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Tool, Collaborator, or Participant: AI and Artistic Agency

British Journal of Aesthetics (forthcoming)
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Abstract

Artificial intelligence is now capable of generating sophisticated and compelling images from simple text prompts. In this paper, I focus specifically on how artists might make use of AI to create art. Most existing discourse analogizes AI to a tool or collaborator; this focuses our attention on AI’s contribution to the production of an artistically significant output. I propose an alternative approach, the exploration paradigm, which suggests that artists instead relate to AI as a participant: artists create a space for interaction with the AI algorithm by way of their prompts, thereby allowing them to explore the way that the algorithm “sees” and “represents.” AI art practiced in this fashion bears a striking resemblance to contemporary conceptual and participatory art. Viewing AI art in this way has implications for the appreciation of style in AI art; concerns about novelty and originality; and the assignment of artistic credit and copyright.

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Anthony Cross
Texas State University

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References found in this work

Painting as an Art.Richard Wollheim -1987 - Princeton University Press.
The Curious Case of Uncurious Creation.Lindsay Brainard -forthcoming -Inquiry: An Interdisciplinary Journal of Philosophy.
Personal Style and Artistic Style.Nick Riggle -2015 -Philosophical Quarterly 65 (261):711-731.

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