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The first book-length philosophical study on the Presocratic influences in Plotinus’ Enneads. | |
Towards the end of fragment 1 of his Poem, Parmenides puts forward two methods or paths that a priori explain the same object of study: the existence of the fact or state of being. One of the options leads to the core of the truth and is, therefore, pursued. The other is merely a set of contradictory opinions and is, accordingly, abandoned. These two paths are expounded in the rest of the Poem, while fragment 4 shows that even the erroneous (...) conception, which had to be set aside, can still be fruitful. Once the firm foundation of truth has been established, fragments 10 and 11 propose to widen the inquiry to the whole of reality. This interpretation suggests a rejection of the arrangement of the Poem that has become canonical, and a criticism of the doxographic tradition that since Aristotle has “Platonised” the philosophy of Parmenides by assimilating the “opinions” (which are only points of view) to the “appearances” (in the Platonic sense of the term). (shrink) No categories | |
Tem-se analisado, recorrentemente, a influência de Homero e de Hesíodo no proêmio do poema de Parmênides. As possíveis influências da poesia órfica tem sido apenas consideradas. Todavia, diversas descobertas de textos órficos aconselham voltar a analisar os vestígios da tradição mistérica, em geral, e órfica, em particular, no poema do filósofo de Eléia, sem minimizar, com isso, as outras influências já postas em relevo. O autor assinalou, em um trabalho anterior, algumas conexões entre Parmênides e os textos órficos; neste artigo, (...) a análise se centra nos pontos de contato com ideias e imagens literárias dos Mistérios que se encontram no proêmio. Não se trata de determinar as crenças do filósofo, senão de situar, no âmbito da tradição, os conteúdos doutrinais e/ou poéticos expressados nesta parte fundamental do seu poema, para fazer ver o que têm de poderosamente originais e, em consequência, tratar de determinar o significado do proêmio no conjunto da obra. (shrink) No categories | |
Each thinker, according to Heidegger, essentially thinks one thought. Plato thinks the idea. Descartes thinks the cogito . Spinoza thinks substance. Nietzsche thinks the will to power. If a thinker does not think a thought, then he or she is not a thinker. He or she may be a scholar or a professor, a producer or a consumer, a fan or a fake, but he or she would not be a thinker. Thus, if Heidegger is a thinker, he essentially thinks (...) one thought. What is Heidegger’s one thought? It is neither life nor death, neither me nor you. It is neither technology nor art. It is neither spirit nor language. Heidegger’s one thought is being—or more precisely, the question of the meaning of being. And what is being? Neither presence nor absence--but rather, an ambiguous uncertainty. (shrink) | |
Against the traditional interpretation of Doxa as intrinsically and thoroughly deceiving and untrustworthy, the present essay examines the passages which follow the self-characterization of the goddess’ speech as ‘deceitful.’ The traits of an extensive cosmogony and cosmology open up the possibility for discerning two aspects of Doxa: first a presentation of mortal erroneous opinions, but then also their correction within the framework of the ‘appropriate world-arrangement’ presented by the goddess. | |
The aim of my paper is to investigate Gorgias’ argument against motion, which is found in his Peri tou mē ontos and preserved only in MXG 980a1˗8. I tried to shed new light both on this specific reflection and on the reliability of Pseudo-Aristotle’s version. By exploring the so called “change argument” and the “argument from divisibility", I focused on the particular strategy used by the Sophist in his synthetikē apodeixis, which should be investigated in relation to the dispute between (...) monistic and pluralistic ontology. In this regard, the puzzle from “divisibility everywhere” and its connection with the void as not-being can provide new elements to grasp the philosophical background in which the Sophist moves. On the one hand, Gorgias’ argument against motion is part of a broader dispute on the divisibility/indivisibility of being; on the other, his original elaboration of this puzzle seems to be perfectly understandable within the controversy between Eleatics and Atomists, and coherent with the argumentative style of the Sophist. (shrink) | |
