.
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  23.  27
    Kum Tanelerini Saymak: Latin Şiirinde Öznel Zaman Algısına Kavramsal Metafor Açısından Bakış.ÖykenEkin &Güven Günay Elif -2023 -Felsefe Arkivi 58:179-252.
    Bilindiği gibi zaman Antik Çağ’dan itibaren felsefenin önemli konularından biri olmuştur. Metafor ve metaforun olmazsa olmaz sayıldığı şiir de hemen her çağda filozofların ilgisini çekmiş, metaforu kimileri ifade aracı olarak kullanmış, kimileri doğrudan araştırma nesnesi saymış, şiirin doğasına ilişkin sorgulamalar estetik felsefesinin doğmasında önemli rol oynamıştır. Bu makale zaman, metafor ve şiire felsefe değil filoloji ve edebiyat eleştirisi perspektifinden yaklaşmıştır ama hemen her adımı felsefeyi çeşitli açılardan ilgilendirdiğinden çok disiplinli ya da doğrudan felsefi başka çalışmalara katkı sağlayacağını umuyoruz. Dünyayı ve (...) insan doğasını anlama amacının birleştirdiği, hakikati arama biçimlerinin ayırdığı edebiyat ve felsefenin tarih boyunca şiddeti değişse de süren geriliminin pek çok açıdan verimli olduğu, bilişsel estetik gibi yeni yaklaşım ve bilgi alanlarının da bu ilişkiye boyut kazandırdığı açıktır. Çalışmamızda, öznel zaman algısına dayalı zaman metaforlarının ağırlıklı olarak Augustus Dönemi’ne (MÖ 27–MS 14) ait Latin şiirlerindeki başlıca örnekleri kavramsal metafor kuramı çerçevesinde çözümlenmiş ve bu kuramsal çerçevenin Latin şiirine ilişkin eleştirel çözümlemelerin geneli açısından sağlayabileceği imkânlar çeşitli yönleriyle tartışılmıştır. Catullus, Horatius, Ovidius, Tibullus, Statius ve Phaedrus’tan örnekler içeren bir seçki üzerinde yaptığımız bu çalışmanın bulguları şiirdeki metaforların oluşmasında ve algılanmasında hem bilişsel süreçlerin hem anlatı tekniklerinin devrede olduğu görüşünü desteklemekte ve Latin şiirlerinin bu çifte bakış açısıyla daha verimli yorumlanabileceğine işaret etmektedir. İncelenen örnekler zamana ilişkin öznel, başka deyişle, şair ya da anlatıcının bireysel algısının öne çıktığı metaforlardan seçilmiş olmakla birlikte, zamanla ilgili kültürel ve öznel tasarımların birbirinden kesin biçimde ayrılamadığı, belirli kavram sistemlerinin farklı katmanlarını oluşturduğu görülmüştür. (shrink)
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  24.  20
    Philosophy in Turkey.ÖZge Ejder -2003 -Journal of the British Society for Phenomenology 34 (2):223-224.
  25.  27
    A Tribute to M Archive: After the End of the World: The Archive Images.Sokari Ekine -2022 -Feminist Studies 48 (1):241-248.
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  26. Legislating proportionately.Richard Ekins -2014 - In Grant Huscroft, Bradley W. Miller & Grégoire C. N. Webber,Proportionality and the Rule of Law: Rights, Justification, Reasoning. New York, NY: Cambridge University Press.
     
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  27.  20
    (1 other version)Being: On Pure Phenomenality and Radical Immanence.Ekin Erkan -2019 -Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics 21 (2):197-203.
    A book review of The Michel Henry Reader, edited by Scott Davidson and Frédéric Seyler.
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  28.  50
    Gadamer, Objectivity, and the Ontology of Belonging.Carroll Guen -1989 -Dialogue 28 (4):589-.
    In everyday language, “objectivity” is an important normative term. It signifies that in our demeanour, in our judgments, in our attitudes, there is more at stake than just what we want in and of ourselves as isolated individuals. Whoever is called upon to moderate the presidential debate must be “objective”; that is, he or she must give each participant a fair hearing and fair treatment. It is not appropriate for such a moderator to take sides or to use the position (...) to pay off personal scores. Now we know that this moderator will have his or her own personal political convictions, and that he or she may well dislike one, or both, of the candidates. However, we would all agree that this is not the time or the place to settle old scores. That would show a lack of “objectivity”. (shrink)
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  29.  20
    Fen Edebiyat Ve Eğitim Fakültesi Öğrenci.Özge Karakaş -2013 -Journal of Turkish Studies 8 (Volume 8 Issue 4):927-937.