The extraordinary overall textual situation of Parmenides’ B1,1-3, due to complex, variegate and polymorphous causes, entailed and still entails diverse sorts of problematic issues so to constitute a true labyrinth of philological, hermeneutical and theoretical instances interwoven each other in almost inextricable way. In this analysis, a first substantial knot of philological type resulted necessary to a preliminary discrimination for making sure the textual reconstruction in order to argue then its most literarily clear and specifiable meaning. In this way it (...) was also possible to make sure its semantic and theoretical relevancies. This research leaded to outline and, hopefully, to demonstrate no textual corruption and following misunderstanding happened before sec. XIII, namely corresponding to the lecture present in the first available manuscript, the so-called cod. N, universally excluded and entirely misevaluated, even discarded; instead it is not only the principle, but the unique reliable codex. The detailed analyse including the autoptic exam is the result of enlightening the absolute goodness of this version and the reasons both philological and hermeneutical comparations, which allow to achieve its complete textual rehabilitation and so to grasp its real conceptual content. (shrink) No categories | |
Aristotle presented an influential conception of the universe consisting of a sphere of fixed stars with a spherical Earth at its centre. A spherical conception of heaven and Earth appears also in Plato’s writings. In presocratic cosmology, the idea of a spherical universe appears probably first in the thoughts of the Pythagoreans and Parmenides. But while there is no surviving evidence for the cosmology of early Pythagoreans, various sources mention in relation to Parmenides a solid surrounding part and a spherical (...) Earth at the centre of the universe. Being, which Parmenides had likened to a sphere, may have moreover in a cosmological sense referred to ‘heaven.’ Furthermore, we can observe in presocratic cosmologies a development which shows that the cosmology of heavenly sphere appeared in the fifth century BCE. Although Parmenides is commonly thought to have influenced especially ontology, one can argue that it was he who introduced the concept of a heavenly sphere to cosmology, a notion which in Aristotle’s thought evolved into the notion of a sphere of fixed stars forming the boundary of the world. (shrink) | |
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It is generally accepted that the enigmatic fragment 12 of Parmenides, supplemented by the first part of Aetius II 7.1, represents an unlikely cosmos which comprises alternating spherical crowns of fire and night, surrounding the earth. A comparison of the fragment and Aetius’ text shows that the latter adds nothing substantial to the fragment. Thus, fragment 12 can actually represent the structure of the earth, which consists of a core of fire, is surrounded by the layers of the earth’s crust, (...) into which heat is transmitted from within, and on which the goddess of life dwells. (shrink) | |
The aim of this paper is to make good philosophical sense of Plato’s portrayal of Zeno in the Phaedrus, both in itself and in the light of the characterization emerging from the Parmenides, where Plato describes Zeno as a faithful defender of the doctrine of the One-All professed by his teacher Parmenides. Therefore, starting from the example of the Parmenides, I will demonstrate that, from Plato’s point of view, the pairs of opposites that characterize Zeno’s arguments in the Phaedrus do (...) not constitute contrasting positions that the Eleatic thinker adopted at different times, but contradictory consequences deriving from the admission of multiplicity. Finally, this will allow us to truly understand both the reason why in the Phaedrus Zeno is counted among those who practice the ἀντιλογικὴ τέχνη and the sarcasm that Plato expresses through the epithet Palamedes. (shrink) No categories | |
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_The first book-length philosophical study on the Presocratic influences in Plotinus’ Enneads._. | |
Resumen: El presente trabajo esbozará ciertos elementos para una interpretación global del proemio de Parménides, a partir del análisis de uno de sus elementos centrales: las doncellas hijas del sol. Tras examinar las acciones que éstas realizan dentro de la narración, y con el objetivo de defender una interpretación alegórica, se definirá la actividad alegórica arcaica mediante algunos ejemplos. Finalmente, se trazarán los cimientos para una revalorización crítica de la interpretación de sexto Empírico y se argumentará que la alegoría platónica (...) del carro alado como símbolo de la se halla motivada por la ambigüedad intrínseca del relato, ambigüedad que tiene por objeto mostrar la unidad real de los contrarios aparentes a través del símbolo de las doncellas hijas del sol.: This paper will outline several guiding principles concerning a comprehensive interpretation of Parmenides' proem through the analysis of one of its essential elements: the daughters of the Sun. After examining the actions they perform throughout the narrative and in order to defend an allegorical interpretation of them, some features of the archaic allegorical activity will be defined by the analysis of some examples. Finally, we will trace the foundations for a critical reappraisal of Sextus Empiricus' interpretation and we will argue that Plato's allegory of the "winged chariot" as a symbol of the ψυχή in the Phaedrus could well be closely recreating and evoking the Parmenidean myth of the proem. The hermeneutic disjunction may be motivated by the intrinsic ambiguity of the narration, an ambiguity intended to show the real unity of apparent opposites by using the symbol of the daughters of the Sun. (shrink) No categories | |