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  30.  22
    RETRACTED: How Traumatic Violence Permanently Changes Shopping Behavior.Ozge Sigirci,Marc Rockmore &Brian Wansink -2016 -Frontiers in Psychology 7:209292.
    Traumatic experiences – such as combat, living in a conflict country or war-torn nation, or experiencing a violent crime or natural disaster – change social relationships and may also influence a life-time of consumer relationships with brands and shopping. Our focus on this previously overlooked area is centered on an analysis of the long-term shopping habits of 355 combat veterans. We show that those who experienced heavy trauma (e.g., heavy combat) exhibited similar disconnection from brands as others have experienced in (...) social relationships. They became more transactional in that they were more open to switching brands, to trying new products, and buying the least expensive alternative (p< 0.01). In contrast, those who had experienced a light trauma were more influenced by ads and more open to buying brands even when they cost more (p< 0.00). Trauma, such as combat, may change one’s decision horizon. Functionality and price become more important, which is consistent with the idea that they are more focused on the present moment than on building on the past or saving for the future. (shrink)
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  31.  28
    İngilizce Dersi Öğretim Programı İle Türkçe Dersi Öğretim Programı Arasında Hedef, İçerik, Öğrenme/Ö.FaziletÖzge Mavi̇ş -2015 -Journal of Turkish Studies 10 (Volume 10 Issue 11):1083-1083.
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  32.  631
    Étienne Balibar, On Universals: Constructing and Deconstructing Community.Ekin Erkan -2021 -Philosophy Today 65 (4):971-978.
    Review of Etienne Balibar's On Universals with an eye towards Balibar's Hegelianism and work on translation.
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  33.  30
    Navigating Agamben’s Cinematic Paradox via Laruellean Immanence: A Hacktivist Cast Study.Ekin Erkan -2019 -MediaCommons 8:1-23.
    While many film theorists declare Agamben as, in equal part, a Deleuzian film theorist, I pose that, through this Benjaminian lens, we can parse distinctive cinematic questions that Agamben exclusively pursues - in particular, cinema's potential as a repurposive counter-dispositif to combat dominant forms via critique. This is not to suggest that parallels do not exist between Agamben and Deleuze’s approaches: as Meillassoux has noted, Deleuze's logic of representation (also known as "correlationism") develops an "image of thought that attempts to (...) overcome the binary separation” between matter and spirit, mind and body. Furthermore, Agamben is unequivocally astricted to the Bergson-bound Deleuzian tradition of "untimeliness," whereby cinema extricates "the fallacious psychological distinction between image as psychic reality and movement as physical reality." Furthermore, both Agamben and Deleuze are committed to a notion of "cinema-thought," as Jean-Luc Nancy terms it, or haecceities of Oneness—a commitment to cinema-as-immanence, or indexing thought, rather than mediating it via hermetic historicism. However, Agamben's concept of gesture, as a prelinguistic mode of communication, suspends the symbolic, replacing taxonomy and, therefore, offers a sublime breach: "Gesture is the communication of a potential to be communicated." In other words, Agamben’s gesture is something of an “enigmatic signifier,” insofar as it is impregnated with a primitive and unconscious meaning. (shrink)
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  34.  487
    ON THE “NATURALIST” CRITIQUE OF CLEMENT GREENBERG VIDE KANT: A MISTAKEN & HANDED-DOWN CRITIQUE.Ekin Erkan -2023 -Cosmos and History : The Journal of Natural and Social Philosophy 19 (2):52-72.
    According to commentators like Rosalind Krauss, Briony Fer, Caroline Jones, and Michael Fried, Clement Greenberg’s formalist/positivist device of “medium-specificity” debars errant affective aesthetic experiences that are embodied; despite significant differences in how these theorists arrive at this conclusion, one shared point of emphasis is Greenberg’s inheriting Kant’s disinterested conception of pleasure in reflective judgments of beauty. Offering a textualist review of Kant’s Analytic of the Beautiful, I seek to demonstrate that neither Greenberg, nor Greenberg’s critics, are correct in their account (...) of Kant’s judgments of beauty.1 Specifically, I argue that Greenberg conflates Kant’s conception of judgments of free beauty (pulchritudo vaga) with merely adherent beauty (pulchritudo adhaerens). In formulating a rejoinder to Greenberg and the misplacement of Greenberg as a Kantian, and following Diarmuid Costello, I hope to save a path for a Kantian aesthetics of the present, much in the spirit of other broadly Kantian art historians and philosophers of art/aesthetics (e.g., Thierry de Duve, Paul Guyer, Ido Geiger, etc.). (shrink)
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  35.  36
    Angelica Nuzzo. Approaching Hegel’s Logic, Obliquely: Melville, Moliere, Beckett.Ekin Erkan -2022 -The Owl of Minerva 53 (1):109-114.
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  36.  83
    Cognitive Anthropological Fieldwork.Olivier Le Guen -2012 -Topics in Cognitive Science 4 (3):445-452.
    In their introduction, Beller et al. point to important issues regarding the problematic interaction of anthropology and cognitive sciences (CS). I address some of these issues in stressing first some limitations of the current state of the fields of anthropology and CS. In the second half of this article, using data from studies I have been conducting among the Yucatec Mayas (Mexico), I present some concrete cases where anthropological and CS methods and approaches are complementary. Finally, I propose some solutions (...) to find common ground and ways to improve cross‐disciplinary collaboration. (shrink)
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  37. Toplumsal Cinsiyet Rolleri Bağlamında Türk Toplumunun Erkeklik Algısı”.Özge Zeybekoğlu -2010 -Ethos: Dialogues in Philosophy and Social Sciences 3 (1).
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  38.  23
    German-speaking children use sentence-initial case marking for predictive language processing at age four.DuyguÖzge,Jaklin Kornfilt,Katja Maquate,Aylin C. Küntay &Jesse Snedeker -2022 -Cognition 221 (C):104988.
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  39.  8
    Kant on Pleasure and Judgment: A Developmental and Interpretive Account by Alexander Rueger (review).Ekin Erkan -2025 -Review of Metaphysics 78 (3):559-561.
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  40.  15
    (1 other version)Criticism beyond Measure.Paul Ekins -1993 -Environmental Values 2 (1):73-76.
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  41.  27
    An Examination on the Philosophy of Music in the Patristic Middle Ages.Ekin Çoraklı Kahraman -2023 -Beytulhikme An International Journal of Philosophy 13 (13:4):245-260.
    Orta Çağ, özellikle Avrupa açısından fikir ve yaratma özgürlüğünün kısıtlandığı bir dönem olarak nitelenmektedir. Ancak bu kısıtlamalar felsefe, güzel sanatlar ve birçok diğer alanda yaratıcılığı engelleyememiş, örtük de olsa ortaya çıkan yenilikler Rönesans’ın gelişine zemin hazırlamıştır. Söz konusu yaratıcılık alanlarından birisi de müzik felsefesi olup, bu alana dair bir çalışma yapılmasının Orta Çağ’da belirmiş olan müzik düşüncesinin daha iyi anlaşılmasına yarar sağlayacağı düşünülmüştür. Bu düşünce doğrultusunda çağın ilk zamanlarını kapsayan Patristik Dönem’de müzik felsefesine ilişkin bir çalışma yapılması planlanmıştır. Bu araştırmanın (...) amacı Patristik Dönem müzik felsefesini bu döneme müziğe ilişkin sundukları düşünceler ile en çok katkıyı sağlamış olan Augustinus ve Boethius’un düşüncelerinden yararlanarak incelemektir. Bu amaç ışığında iki felsefecinin seçilmiş kitaplarındaki müziğe dair fikirler derlenmiş, açıklanmış ve tartışılmıştır. Her iki filozofun da fikirlerinin bilime ve akla yaptığı vurgu ile Antik Çağ filozofları Pythagoras ve Platon’dan izler taşımakta olduğu ancak Augustinus’un fikirlerinin daha çok Hristiyanlık fikriyle sentezlenmiş, Boethius’un fikirlerinin ise daha seküler bir özellikte olduğu görülmüştür. Felsefeciler ayrıca müziğin varlığı, içeriği ve etkisine yönelik özgün düşünceler de iletmişlerdir. (shrink)
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  42.  64
    Equal Protection and Social Meaning.Richard Ekins -2012 -American Journal of Jurisprudence 57 (1):21-48.
  43.  26
    (1 other version)Johanna Seibt’s Process Ontology of Categorical Inference: On Nomological Axiomatics and Category Projection.Ekin Erkan -forthcoming -Metaphysica.