This page is dedicated to an analysis of the first section of Parmenides' Poem, the Way of Truth, with a selection of critical judgments by the most important commentators and critics. In the Annotated Bibliography I list the main critical editions (from the first printed edition of 1573 to present days) and the translations in English, French, German, Italian and Spanish, with a selection of studies on Parmenides; in future, a section will be dedicated to an examination of some critical (...) variants of the Greek text, with particular attention to corrections to the Diels-Kranz (abbreviated DK) edition of the Fragmente der Vorsokratiker. The fragments of Parmenides' Poem are cited according to Diels-Kranz numbering system as adopted in the 6th edition, Berlin 1952; the Poem is divided into three parts: the Proem fr. I, 1-32; the Way of Truth (Alethéia) from fr. II to VIII, 49, and the Way of Mortal Opinion (Doxa) fr. VIII, 50 to XIX, 3. (shrink) | |
Even if Plato never claimed to be a ‘historian of philosophy’, there are in his dialogues many references to previous philosophers. Apart from his works on the Sophists, which do not claim to faithfully expose the ‘philosophy’ of their authors, we find in Plato’s dialogues comments and sometimes quotations from the Presocratics, from Thales to Philolaos. In some cases, Plato adds the name of the quoted philosopher, but sometimes he leaves to the reader the task of finding out who the (...) commented or quoted author is. This is the case with Melissos in a passage of the Sophist (244b), where his name is not quoted, but an anonymous monistic philosopher expounds a literal quotation of the philosopher: ἓν μόνον ἔστιν (fr. B 8.1 DK). (shrink) No categories | |
It is perhaps time to revivify our other name in Greek: phos. For although the Greeks named us anthrôpos, they also called us phos. And the Greeks used the word phos because we are like light. Indeed, our way of being light-like is illuminating, which illuminates being and the truth of being, so that it can be thought and said, imagined, and sensed—especially insofar as we are this illumination. Thus, it is time to reclaim phos as our name and so (...) rethink what it means to illuminate, whether we light up everything that is, as well as ourselves, or not. (shrink) | |
A close reading of the contexts of several Homeric passages reveals that Homer often uses εἰδώς with ironic force. This realization sheds light on several passages discussed herein, including: 1) Homer's description of the location of Ithaca, which is shown to be Odysseus’ strategic lie that directs the Phaeacians to the local stronghold (nearby Dulichium), and 2) the manuscript reading of Parmenides B1.3, which is shown to harbour no internal conflict even if its εἰδότα φῶτα (‘one who knows’) is in (...) a state of confusion (ἄτῃ), because εἰδότα can signal incomplete or confused knowledge, or even a lack of it. Other literary clues in Parmenides B1 are shown to support this reading. (shrink) | |
The conceptualisation of movement has always been problematical for Western thought, ever since Parmenides declared our incapacity to conceptualise the plurality of change because our self-identical thought can only know an identical being. Exploiting this peculiar feature and constraint on our thought, Zeno of Elea devised his famous paradoxes of movement in which he shows that the passage from a position to movement cannot be conceptualised. In this paper, I argue that this same constraint is at the root of our (...) incapacity to conceptualise the unseen movement at the micro-level and that the aporetic idea of super-position far from opening the gate on a deeper reality is a symptomatic word for this lack of understanding. (shrink) | |
The paper demonstrates that Parmenides’ monism is a logical consequence of his criteria for philosophy, in conjunction with the logical operators he uses, and their holistic connection. Parmenides, I argue, is the first philosopher to set out explicit criteria for philosophy, establishing as criterion not only consistency, but also what I call rational admissibility, the requirement when giving an account of something that the account be based on rational analysis and can withstand rational scrutiny. I give a detailed account of (...) the logical operators Parmenides uses in his argument and of the way in which his notion of being is tailored to fit both them and his criteria for philoso-phy. (shrink) |
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