    Drawing from a Sellarsian realist-naturalist epistemology, we trace different levels of cognitive hierarchy procedures through which a representational system learns to update its own states and improve its ‘map-making’ capabilities from pre-conscious operations which modulate base-localization functions, to patterns of epistemic revision and integration at the conceptual and theoretical levels, producing a nomological double of its world. We show how ontological theorization becomes diachronically coordinated with and constrained by empirical science, and how the formal-quantitative kernel of scientific theories corresponds to (...) qualitative-conceptual determinations at the structural level. Following Johanna Seibt’s characterization of ontology as a theory of categorial inference, we trace the preservation of inferential semantic structure across ontological theories in relation to model languages and provide provisional indications to coordinate Seibt’s account with a convergent realist assessment of systematic modeling, defining the epistemological conditions for articulating the preservation of formal structure in theories toward a limit-point of enquiry. (shrink)
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  44.  16
    Constitutional Principle in the Laws of the Commonwealth.Richard Ekins -2013 - In John Keown & Robert P. George,Reason, morality, and law: the philosophy of John Finnis. Oxford, United Kingdom: Oxford University Press. pp. 396.
  45.  25
    For a Rationalist Politics of the Event: Zermelo–Fraenkel Set Theory and Structuring the Multiple.Ekin Erkan -2021 -Filozofski Vestnik 41 (1).
    This article examines the relationship between Alain Badiou’s work on mathematics and politics by tethering his most recent work on the former, Migrants and Militants with L'Etre et l'évéenement. Juxtaposing Badiou’s work on being with Deleuzean becoming, this article begins by detailing Badiou’s Platonism. Consequently, the paper seeks to demonstrate that Badiou’s political position on migration is not only compatible with but serves as an extension of his work on Zermelo-Fraenkel axiomatized set-theory. This bricolage critically engages with Badiou’s conception of (...) the truth-procedure and the event. In relation to the ontological order of the pure multiple and the objective order of presentation, subjectivation emerges as an interruption of the stability and stasis of the ontological order, both politically and in mathematics, stilting the process which Badiou names an “event,” which initiates the creative process of construction or “truth-procedure.” The nexus of Badiou’s case study on migration finds him repudiating what he sees as a faulty moral imperative lodged in Derrida’s conception of hospitality, which Badiou sees as denying true subjectivity and reaffirming pernicious essentialisms. (shrink)
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  46.  7
    The politics of authenticating: revisiting New Orleans jazz.Richard Ekins -2023 - Lanham: Lexington Books. Edited by Robert Porter.
    This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist.
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  47.  27
    Aesthetic Ideas and Art Interpretation in Kant’s Third Critique and Schelling’s ‘System of Transcendental Idealism’.Ekin Erkan -forthcoming -British Journal of Aesthetics.
    This paper argues for a metacognitive reading of Kant’s doctrine of ‘aesthetic ideas’, according to which they enjoy the functional role of licensing a theory of art interpretation. I begin by offering a textualist reading of Kant’s doctrine of ‘aesthetic ideas’ and contest the received ‘semantic paradigm’ according to which aesthetic ideas either approximate the form or content of a rational idea. After showing the relationship between aesthetic ideas and artistic interpretation, I assess whether Kant’s theory delivers what we want (...) from a theory of artistic interpretation. I subsequently show how Schelling’s conception of artistic production and reception in the System of Transcendental Idealism (1800) draws from Kant’s doctrine of ‘aesthetic ideas’. After analyzing the relationship between Kant and Schelling’s accounts of art interpretation, I evaluate which account we ought to prefer. (shrink)
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  48.  37
    Béatrice Longuenesse, "I, Me, Mine: Back to Kant and Back Again" and Alison Laywine, "Kant’s Transcendental Deduction: A Cosmology of Experience".Ekin Erkan -2021 -Philosophy in Review 41 (1):29-36.
    Review of Alison Laywine's Kant's Transcendental Deduction (2020) alongside Béatrice Longuenesse's I, Me, Mine: Back to Kant and Back Again (2017).
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  49.  62
    Anja Jauernig, The World According to Kant: Appearances and Things in Themselves in Critical Idealism. Oxford/new York: Oxford University Press 2021, xii+380 pp. [REVIEW]Ekin Erkan -2021 -Archiv für Geschichte der Philosophie 103 (4):764-769.
    Book review of Anja Jauernig, The World According to Kant: Appearances and Things in Themselves in Critical Idealism (2021) byEkin Erkan.
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  50.  58
    Reason and Experience in Mendelssohn and Kant. [REVIEW]Ekin Erkan -2021 -International Journal of Philosophical Studies 29 (2):1-7.
    Review of Paul Guyer's Reason and Experience in Mendelssohn and Kant.
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